An incredible Ming Dynasty large Chinese cast bronze temple in-censor. Sitting atop with turned head an open mouth, sits a fu-dog (Chinese Imperial guardian lions). Well modeled details with high level of craftsmanship...

Beautiful Chinese green jade covered container with tao tie design on wooden stand, with censor shaped form.

9" High x 6" wide x 3" deep

Republic Period

A wonderful Chinese export porcelain sitting dog with a rich turquoise glaze. In excellent condition, it measures 6.5 inches high. Dates circa 1910.

Chinese scroll . Hand painted on paper. Numerous seals in red. Old label Saying 20 Kuan Yin. 140x69 cm. Undated, estimated to be early 20 th century or earlier. Good condition. Can be viewed in central London and shipped worldwide.

A fine and rare incense burner (zhudiao xianglu ) of tripod form with a pair of handles carved of a piece of bamboo root. A ornamented band running along the rim. Qing, Jiaqing or early Daoguang, c. 1800–1830. H 10 cm, D 6.8 cm. Condition: Excellent with nice wear from handling.

Beautiful Chinese antique porcelain turquoise and gilt baluster vase and flared neck with red overglaze markings. Body with floral design done in gilt. with markings on body and inset bottom. Perfect condition.

Size: 9.25"H x 5.5"D

Age: Republic Period

A rare bamboo form porcelain brush pot with finely moulded bamboo decoration coated with a bright and vibrant turquoise glaze.

This brush pot / bitong was made in China early in the 18th Century during the reign of the Kangxi or Yongzheng emperor, circa 1700 - 1730. Although more commonly associated with middle eastern ceramics turquoise glazes have been found in China since the Tang dynasty...

Well modeled figure of Bodhidharma in stoneware with a whitish celadon glazed body. Depicted as an itinerant monk with hat and walking staff, with large earrings and beaded necklace and flowing robe. Unglazed base with brownish-grey color to clay body. Very good condition.

Size: 9" high

Age: late 19th century, Ching Dynasty

A late Ming Dynasty blue and white dish, decorated with white on blue four egrets in flight among clouds. Condition with rim fritting, re-glued and further in good condition. Diameter: 20,5 cm.

An antique Tibetan storage cabinet made with hand hewn carved wood. Painted serpentine dragons holding sacred jewels in each claw on 11 panels. The Tibetan dragon is a mythical creature that utilizes massive creative energy representing the principles of heaven, change and wealth. There are top and bottom wood hinged center doors.

Age: Late 19th Century (1870-1900)

Dimensions: 59 1/2" Wide x 48 3/4" High x 17 3/4" Deep

Antique Chinese robe, made of silk and woven with brilliantly colored fenghuang (phoenix) or firebirds, flowers and other feminine objects on a blue ground. Generous use of gold leaf covered thread, especially on the head and body of the birds.

Fenghuang (or Chinese phoenix) are considered a strong female symbol and the embodiment of high virtue and grace. This is especially true when it is used in the decorations for weddings or royalty along with dragons...

Rare three piece set of Chinese porcelain Doucai for wine serving, beautifully and delicately painted floral roundels with reds, greens, blues outlined with black on white porcelain ground. A pair of small wine cups and their wine server, each with the Drunken Ink Studio mark on their recessed bottoms. Perfect condition.

Size: Cups 2 3/8"D 1 1/4"H, Saucer 1 1/2" Opening 1 3/4" Widest 2"H

Charming Chinese ink rubbing of a stone stele depicting a fat cat surrounded by rockery with holes and chrysanthemum flowers after a painting by Jiang Tingxi (1669-1732) that was based upon an earlier work by Ming artist Lu Ji (1477-1505). Jiang’s seal bears the artist’s pseudonym “Nansha.” Likely dates late Qing to Republic period (late 19th to early 20th century). Paper: 24 3/4" x 13 3/4 (image: 21 3/8" x 11 1/4"). Very good overall condition...

A very appealing 19th century Chinese cloisonne reclining dog decorated in green, red, white, yellow, and blue against a turquoise ground. Gold gilt on cloisens, collar, gourd shaped bell, paws, eyes, and tail. In very good antique condition, there are no chips or abrasions to the enameling. Measures 4 inches high x 4.25" long.

A rare example of Yuan dynasty 13th-14th century Meiping blue and white vase, decorated with freely drawn of main decoration Dragon chasing flaming pearl, flanked by Chrysanthemum and classic scroll, the lower part with lotus panels. Foot rim unglazed and very dried. I believed it is after excavated from the deep sea of East Java Tuban port. Condition with one tiny chip and a large chip to the mouth rim, the cobalt blue slight grayish and pale, further in good condition. Height: 22 cm.

Chinese Lacquer Bronze Kwan Yin Buddha Riding Beast,16th Century

It is 10.1 inches (25.6 cm) tall by 6.25 inches (16 cm) wide. It is 1820 gram.

It has pitting, chips and surface wears and scratches (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it for a 100% refund of the amount you originally paid...

A rare bronze (copper tin alloy) incense tool holder, very finely cast in archaised Song Dynasty style. The square form neck is decorated alternately with Lingzhi fungus and stylized Acanthus leaves. Both are traditionally associated with resilience, good health and long life.

This item was made for the Chinese Scholar's Table in the 17th Century in the "Transitional Period" during the late Ming or early Qing Dynasties.

Condition: minor bumps and excellent old patination...

Oversized Chinese copperplate etching of two large white birds with prominent beaks (possibly two albatrosses) by Wu Wulong (b. 1956) titled "Under the Moon." The print is pencil-signed and titled in Chinese, dated 1986, and numbered 18/20 in the large bottom margin. Paper: 24" x 19 1/2" (image: 17 1/4" x 17 1/8"). Very good overall condition. There are a few pin holes in the upper margin. Some faint spotting and soiling is visible on the white birds, in the margins, and on the back...