A Japanese painting of a pair of songbirds perched atop a Peony Tree. Mounted single panel using a colored Sumie technique. Silk bordered on a silver leaf background.

Age: Taisho Period (1912-1926)

Dimensions: 70" High by 28 5/8" Wide

An antique Japanese Ikebana bamboo basket in a tall slender design. With a matched Wisteria handle that sweeps high over the top of the basket and dramatically extends to the waist. The body is divided by three levels, each separated by a distinct weave. Base is comprised of three layered concentric rings that provide a strong foundation for this work of art.

Age: Meiji Period (1880-1900)

Dimensions: 7 1/2" Diameter by 23 3/4" High

A beautiful set of ten small shallow dishes, each uniquely decorated with a poem and image from the Edo period Sasashima Kiln of central Nagoya. The box, titled Sasashima Yaki Teshio Jumai (10 Sasashima Salt Dishes) is dated inside to the Tenpo era, (1830-1844). Each dish is 9 cm (3-1/2 inches) diameter and all are in excellent condition. Salt dishes were small plates used to hold salt, pickles or other condiments in a traditional Japanese meal...

Japanese antique silk fukusa tsuzure nishijin textile.This is a beautiful fukusa from the Meiji era. This is a high quality silk fukusa with a design of a parent and child crane. Also recommended for antique collections. There are some stains. However, it is not noticeable. There is no major damage and it is in very good condition. Size: 72m (28.3 inches) / 64cm (25.1 inches)

This is a beautiful fukusa from the Meiji era. This is a high quality silk fukusa designed by Fukurokuju (one of the Seven Gods of Fortune). Fukurokuju is said to govern happiness, status, wealth (being blessed with money), and longevity. This is a fukusa that can be easily displayed on the wall. Also recommended for antique collections. There are some slight stains. However, it is not noticeable. There is no major damage and it is in very good condition...

Outside cloth of yogi which is one kind of futon in the shape of kimono, made of hand-spun cotton and vegetable indigo dye. It has tsutsugaki (glue-resist dyeing) "takara-zukushi" (various treasures) design. In good condition as a whole but has three mending patches in front and a few stains. Meiji period (1868~1912) W:148cm, L:129cm

This is Patchwork silk yosegire child kimono textile in Edo period(1800-1867).This yosegire kimono is a patchwork of natural safflower dyed shibori, shikon dyed katazome, and indigo dyed kaiki-silk.All are originals from the Edo period. The lining is red silk, and the stains on the outer material are due to the red silk. There are slight stains and damage. Recommended for collection. Size: Length 110cm (43.3") / Sleeve to Sleeve: 104cm (40.9")

This is a very elegant ramie summer children's kimono from the Edo period. The sleeves have a hand-painted bamboo pattern. The family crest is the rare mitsumorikumikaku. There are no stains or damage, and it is very carefully made.size: Length :90cm (35.4inch) / sleeve to sleeve :83cm (32.6inch)

A very unusual form of overlapping bubbles in snow white porcelain by Yatsugi Miho enclosed in the original signed wooden box titled Hakuji Chawan Hitoawa (A Bubble). It is 13 cm (5 inches) diameter and in excellent condition, directly from the artist.
Yatsugi Miho was born in Tokyo in 1973, and initially graduated advanced studies at the Tokyo National University of Agriculture and Technology in 1998...

Antique Japanese Buddhist Painting depicted Amida Descent of Amida and Twenty-Five Attendants. They each have musical instruments in their hands and fly down while playing music. Finely painted with ink, pigments, and gold on silk...

An antique Japanese Ikebana bamboo basket in a baluster form. A pair of twisting branches form the handle and extend in a swirl pattern around the body. The knots connecting the branches to the body take the shape of stylized cranes and turtles. The body has a criss cross spiral weave.

Age: Circa 1900-1920

Dimensions: 11" Wide by 22" High by 9 3/8" Deep

Contemporary Japanese praying mantis. Hand molded high grade leather over resin. Upright in a boxing position, head alert with watchful eyes. Well detailed.
The stealth movements of the praying mantis have made it a symbol of meditation and contemplation. In China, the insect has long been honored for its mindful movements. It never makes a move unless it is certain that is the right thing to do...

Contemporary Japanese Rhinoceros (kabutomushi) horned beetle. Hand molded high grade leather over resign form. Highly detailed, supple leather. Artist specializing in making one example of all types of insects.

Contemporary Japanese

Dimensions: 7 1/2" wide x 4 1/2" high x 14" deep

Japanese open shelved cha tea chest wih with sliding, hinged, and drawer compartments. 4 staggered for display and ease of tea ware. Fine silver scrolling vine detail quietly frames the pieced. Original condition and finish. Age First quarter of the 20th Century

Dimensions: 42" w x 48"h x 13 1/2" deep

Japanese merchants chest known as a gyoshu baku. Made of 100% sugi (Japanese Cypress) wood. Hand forged iron hardware. Single hinged with latching door. Tucked inside are seven drawers. Gyohu bakus are meant to be worn on the backpack for ease of transport and organized storage.

Edo Period (1868-1912)

Dimensions: 11" wide x 29 1/3" H x 19 1/2" deep

An original Edo Period Japanese single section Kannon Biraki tansu chest made of iron, kiri (paulownia) and sugi (cypress) woods. An assortment of drawers are neatly tucked away inside. Originally made to store textiles and traditional clothing. Pair hinged doors are lockable with original key included.
Hand forged family crest of the Matsunaga family...

LILY SHRINE WITH WOMAN'S SECRET CASE

Assortment of an wooden 'zushi' (miniture shrine) with woodblock-printed lily pasted on and a small bakelite case used by a postwar 'yujo' (Japanese prostitute) to once put her own body hair into (so no hair now) and give it to her important customers, both coming from the collector who specializes in Japanese red-light district and sexual culture as its provenance...

Fine earthenware dish from Satsuma. Polychrome decoration where blue (typical Gosu blue) is dominant, this type of decoration was called "Imperial" although these ceramics were not intended for the emperor but mainly for export to the Europe and the United States...