A bag which is hand-plaited with indigo dye hemp string. It is carried on the back with various items. 19th to early 20th century. One string is cut. W:15cm, L:62cm

Very large tile in the shape of (and virtually in the size of) a handscroll decorated in underglaze blue with a crashing wave and a full moon. The image is surrounded by borders of geometric flowers and medallions filled with a phoenix. Some of the phoenixes looks left, others look right. Medallions colored in underglaze pink and yellow.

On the back are two ‘loops’ to hang the tile up...

Ivory netsuke of a craftsman making a bucket.

Signature below, the first unidentified character : ?光.

Japan – Late Edo period (1603-1868) ou Meiji era (1868-1912), 19th century – ?光
Width: 1.2 in (3.8 cm) – depth: 1.2 in (3.7 cm) – height: 1.2 in (3.8 cm)

Ivory netsuke of a craftsman with a fan. Near the holes reserved for the rope (himotoshi), maple leaves.

Signed below, the first character unidentified: ?夫 .

Japan – Late Edo period (1603-1868) or Meiji era (1868-1912), 19th century – ?夫
Width: 1.9 in (5 cm) – depth: 1.6 in (4.5 cm) – hauteur : 1.6 in (4.2 cm)

Boxwood netsuke of two chestnuts, one smaller on top of the larger.

Chestnuts, found all over Japan, are considered a symbol of victory and a good omen.

Japan – Meiji era (1868-1912)
Width: 2 cm (5 cm) – depth: 0.8 in (2.8 cm) – height: 1.6 in (4 cm)

Okimono bronze sculpture of a garlic head with a few cloves visible.

Unidentified mark on the base, most likely from the foundry.

Japan – Meiji era (1868-1912)
Width: 2 in (5 cm) – depth: 1.5 in (4 cm) – height: 1.8 in (4.7 cm)

Ivory netsuke of a guardian lion, komainu in Japanese or shishi in Chinese, with golden eyes. Resting on its front paws, its head is turned backwards on a four-lobed base.
The komainu is inspired by the Chinese guardian lion shishi, which dates back to the Tang dynasty (581-618)...

BIRD TREE BY SHIGEO FUKUDA

Vintage wooden puzzle sculpture toy by Shigeo Fukuda (1932-2009 / https://en.wikipedia.org/wiki/Shigeo_Fukuda), as the same type made for his daughter originally. 1965-1969, Japan. H 27 x 21 x 9 cm (10.62 x 8.26 x 3.54in)...

Japanese pair of porcelain Inari kitsune (foxes). Glazed and painted they sit on brightly colored bases, one with a scroll, the other with a ball in it's mouth.
Also called zenko, these good spirit kitsune are specifically associated with the goddess, Inari. Believed to be both messengers and guardians, kitsune served Inari in her role as goddess of agriculture, specifically rice. Part of the folklore surrounding the fox is it’s ability to shape shift into human form...

1900's Japanese Ando Jubei Cloisonne Box with Gold & Silver Wires & Maple Tree & Birds

It is 2.28 inches (5.8 cm) tall by 4.76 inches (12.1 cm) wide and 6.45 inches (16.4 cm) in length. It is 2.6 Lb.

It is tarnished and has enamel chips, enamel bruises, rubbing of gold, minor bent and cut marks at the inner metal rim, and surface wears and scratches (as seen in the photos).

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Antique Japanese set of four lotus leaves and blossoms. Carved of wood and lacquered silver. Made for a Buddhist altar, these leaves and blossoms symbolize the stages of the path toward enlightenment. Every petal of the lotus flower is carved separately. Each blossom and leaf comes fitted with a custom metal stand so they can be rearranged at will.

Age: Taisho Period

Dimensions: approx 24"hight (tallest leaf)

Antique Japanese root wood basket. Made of a single piece of carved burl. Beautiful grain.

Age: Taisho Period

Dimensions: 5 1/4" high x 12" long x 7 3/4" wide

Antique Japanese Lacquer Fubako, a box used to store document. Of deep rectangular shape, decorated with twigs of different flowers, mainly chrysanthemum and morning glory and leaves in gold and silver hira maki-e on a gold nashiji ground. The interior in loose nashiji on black ground. Fitted with two metal mon rings. Size: L 38 x W 7,5 x 8,5 cm. Edo (1603-1868) 19th century. Condition: Good with a few minor nicks along the inner corner of the lid(see last picture)...

Futonji with tsutsugaki (glue resist dye by free hand) made of hand spun cotton. It has traditional "Karajishi-Botan", imaginary lion and peony motif. The green ground cloth is dyed with vegetable indigo and natural yellow, the painting is colored with pigments. It is remade to futonji from originally yogi, which is a futon in the shape of kimono. The tsutsugaki technique is excellent and in excellent condition. Meiji period (1868~1912).

A river runs past deeply forested hills populated by rooftops in this naïve ink painting reflecting the charm of rural Japan by Shirakura Niho. Ink on paper mounted in a green cloth border extended with beige featuring Shunkei nuri lacquered wooden rollers which would instantly call to mind the mountain village of Takayama, home of the Shunkei style. It is 52.5 x 116.5 cm (20-1/2 x 46 inches) and comes in the original signed wooden box titled Satoyama Fukei (Mountain Village Scenery)...

This is a fabulous painting dated 1930 by Shirakura Niho enclosed in the original signed wooden box titled Ko-Ten-Bo-Setsu (Twilight Snow in the Bay). Viewing it one can hear the silence, the soft pattering of snow and the flap of wings as geese take flight in the distance. Shirakura Niho was from Niigata prefecture, so was a man who not only knew snow well, but was well known for his snowy landscapes...

A small Japanese Arita kilns blue and white porcelain sauce dish, or mamezara, of mokko-gata form. Namban (or Nanban, Southern barbarian) decoration of a foreign figure, with dog, falconing in picturesque landscape. Painterly shironuki decoration in the cavetto of cranes flying among clouds. Edo period, Circa 1800. Good condition for its age, with two small chips inside the foot rim and a small glaze abrasion just above the foot rim. About 3 15/16 inches (10 cm) square.

A small pair of Japanese Imari porcelain bowls (or small, deep dishes) with Namban (or Nanban, Southern barbarian) subject bowls. Imari palette decoration in three reserves, each of a figure among blossoming karakusa, in the cavetto. The center with blue underglaze decoration of Shishi with auspicious objects. The verso also with decoration in blue underglaze of precious objects around the raised, glazed ring feet surrounding a recessed, unglazed band around glazed, further recessed center...