Chinese Natural Turquoise stone Tassel/Pendant, 7" long total length, 3/4" wide and 5/8" high for center oval shape carved Turquoise with Chinese Character inscribed on both side attached with round Turquoise beads on the top and the bottom, wrapped around with Chinese style Macrame cord. The Turquoise stone is old and in good condition with natural infusions.

Japanese Kiri wood and lacquered floral decorated Hibachi with copper lining, 9 1/4" high, 10 1/4" diameter-outside, and 5" high, 8 1/4" diameter-inside polished copper liner, with 3" wide Lacquer band on the lower area. Low relief lacquer decoration on both sides. The condition is good, one small area about 1" long old separation in the natural Kiri wood.

Chinese Shiwan (Shekwan) pottery model of a Daoist Immortal, holding a fan and seated on a large gourd. The figure resembles Li Tieguai, who ordinarily is depicted with his staff and often carrying a gourd which was believed to contain medicine powerful enough to revive the dead. The figure holds a fan, the main attribute of the immortal Zhongli Quan (Han Zhongli). The fan is believed to have the power to revive the dead. Perhaps the figure is an amalgam of the two immortals. It stands abou...

An exquisitely formed Koro incense burner of a young oxherd astride his beast in raw clay and celadon glaze by Miyanaga Tozan I enclosed in the original signed wooden box dated 1925. The childs face is filled with serenity and wonder, as if he is looking up at the moon rising on a spring afternoon. Every detail is superb. It is 10-1/2 inches (26.5 cm) long and in excellent condition. Miyanaga Tozan I (1868-1941) is one of the most important names in Kyoto ceramics. He was born in Ishikawa ...

A huge exhibition screen by Nakamura Masahiko (1897-1964) featuring a gagaku dancer striking a definitive pose before flaming phoenix on a background of mirror image five storied pagodas. Pigment on silk in a red lacquered wooden frame typical of the era. It is similar in content to his 1927 submission to the Nitten National Exhibition, and can be associated with that time. Each panel is 94.5 x 233 cm (37 x 92 inches) and it is in overall fine condition, with typical marks from handling and a...

Hand-carved Chinese natural Hetian jade pendant - fisherman. Dimension: 57 x 46 x 17 (mm) or 2.24 x 1.81 x 0.67 inches with total weight of 0.15 lbs/68 grams, no condition issues. Introduction; Chinese Hetian Nephrite Jade Hetian jade, a nephrite jade, is regarded as the only true jade in ancient China until Burmese jadeite becomes popular in late Qing Dynasty. The hardness of the Hetian jade is between 6 to 6.5 and density is between 2.96 to 3.17. Most of the nephrite jade in the world are g...

An unusual Japanese Awaji vase hand thrown with applied floral pieces. Though designed for ikebana, the basic bottle point form and the beautiful glaze makes this vase a very striking piece that could be displayed as an art object. The artist used his creative talents to make the vase stand out by applying pieces that appear to be a log or branch with a vine and a large flower. One flower on the backside is chipped, see photo, but because the applied pieces are somewhat abstract, it is difficult...

A very lovely natural green Burmese jadite necklace, all stones were selected to match, none were dyed. The clasp is marked 'silver' and by the art deco design of it we date the piece to the 1920 - 1930's. The necklace measures 24" and consists of three strands. This is a nice weighty but very comfortable necklace, highly stylish and elegant, a real crowd pleaser.

Woodblock print of Nikko Kegon-no-taki (Kegon falls in Nikko) by Kawase Hasui from the series ukiyo-e monyo shu (Collection of ukiyo-e designs). The water depicted in the falls is textured. signed Hasui, sealed Kawase, publisher's mark Bijutsusha ("Rumi") and titled in the right margin. Image area, height about 14 5/16 inches (36.35 cm) by width about 9 3/8 inches (23.81 cm). Including margins, height about 15 3/8 inches (39.1 cm) by width about 10 2/8 inches (26.04 cm) near the top to 10 3/8 in...

An expertly hand carved dark salmon coral pin dating to the early part of the 20th century, 1920 - 1930s. Using the natural formation of the branch coral, the artist created a tree trunk with a chrysanthemum and 2 buds. In Chinese culture the chrysanthemum symbolizes long life, is one of the 4 Chinese seasonal flowers, and is often associated with nobility. In excellent condition, this rare beauty measures about 1.5" high.

Very well crafted Chinese Lidded famille rose porcelain covered bowl, from republic period, 7 1/2 inches in height and 13 inches in diameter, no condition issues.

A large Ko-Kutani style porcelain, charger sized, deep dish or shallow bowl. In the Ao-Kutani palette but with addition of red enamel to the array of blue, green, aubergine, yellow, black and chocolate brown enamel. The interior with bird perched on a peony stem, the cavetto with band of repeating diamond pattern. The back glazed green over black karakusa. The bottom yellow with black mark under a square green glazed reserve. Probably early 20th century, this quality of production can routinely ...

Hotei
Crow on Cherry Branch
Date: 1920s.
Size: O-tanzaku. Approximately 15.25 x 6.75 inches.
Medium: Japanese woodblock print.
Condition: Excellent.

This is Kazri-Mino of an vintage folk handicraft used in the Tohoku district. This is made of the epidermis of the tree of Shina and the seaweed which were completely dried. As for this, the decoration around the neck is made in Koyori-Paper. This is an item of the 20th century. This does not have stain damage. Size 127cm x 44cm (50 "x 17.3")

Nicely carved wooden,elm wood, display stand. Size: L. 40.2cm W. 23.8cm. H. 12.7cm. Condition: No repairs.

This vase is made in China Republic era , dated as 1920 and the noble ladies painted by Artist Li Wen Tai

Early 20th Century Chinese Famille Verte Porcelain Vase with Dragon

It is 16.2 inches (41.2 cm) tall by 8.5 inches (21.5 cm) wide. It is 7.5 Lb.

It is in good condition with no repairs, chips, or cracks.

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A porcelain Koro by Mashimizu Zoroku II and decorated with a tiger by Tomita Keisen and enclosed in the original wooden box signed by both artists. It is 12 cm (5 inches) diameter, the same height with a solid silver hoya of woven net weave by signed by Koju.
Mashimizu Zoroku II (1861-1936) inherited the pottery tradition of his father, Zoroku I and grandfather Wake Kitei III in the Gojo zaka district of Kyoto. He was a well regarded member of the city’s literatus, and is remembered f...