Vintage Japanese woodblock print by moku hanga style artist Fumio Fujita (1933-present). He graduated the Musashino College of Fine Arts in 1955 and began making woodblock prints in 1963. This is an abstract piece he created early in his career with a goldenrod yellow and grey background and bold, black criss-crossing lines with solid black circles, capturing motion and fluidity. It is set in a black and gold frame...

Oversized limited-edition Japanese "sosaku hanga" woodblock print by Tamami Shima (1937-1999) titled "April Forest." The bottom margin is pencil-signed, titled in kanji, dated 1962, and numbered 67/100. Paper: 22"V x 15 7/8"H (image: 19 7/8"V x 13 3/4"H). Very good overall condition. April Forest is written in pen verso (see enlargement 5). From a Scottsdale, AZ estate. Originally purchased from M. M. Shinno & Associates in Los Angeles.

Oversized limited-edition Japanese sosaku hanga woodblock print by Okiie Hashimoto (1899-1993) titled "Evening Garden No. 16." The bottom margin is pencil-signed, titled in kanji, dated 1960, and numbered 16/60. The artist's red seal is at the lower left corner of the image. The lower right margin holds a black 5-character self-published mark. Paper: 22 3/4" x 18 1/4" (image: 21 1/4" x 16 3/4"). Very good overall condition. The margin corners are creased. From a Scottsdale, AZ estate.

Vintage Japanese Ash Glazed Celedon Vase, from the Iga Ueno area in Japan.The jar has green and brown colors, ringed around vase top to bottom. Beautiful crackle detail in glaze. Pleasant and sturdy. In good condition. Comes with signed Box. Circa 1970's Dimension: 8" Tall, 6" Diameter.

A Bizen type kogo in form of a primitively rendered reclining sage or monk. Signed on bottom. 20th century. Good condition. Length: 5 inches (12.7 cm)

Figure of an eight-armed octopus, lying down in an almost elegant pose. Stoneware with gradient brown-beige color glaze. Signed on the back Hakushi or Hiroshi. Japan, later part of Showa era.

Length ca. 13 ½ x D ca. 9 inches.

Mint condition

Oversized limited-edition Japanese sosaku hanga woodblock print by Okiie Hashimoto (1899-1993) titled "Garden in Autumn." The bottom margin is signed, titled in kanji, dated 1961, and numbered 10/60. The artist's red seal is at the lower right. The lower right margin holds a black 5-character self-published mark. Paper: 25"V x 20 5/8"H (image: 23 3/4"V x 19 3/8"H). Very good overall condition...

Snake carved out of a natural piece of twisted keyaki (paulownia) wood, stained dark brown. Japan, Showa era, perhaps a bit earlier.

H ca. 24 in.

Excellent condition.

This attractive e-Shino bowl (“e†meaning picture) bears a pine-needle motif on the front surrounded by fields of dazzling ochre and white.

Fired in the kilns of Kato Kageaki (1899-1972), this Shino bowl is from one of the oldest traditions in Japanese pottery. Kageyaki was the 12th generation of Mino potters known for their distinctive styles of Shino and Oribe pottery...

This magnificent Shino-yaki chawan, done in a rediscovered Momoyama period style, came from the kilns of one of Japan’s most celebrated and talented potters.

Arakawa Toyozo (1894 - 1985), designated in 1955 as one of but a handful of National Living Treasures, is best known for rediscovering lost techniques of pottery from the Momoyama and early Edo periods...

A very elegant and mature tsutsu style chawan created by Ito Tozan III (1900-1970), third generation of the Ito Tozan line of potters. Tozan, who at one time worked in the kiln of Hamada Shoji, learned pottery from his father Ito Tozan II (1871-1937) and his grandfather Ito Tozan I (1846-1920) from a very young age...

This impressive han-tsutsu Shino chawan was made by the late 13th generation Mino potter Kato Seizo (1930-1979, Kagekiyo). Kato’s works are well-regarded throughout Japan and he has won a number of honors and awards over the course of his career as an artist. Not surprisingly, he is equally appreciated abroad and by foreign experts of Japanese pottery...

Tsuchiya Koitsu
Spring Rain at Matsushima
Date: 1936.
Size: Oban. Approximately 16.5 x 11.25 inches.
Publisher: Doi Hangaten, also bears Doi watermark.
Carver: Harada, printer: Yokoi.
This seal combination indicates an early post-war edition.
Condition: Excellent.

Ohara Koson
Cormorants at Coast
Size: Dai-oban. Approximately 17.25 x 11.25 inches.
Date: 1930s. This edition ca. 1960.
Reference: K3.3 and page 141 in Crows, Cranes and Camellias: the Natural World of Ohara Koson (Reigle Newland)
Publisher: Nishinomiya Yosaku
Condition: Excellent. Full original margins.

Ohara Koson
Owl and Moon
Size: O-tanzaku. Approximately 14.5 x 8.5 inches.
Date: 1930s. This edition post 1950.
Reference: K20.6 and page 97 in Crows, Cranes and Camellias: the Natural World of Ohara Koson (Reigle Newland)
Publisher: Nishinomiya Yosaku
Condition: Excellent. Full original margins. Never framed.

Japanese limited edition sosaku hanga woodblock print by Tadashi Nakayama (1927 - 2014) titled “Flowers and Riding Horse” (Hana to Kiba) dated 1968. The bottom margin contains, in pencil, the date, artist’s signature and edition number 49/85. The paper measures 20 3/8”V x 15 3/4”H (Image: 14 1/2"V x 11"H). A red Nakayama seal is on the back. In pencil at the bottom left corner of the back is the title, in Japanese, and the original saIes price of 10,000 yen...

An unusual lacquered flower vase, hanaike, by the eminent bamboo artist Tanabe Chikuunsai II ( 1919~2000 ). The black lacquered bamboo vase is decorated in vermillion lacquer with a sago palm and is also signed. The vase is complete with its original blue cotton bag and a signed and inscribed box.

Chikuunsai I began the family tradition of making fine bamboo crafts in 1890, it still flourishes today under the direction of Tanabe Chikuunsai III.

Approximately 30 cm high...

Tsuchiya Koitsu
Eagle
Size: Mitsugiri-ban. 15.25 x 7.75 inches.
Date: 1930s.
Publisher: Doi Hangaten. Bears the Doi watermark.
Carver: Harada. Printer: Yokoi.
This seal combination indicates an early post-war edition.
Reference: Koitsu catalog no. TK-DH-074.
Medium: Japanese woodblock print.
Condition: Excellent. One clear piece of tape at top back margin.