Original pencil and brush signed print by Hiroshi Yoshida (1876-1950), titled Otenjo, from the Twelve Scenes in the Japan Alps Series, 1926. This design is illustrated at plate 30 of “The Complete Woodblock Prints of Yoshida Hiroshi”, Abe Publishing Co., Ltd., 1987. There is an early brown jizuri seal in the left margin.

The image measures approximately 10 by 14 5/8 inches, plus full margins...

Original pencil and brush signed print by Hiroshi Yoshida (1876-1950), titled Hirosaki Castle, from the Eight Scenes of Cherry Blossoms Series, 1935. This design is illustrated at plate 192 of “The Complete Woodblock Prints of Yoshida Hiroshi”, Abe Publishing Co., Ltd., 1987. There is a jizuri seal in the left margin.

The image measures approximately 14 3/4 by 9 5/8 inches, plus full margins...

Original pencil and brush signed print by Hiroshi Yoshida (1876-1950), titled Yozakura in Rain, from the Eight Scenes of Cherry Blossoms Series, 1935. This design is illustrated at plate 193 of “The Complete Woodblock Prints of Yoshida Hiroshi”, Abe Publishing Co., Ltd., 1987. There is a jizuri seal in the left margin.

The image measures approximately 14 3/4 by 9 5/8 inches, plus full margins...

Original pencil and brush signed print by Hiroshi Yoshida (1876-1950), titled In a Temple Yard, from the Eight Scenes of Cherry Blossoms Series, 1935. This design is illustrated at plate 197 of “The Complete Woodblock Prints of Yoshida Hiroshi”, Abe Publishing Co., Ltd., 1987. There is a jizuri seal in the left margin.

The image measures approximately 14 7/8 by 9 3/4 inches, plus full margins...

Original pencil and brush signed print by Hiroshi Yoshida (1876-1950), titled Omuro, 1940. This design is illustrated at plate 240 of “The Complete Woodblock Prints of Yoshida Hiroshi”, Abe Publishing Co., Ltd., 1987. There is a jizuri seal in the left margin.

The image measures approximately 9 3/4 by 15 inches, plus full margins. The print is in very good condition, aside from some faint rubbing at the right corner of the image...

Original pencil and brush signed print by Hiroshi Yoshida (1876-1950), titled Dainan Gate in Mukden, from the Korea and Manchuria Series, 1937. This design is illustrated at plate 212 of “The Complete Woodblock Prints of Yoshida Hiroshi”, Abe Publishing Co., Ltd., 1987. There is a jizuri seal in the left margin.

The image measures approximately 9 5/8 by 14 3/4 inches, plus full margins. The print is in very good condition, with no condition issues to note...

Original pencil and brush signed print by Hiroshi Yoshida (1876-1950), titled Fujiyama from Yoshida, from the Ten Views of Fuji Series, 1926. This design is illustrated at plate 49 of “The Complete Woodblock Prints of Yoshida Hiroshi”, Abe Publishing Co., Ltd., 1987. There is a jizuri seal in the left margin.

The image measures approximately 9 3/4 by 14 1/2 inches, plus full margins...

Original pencil and brush signed print by Hiroshi Yoshida (1876-1950), titled A Little Temple Gate, from the Kansai District Series, 1933. This design is illustrated at plate 181 of “The Complete Woodblock Prints of Yoshida Hiroshi”, Abe Publishing Co., Ltd., 1987. There is a jizuri seal in the left margin.

The image measures approximately 14 5/8 by 9 1/2 inches, plus full margins...

Standing Seishi Bosatsu, the hands forming the gassho adoration mudra, sculpted in relief from a dense, gray-black igneous stone. Clearly dated on one side to the 17th year of the Kyoho Era (1732), mid-Edo Period. Minor old loss to the perimeter.

Height: 60.5 cm
Width: 24.9 cm
Depth: 14.8 cm.

A squarely monumental piece showcasing a delicately rendered Seishi Bosatsu in an oval frame, with irrefutable temporal provenance. Uncommon.

Japanese sword chest (katana tansu), made all of kiri (paulownia wood), 2 long drawers, iron hardware with square lock plates and warabite shaped drawer pulls, iron corner bracing, Meiji Period (1868-1912). Size: 12 1/2" high x 47 1/2" wide x 14 1/2" deep.

Japanese antique cha tansu (tea chest) made of dark hardwood, many open shelves with decorative cut out areas, compartment on top right with sliding panels, larger compartment on the bottom with hinged doors, 2 small drawer on the bottom right, Taisho Period. Size: 45" high x 46" wide x 14 1/2" deep.

Japanese kiri (paulownia) wood trunk, original deep red lacquer finish, iron hardware, trunk has curved lid and 2 drawers along the bottom (one large and one small), Edo Period (early 1800's). Size: 26 3/4" high x 34 1/2" wide x 16 3/4" deep.

Seated Jizo Bosatsu figuratively sculpted with rough-hewn simplicity from a grayish igneous stone, the hands forming the gassho adoration mudra. Edo Period ca. 1700. Minor old loss...

A very large,well potted, and finely decorated Satsuma earthenware vase made in Japan during the Meiji period (1868-1911). The foot-rim carries an impressed seal mark which reads - "Kozan". Condition - excellent - no damages and no restoration...

From our Japanese Collection, an exquisite Meiji Period (1868-1912) satsuma vase of tapered ovoid form, depicting several scenes of figures including an Empress with her attendants, all very finely executed with lavish use of raised gilding, moriage enameling, and intricately detailed shoulder work. Like all of our satsuma offerings, this piece is of the highest quality. Signed Kinkozan, circa 1880-1890.

SIze and Condition: 6 inches tall, 4 1/2 inches wide at the shoulder, perfect conditi...

Japanese 20th century SUISEKI viewing stone. The viewing stone comes with custom made wooden stand. The viewing stone measures 7" long by 2" tall and 3" deep.

Add a touch of class to any sleeve with this pair of vintage gold plated damascene toggle back cuff links. Damascene was an process of inlaying metal objects with 22K gold or silver decoration. These dome shaped cuff links were made in Japan, circa 1950 featuring a mythical Imperial phoenix bird surrounded by flora and fauna, unmarked, swivel toggle back. Size: 7/8" diameter. Very good vintage condition with wear to the dome.

From our Japanese Collection, a very fine assembled pair of Fukagawa imari porcelain chargers, Meiji Period (1868-1912). The blue Koransha mark on the reverse dates these more specifically to circa 1875-1880. One charger depicts figures set against a field of tall bamboo grass executed in mostly gilt and blue, along with very subtle use of green, orange and pink, while the second charger depicts just the bamboo grass. Both have scrolling floral sprays / karakusa in blue and orange on the revers...