Japanese print of a seated Buddha by the artist Shiko Munakata (1903-1975). A member of the sosaku-hanga movement and the mingei folk arts movement in Japan. As a young artist, Munakata was influenced by Vincent Van Gogh and studied oil painting. Later he was inspired by Buddhist religious imagery which became the main subject matter of many of his prints...

Tsuchiya Koitsu
Summer Moon at Miyajima
Size: Approximately 16.75 x 11.25 inches.
Date: 1936. This edition is postwar (1950-1963).
Koitsu.com catalog no. TK-DH-036.
Publisher: Doi Hangaten. Carver: Harada. Printer: Yokoi.
Condition: Excellent. Full margins on all sides.

This is a tea bowl of Japanese OHI pottery ware, which was made about 50 years ago by famous Chozaemon Ohi (1901-1986).

It has a fantastic black glaze. The work and the box has the sign of the 9th. Chozaemon Ohi. His name is inherited from the Edo era.

The Ninth Chozaemon was the son of the Eigth Chozaemon who had been making tea utencils from age sixteen until his death at age eighty-six...

Beautiful framed Japanese urushi-e painting by artist Hakuo Iriyama (born 1904 in Shirone, Niigata). Urushi-e is a style of Japanese art in which colored lacquers are used, along with mica and metal elements as accents. This piece depicts Mount Fuji, raised against a deep blue background, with etched rock formations in bright gold and orange lacquer at its peak, fading to brown lacquer with silver mica-powder mists floating around it...

Japanese deep red or burgundy colored molded glass tile bracelet. Set in silver metal, the glass tiles feature a floral design. In excellent condition, the bracelet measures 6.75" long. Each tile measures about 1" x .75". Pictures don't do justice to this bracelet. If you think you like it, then you'll be very pleased you you receive it. You won't be disappointed.

Tsuchiya Koitsu
Takanawa Sengakuji Temple, 1933.
Size: Oban. Approximately 15.75 x 10.5 inches.
Publisher: Doi Hangaten (seal), also bears Doi watermark.
Carver: Harada (seal). Printer: Yokoi (seal). This seal combination indicates an early post-war edition. Reference: Koitsu catalog no: TK-DH-7.
Condition: Excellent. On the back, two spots of tape residue.
Sengakuji is a Buddhist Temple in Tokyo. It houses the graves of The 47 Ronin.

Charming and life-like set of iron crabs and one lobster. Crabs are two separate sizes, one large and one small. Beautifully made, this adorable set adds an oceanic feel to any home, garden, or office. Dimensions: Large Crab- 13" from claw to claw, 12" Tall Small Crab- 11" from claw to claw, 7.5" Tall Lobster- 9" Tall, 12" Long

Vintage Japanese woodblock print by moku hanga style artist Fumio Fujita (1933-present). He graduated the Musashino College of Fine Arts in 1955 and began making woodblock prints in 1963. This is an abstract piece he created early in his career with a goldenrod yellow and grey background and bold, black criss-crossing lines with solid black circles, capturing motion and fluidity. It is set in a black and gold frame...

Oversized limited-edition Japanese "sosaku hanga" woodblock print by Tamami Shima (1937-1999) titled "April Forest." The bottom margin is pencil-signed, titled in kanji, dated 1962, and numbered 67/100. Paper: 22"V x 15 7/8"H (image: 19 7/8"V x 13 3/4"H). Very good overall condition. April Forest is written in pen verso (see enlargement 5). From a Scottsdale, AZ estate. Originally purchased from M. M. Shinno & Associates in Los Angeles.

Oversized limited-edition Japanese sosaku hanga woodblock print by Okiie Hashimoto (1899-1993) titled "Evening Garden No. 16." The bottom margin is pencil-signed, titled in kanji, dated 1960, and numbered 16/60. The artist's red seal is at the lower left corner of the image. The lower right margin holds a black 5-character self-published mark. Paper: 22 3/4" x 18 1/4" (image: 21 1/4" x 16 3/4"). Very good overall condition. The margin corners are creased. From a Scottsdale, AZ estate.

Vintage Japanese Ash Glazed Celedon Vase, from the Iga Ueno area in Japan.The jar has green and brown colors, ringed around vase top to bottom. Beautiful crackle detail in glaze. Pleasant and sturdy. In good condition. Comes with signed Box. Circa 1970's Dimension: 8" Tall, 6" Diameter.

A Bizen type kogo in form of a primitively rendered reclining sage or monk. Signed on bottom. 20th century. Good condition. Length: 5 inches (12.7 cm)

Figure of an eight-armed octopus, lying down in an almost elegant pose. Stoneware with gradient brown-beige color glaze. Signed on the back Hakushi or Hiroshi. Japan, later part of Showa era.

Length ca. 13 ½ x D ca. 9 inches.

Mint condition

Oversized limited-edition Japanese sosaku hanga woodblock print by Okiie Hashimoto (1899-1993) titled "Garden in Autumn." The bottom margin is signed, titled in kanji, dated 1961, and numbered 10/60. The artist's red seal is at the lower right. The lower right margin holds a black 5-character self-published mark. Paper: 25"V x 20 5/8"H (image: 23 3/4"V x 19 3/8"H). Very good overall condition...

Snake carved out of a natural piece of twisted keyaki (paulownia) wood, stained dark brown. Japan, Showa era, perhaps a bit earlier.

H ca. 24 in.

Excellent condition.

This attractive e-Shino bowl (“e†meaning picture) bears a pine-needle motif on the front surrounded by fields of dazzling ochre and white.

Fired in the kilns of Kato Kageaki (1899-1972), this Shino bowl is from one of the oldest traditions in Japanese pottery. Kageyaki was the 12th generation of Mino potters known for their distinctive styles of Shino and Oribe pottery...

This magnificent Shino-yaki chawan, done in a rediscovered Momoyama period style, came from the kilns of one of Japan’s most celebrated and talented potters.

Arakawa Toyozo (1894 - 1985), designated in 1955 as one of but a handful of National Living Treasures, is best known for rediscovering lost techniques of pottery from the Momoyama and early Edo periods...

A very elegant and mature tsutsu style chawan created by Ito Tozan III (1900-1970), third generation of the Ito Tozan line of potters. Tozan, who at one time worked in the kiln of Hamada Shoji, learned pottery from his father Ito Tozan II (1871-1937) and his grandfather Ito Tozan I (1846-1920) from a very young age...