An Arita porcelain whistle in the form of a reclining Chinese boy. Decorated in Kakiemon-type underglaze blue, green and iron-red enamels. Circa 1680 ~ 1700.

A similar whistle is illustrated in Christiaan J. A. Jorg’s ‘Fine & Curious, Japanese Export Porcelain in Dutch Collections.’

Approximately 7.4 cm long...

A rare Japanese Sometsuke Mukozuke dish, the design of a partially folded fan taken directly from Chinese porcelain made especially for export to Japan during the late Ming Dynasty, Tianqi Period, 1621-1627.

Modeled in the form of a partially unfolded fan and decorated with a figure on a riverbank, the river and a solitary boat before him. The naturalistically modeled back is plain and has three thickly potted circular feet...

A Chinese style celadon vase by one of the 5 Imperial Court Artists of Meiji. Sozan spent his life perfecting techniques for celadon production first used in the Souther Song Dynasty as evidenced here with the powdery blue “”kinuta”. The outer ring of the foot is unglazed showing the fine porcelain clay this piece is constructed from and the glazed center bears the seal of the Imperial Court Artist who fashioned this piece...

Perfume fountain in porcelain Imari kinrandé mounted in gilt bronze from the same set of porcelain. The cup and the bowl form the base, the pot covers the perfume container.
Blue under-cover decoration with gold highlights of interlacing lotus flowers. On each of the ceramic pieces, two four-lobed spaces and sides with floral motifs (pine, yellow and red lycoris, carnation, phlox moss, bamboo) and two foxes. Top of the pot with a chrysanthemum pattern...

From a large collection of Edo period Nabeshima and Hirado-ware, this intricately crafted incense burner in the shape of a lantern features two intertwined dragons dancing around the base...

A crusty black clay vase by Sakata Jinnai enclosed in the original signed wood box. Sculpted out into a crescent, it roughly forms a 24 cm (9-1/2 inch) diameter circle. Excellent condition.
Sakata Jinnai was born in Tokyo in 1943, and began as an apprentice under the legendary Kamoda Shoji in 1964, establishing his first kiln in 1966...

This piece was grilled with burning red pine fire woods for 10days in "Anagama" kiln. Melted ashes turned beautiful green glass. Size 6.5cm(W) 4.5cm(H) Accessary wooden box with signature

This piece was grilled with burning red pine fire woods for 10days in "Anagama" kiln. Covered ashes make beautiful pattern. It could be used as small vase. Size 7.7cm(W) 12.8cm(H) Accessary wooden box with signature

This piece was grilled with burning red pine fire woods for 10days in "Anagama" kiln. Melted ashes turned beautiful green glass. It could be used as small vase. Size 7.8cm(W) 14.0cm(H) Accessary wooden box with signature

This piece was grilled with burning red pine fire woods for 10days in "Anagama" kiln. Melted ashes turned beautiful green glass. Size 6.0cm(W) 4.1cm(H) Accessary wooden box with signature

This piece was grilled with burning red pine fire woods for 10days in "Anagama" kiln. Melted ashes turned beautiful green glass. Size 6.5cm(W) 4.5cm(H) Accessary wooden box with signature

A quintessential example of this artists most sought-after style, a ‘Scattered Blossoms’ vessel by Kondo Yutaka enclosed in the original signed wooden box titled Funka Bin (Scattered Flowers Bottle). The pattern of petals is impressed deeply into the surface, and filled with white slip, contrasting starkly against the textured black background. It is 23 cm (9 inches) tall, 17 cm (7 inches) diameter and in excellent condition...

An antique Shigaraki jar created and fired in this famous kiln region of Japan that was heavily potted. The skin shows the characteristic pock marks and imbedded fieldspar with a natural ash glaze. Originally used for tea storage, it has become a fine example of Japanese Wabisabi or understated elegance as well as an epitome of Mingei folk art.

Age: Edo Era (1750-1800)

Dimensions: 15 3/4" High by 13 1/4" Diameter

No discussion on 20th century Kyoto ceramics can skip over the importance of the Kyoto Shi Tojiki Shiken-sho ceramics research facility at which all the luminaries studied and laid the foundation for a number of the early Living National Treasures...

Gold glimmers on the rim against pale concrete tones on this rare mid-Edo period tea bowl from the Utsutsugawa kiln in Nagasaki prefecture, late 17th to early 18th century. Waves of brush strokes decorate the outside, while the white slip cascades from the rim in withering streaks within. A kutsuki on the side testifies to some event which happened during the firing, where another piece of pottery collapsed against the side, fusing and causing the bowl to deform...

This piece is baked in "Anagama" for 10days, so it is naturally covered by ashes of red pine fire woods and has been firing- denatured on surface in natural. We Japanese call this change "窯変　Yohen", This vase is able to use by two ways, hanging or setting. It is suitable for tea ceremony very well. Movie/YouTube: https://www.youtube.com/watch?v=hSOywHuZPSs Accessary : wooden box with signature of artist Size: 9.2cm (D) 17.5cm (H)

Large and unusual Japanese antique fish plate. Made to look as if one fish overlaps the other with raised details such as fins and eyes. The large white fish is further decorated with blossoming branches, butterflies and a small bird with gold details. The bottom fish is orange with blue fins and intricate scales painted in gold. Scrolling vines and peony flowers decorate the rim of the underside of the plate...

Antique Japanese Ishidoro - stone temple garden lantern hand carved out of granite in 6 sections. The lotus base is carved so that it is still connected to the hexagonal stone. The lantern section is similar in style to a hanging lantern with its curling warabite corner roof and pointed finial over a hollow hexagonal light box. This style of Ishidoro originates from the Kasuga Shinto shrine which give it the nickname Kasuga-doro...