Japanese mid-century sosaku hanga woodblock print by Kiyoshi Saito (1907-1997) titled "Winter in Aizu" from a series by the same name. Signed in black ink at the lower right and with the artist's red Kiyoshi seal above. Unlimited edition dating circa 1960s. Paper size: 11 9/16" x 17 1/8" (image: about 10" x 15 1/4). Very good overall condition and color with full margins. The print is very lightly sunstruck and there is a small faint browned spot in the center bottom by the margin...

A gourd shaped black Bizen Tokkuri by Oiwa Tomoyuki enclosed in the original signed wooden box titled Kuro Tokkuri. A pleasure to view, the off-kilter form is blasted with powdery dry ash on one side which turns to molten rivulets on the edges crawling around to bead up on the opposite dark shiny clay. The Tokkuri 16.5 cm (6-1/2 inches) tall and in excellent condition. Acquired on our recent trip to Bizen in June...

Toshi Yoshida
Heirinji Temple Bell
Date: 1951.
This edition later from original blocks.
Size: Oban. Approximately 15.75 x 10.75 inches.
Toshi Yoshida seal and block-signed signature.
Medium: Japanese woodblock print.
Condition: Top back margin corners have paper residue.

Kobayashi Kiyochika
Rainy Day at Kudan from the Hasegawa Night Scenes series.
Size: Chuban. Approximately 11 x 8 inches.
Date: 1938-60.
Publisher: Nishinomiya Yosaku. Unusual "Nishinomiya Art" stamp on verso.
Sealed by artist.
Reference: Hasegawa catalog No. 1242.
Medium: Japanese woodblock print.
Condition: Paper residue at back left. Very light crease at lower left corner.

The flattened surface of this elevated dish is scored by the artist fingers and covered in a smattering of green ash glaze by Murakoshi Takuma enclosed in the original signed wooden box titeld Hai-yu Yubi-mon Sara. It is 23 x 20 x 5 cm (10 x 8 x 2 inches) and in perfect condition, directly from the artist.
Murakoshi Takuma is one of those enigmas who simply lives to work with clay...

Seiji Fujishiro 藤城清治 (born 1924)
Fairies in a Tree (Playing Instruments) 木の上の妖精たち
Size: 9.5 x 6.25 inches (24 x 16 cm)
Frame size: 17.5 x 15.75 inches (44.5 x 39.5 cm)
Not dated.
Signed and numbered in pencil by the artist.
Edition 119/500. With certificate of guarantee on back.

A pair of exquisite fluted porcelain bottles decorated in rich color by Tokuda Yasokichi II enclosed in the original signed wooden box. Flowers in various colors, red, yellow, purple blue and green rise up between patterned undulating bands of green and blue. Each is signed on the base in a yellow seal Kutani Yasokichi. They are 15 cm tall and in perfect condition.
The Tokuda family kiln was established by the first Yasokichi (1873-1956)、born into the house of a textile dying family...

Intricate bronze hanging lantern with curling legs, buddhist cloud diaper patterns and different panels with plum blossoms and bamboo - auspicious symbols of happiness and good fortune. Needs to be repapered but is in great condition. Ca. 1930. 24cm in diameter x 24cm tall. Ask for shipping quote.

Ohara Koson
Bird and Flowers (given title)
Window size: 6.25 x 4.25 inches.
Etching paper size: 8.0 x 5.875 inches.
Paper frame size: 8.5 x 7.75 inches.
Date: ca Early twentieth century.
Very small Koson signature and seal at lower right.
Features gofun embossing on bird and flowers.
Medium: Etching.
Condition: Toned and soiled paper. Margin corner chip...

Like an abstract painting, ink seems to wash over the earthen colored surface of this delicate shallow bowl by Shigemori Yoko enclosed in a wooden box titled Ao-sen Chawan. At first deceptive, upon turning the bowl upside down one sees a scribble of blue. Ao-sen means Blue Line, and those blue lines, thus the answer to why the bwl is titled blue line, are only isible once the tea has been finished...

Japanese Mugiwara pottery emerged in the Mino region of Japan during the Momoyama period in the late 16th century. It is renowned for its distinctive straw-rope patterns etched into or painted on its surfaces that typically contains hues of indigo, mustard, hazel, ochre, and sometimes greens...

This type of tissue holder is called Hakoseko. They are still being used for very special ceremonial occasions. The older one in this quality is now a collecter's item. Hakoseko will be placed between a kimono and an obi sash with the chains dangling from the chest area. Circa, early to mid 1900s. Dimensions: 4 1/2" x 2 3/4"

Assorted group of Japanese black lacquer tea bowls and saucers for the export. Each decorated in gold with different designs. Four saucers, six small cups and one larger bowl. Condition: rims with little lacquer loss, one bowl with foot rim chip. Dimension: saucers: 11.2 cm diameter. Bowls: 5.9 cm and 6.6 cm diameter. Without wooden stands.

A pair of small Satsuma earthenware vases. Painted and gilt with panels depicting processional figures between different patterns in gold on cobalt-blue ground. Base signed Satsuma and Hotoda. Condition: few gilt rubbing. Dimension: 12.4 cm high, weight: 404 g.

An original Japanese color woodblock print by the artist Utagawa Toyokuni I (1769-1825), in vertical oban size. Depicting two women with a boy drying and beating Cloth on the river banks. Signed "Toyokuni ga", censor "kiwame". Condition: good color and impression, some small wormholes, backed, creased and soiled, laid down at upper corners. Dimension: 36.1 cm x 24.6 cm.

A complete set of four Japanese woodblock prints in the original presentation folder by Sadanobu III Hasegawa (1881-1963), published around 1950 by Uchida. Carefully printed with embossing and shomen-zuri, laid down at upper corners. Condition: fine, only paper mats with few short tears. Dimension: sheet: 27.8 cm x 21 cm, image: 25.7 cm x 19.3 cm, folder: 35.5 cm x 26.2 cm.

Precision cuts create bursting fireworks on the surface of this vase by Kitamura Junko enclosed in the orginal signed wooden box titled Hanaire. It is 8 inches (20 cm) tall and in excellent condition. Kitamura Junko learned under the tutelage of Suzuki Osamu and Kondo Yutaka of the influential Sodeisha. Like Mashiko artist Shimaoka Tatsuzo, her work is influenced by Jomon pottery, however her approach is very different...

A finely painted Kakiemon dish of scalloped form painted in under-glaze blue with a pair of auspicious Hoo birds amongst clouds, harbingers of good fortune, with stylised Peony branches. The reverse painted with a classic lotus scroll and a square fuku seal. Dating circa 1680-1700 and a product of the Kama-no Tsuji (Kakiemon) kiln in the Nangawara valley, note the fine pin point spurs and carefully trimmed footrim. The dish measures approximately 21.5cm in diameter, seven suns...