A rare and early coppery bronze image of the Dhyani Buddha Amoghasiddhi one of the five Tathagata of the Vajrayana tradition. He is depicted with high, three-pronged crown, seated on the high, plinth-like lotus throne. Remains of cold gilt to face. On either side of the base are images of garudas. Inside with remains of empowered materials. Western Tibet, 12th century. H 25 cm. Condition: Good patina. Minor losses to one finger and side attributes...

Charming votive folk embroidery, from the Saurashtra area of Gujarat, made by the Kanbi farmers caste, circa 50/60 years old. The two ply field is woven from all hand spun rough cotton thread; hand dyed silk thread and small glass mirrors. Ganesh is flanked by two female consorts and his “vehicle” of mice beneath him. These are brought out during religious and auspicious festivals. Excellent condition. W: 54cm/21.1in and H: 56cm/22in. Free shipping.

A richly hand painted Tibetan storage chest, its entire painted with a vivid palette of red, orange, green, and gold mineral pigments. The surface is adorned with auspicious imagery, including phoenix-like birds, dragons, and blooming peonies, framed by scrolling floral borders...

This small vase is probably the upper part of a candlestick. We do not have an example of a Merenide candlestick but those from Egypt are cast in 2 parts which fit together, for the purpose of more practical cleaning of the wax. Its square shape and its incised decoration in the style of "lion's teeth" leads us to think that it is a creation of the Maghreb or Andalusia rather than Syro-Egyptian. Kufic characters are chiseled on the 4 faces. Thick and heavy. Height 10cm...

Drawing of a young boy dressed in oriental style. The clothing seems to indicate the Ottoman Empire. According to the written indications, this is a "Little Sultan" painted by Angèle Bouët in 1870 in a boarding school called "Pontlieue" near Le Mans. On the back of the drawing, the label of a framer from Le Mans confirms the region. This framer, Zakarie Maignan, was known for his quality work. We found no trace of this painter. Nor was there anything about the child depicted...

An antique Indian votive Shiva Lingam with a figure of a large Naga (snake). This lingam sits on the outer edge of one of the large coils of the great snake. It represents the union of opposites, the male and female energies combined in creation and Shiva, the Hindu god of destruction.
Above the lingam is the large hooded head of the cobra, the Naga that is so closely associated with Shiva. Shiva is the god of all beasts and wears a cobra around his neck...

An antique Indian bronze votive planque depicting the Hindu god, Virabhadra. Considered the protector of Hinduism, Virabhadra is an incarnation of Shiva.
Although they were not invited, Shiva and his wife, Sati attended a yajna (a sacrificial ritual) hosted by her father, Daksha. Sati's father did not approve of the ascetic Shiva and insulted Sati. In despair, Sati threw herself on the ritual pyre. When Shiva learned of Sati's death, he tore his hair out in anger...

Tibetan antique thangka painting of the Fifth Dalai Lama, Ngawang Lobsang Gyatso (1617–1682). He was born in the Yarlung Valley in Tibet to a family of Nyingma practitioners who were descendants of the Imperial line of the Yarlung Dynasty. In 1622, he was identified as the rebirth of the 4th Dalai Lama. He finished his monastic ordination in 1638...

Tibetan antique gilt bronze figure of Amoghasiddhi, the Buddha of "Unfailing Accomplishment". Seated with his hands in abhaya mudra, with his right hand raised in a gesture of assurance as if to say "have no fear".
Amoghasiddhi is one of the Five Wisdom Buddhas or Dhyani Buddhas...

A rare pair of antique Himalayan Citipati male and female skeletons. Made of gilt copper and with traces of original red, black and white pigment. Citipati "Lord of the Funeral Pyre" or "Lord and Lady of the Cemetery" (known in Sanskrit as (चितिपति) is a protector deity or supernatural being in Tibetan Buddhism. The Citipati is said to be one of the seventy-five forms of Mahakala and represents the eternal dance of death as well as perfect awareness. The male skeleton represents H...

Tibetan antique thangka painting depicting the union of Hayagriva and his consort, Vajravarahi. Hayagriva, a wrathful emanation of Avalokiteshvara, is a popular deity and is especially revered by students. He represents protection against negative forces. His union with Vajravarahi, a wisdom dakini, symbolizes the power and energy that completes and balances Hayagriva's protective and compassionate qualities.
Identifying Hayagirva is the horse's head protruding from his crown and iden...

A medium size Vintage BRONZE URIL or VARPU Vessel from Southern India for Ayurvedic Medicines or for ritual offerings with intricate design/motifs. Handcrafted by skilled Artisans symbolizing prosperity, good luck and happiness. Size: 8 cm x 20 cm. diameter, heavy weight. Good overall condition.

A group of 7 different old hand drawn Indian charts and drawings. Inks on paper. Largest 32x23 cm. Undated, estimated to be 19th century or earlier. Can be viewed in central London and shipped worldwide.

A group of 6 different old Indian circular hand drawn yantras. Coloured inks on paper. Largest 34x24 cm. Undated, estimated to be 19th century or earlier. Can be viewed in central London and shipped worldwide.

An large Indian document showing the two birds illustrating the episode in the Upanishads. Coloured inks on paper. 53x42 cm Restored and infills. Can be viewed in central London and shipped worldwide.

Explore the richness of Indian craftsmanship with this genuine, hand-carved Goddess. The piece embodies the timeless beauty and cultural significance of it's origins, with a primary material that speaks to the earthy and natural aesthetic of the Indian style. The black wood, complemented by a very fine custom made stand, provides a stark yet elegant contrast, making it a standout addition to any collection. Proudly presenting an Original Vintage art object, this collectable is not just a decora...

Large Indian document. 61x58 cm. Black ink on paper. Backed with conservation grade paper. Undated, estimated to be 19th century. Can be viewed in central London and shipped worldwide.

Authentic Indian large document. Inks and paint on paper mounted on cloth. 60x52cm Undated estimated to be 19th century. Numbered boxes of text, four areas of painting showing 8 full length figures. Can be viewed in central London and shipped worldwide.