A Guinomi and Tokkuri by Murakoshi Takuma enclosed in their respective original signed wooden boxes complete with Shiori and Shifuku. The deep well shaped cup rises vertically from the flat base, a dollop of hand crushed foamy feldspar glaze (this one he makes himself) clinging to the rim. The bottle is tall with a smattering of the same yellow green ash on one side, the opposite marked with distinct red hi-iro flame color...

This is an exquisite satsuma cup and saucer set. The work is very finely detailed and difficult to pick up with the camera. Saucer is 4 1/4 inches across. Cup is 3 3/4 inches across at the handle. Both pieces in nearly mint condition and both are signed Matsumoto Hozan.

A masterpiece by one of Japan's leading wood-fired earthenware pottery masters, Takuma Murakoshi. Rough, earthy and marvelous glaze produced as only natural wood-fired kilns and shigaraki clays can create. 10" wide and *" tall. Ask for shipping quote.

A Nabeshima blue and white dish with decoration of peonies issuing from rockery. Late Meiji era. Good condition. Diameter, 8 inches to 8 1/8 inches. Height, 2 3/8 inches

Kannon (Guanyin) the bodhisattva of compassion, is depicted by two of the most famous painters of the early Showa period on this pair of presentation cloths by Hashimoto Kansetsu and Tomita Keisen. Keisen’s loosely brushed image of a cherubic Kannon sits in the center of an Enso Zen circle...

A riot of spring flowers in minute detail covers this dainty tea cup by Kawada Satomi enclosed in the original wooden box titled Hanazukushi-wan, and signed Kutani Satomi. The cup is 7.5 cm (3 inches) diameter, 6.5 cm (2-1/2 inches) tall and is in excellent condition. There are two types of Kutani overglazes, one like watercolor, opaque and vivid, the other like translucent glass...

This young guy’s stuff is very chic; a sake set by Kato Yoshiyasu in purest white and darkest black, everything a dialog between shadow and form. Here the artist has used a combination of his repertoire. The cup is pure white dipped into black, the black then chiseled away in divots creating a beautiful pattern for the eyes and texture for fingers. The Ozabu (Pillow shaped Daiza saucer) is a flattened ball, dimpled to receive the cup, then pierced with various sized holes...

A quintessential work showing the decorative aesthetic of Ichino Masahiko enclosed in the original signed wooden box titled Senmon Tokkuri (Lined Vessel). Sunset colors fade to dark about the rim, vertical lines like shooting stars...

Mint and Oni-Hagi masterpiece chawan with notched foot by star potter Seigan Yamane. This extraordinary tea bowl is covered by wonderful different shades of creamy beige on brown pottery. In my opinion it is the one of the most aesthetic chawans that he made. The seal of the artist is stamped on the bottom.

Seigan Yamane was born in 1952, and started making Hagi ware in 1987...

A quintessential work showing the decorative aesthetic of Ichino Masahiko enclosed in the original signed wooden box titled Senmon Tokkuri. It is 13.3 cm (just over 5 inches) tall and in excellent condition.
The youngest winner ever at the 13th National Ceramic Exhibition (Nihon Togeiten), Ichino Hiroyuki is a powerhouse in Tamba, bringing that long forgotten corner of Japan’s ceramic realm back into the limelight...

A catfish in bronze by Kome Jiichi enclosed in the original signed wooden box dating from the mid Showa era. The slippery creature is 30.5 cm (12 inches) long and in excellent condition, signed with an incised signature beneath. Kome Jiichi (1896-1985) He was born in Toyama prefecture, on of the traditional homes of bronze work in Japan. He graduated from Tokyo School of Fine Arts studied under Takamura Kouun. Exhibiting with the Bunten National exhibition, he was awarded there in 1942...

Large Japanese Showa period circular form burlwood tray with raised sides made from a single piece of wood. 15 7/8” diameter x 2 1/4" high. The raised sides are 3/8" thick. Weighs just over 2 lbs. Likely dates from the first half of the 20th century. Very good overall condition. From the estate of a collector of Japanese mingei in Phoenix, Arizona. The original price tag remains on the bottom.

A large Kuro-Oribe chawan, hand thrown and carved from fine Mino clay during the later Meiji Period (1868 - 1912). It comes with a very good Japanese wooden box.

Oribe-yaki – I guess no other pottery had a greater influence on the aesthetics of Japanese pottery.

Oribe ware is a historically important Japanese pottery variety that emerged during the late Momoyama and early Edo periods in Tajimi, in modern day Gifu prefecture...

Late Edo (1603-1868) Period Shino Chawan with all highlights of the Japanese aesthetics of wabi sabi and a Zen buddhistic infinity symbol.

It is in perfect antique condition and comes with an antique wooden box.

Shino-ware dates to the Momoyama period when potters were attempting to recreate white porcelain-wares that were being imported from China at the time. Originally they were made in single-chamber anagama style kilns set into the hillsides...

A slightly smaller Tsutsu-gata (Cylinder shaped) Chawan made for outdoor use by Furutani Taketoshi enclosed in the original signed wooden box titled Shigaraki Shizen-yu Tabi Chawan. A Tabi-chawan, literally Travel Tea Bowl, is usually slightly smaller, made to be carried and used out of doors or in a setting other than one’s own abode. An incredible landscape plays across the surface, calling to mind moss covered rocks, flowing water, silhouetted hills and the twilit sky...

One-of-a-kind!!! This is an item sui generis.

A yellow glazed Raku chawan, dating from the Meiji Period (ca. 120 years old) with its originally signed wood box.

The chawan is in superb condition with no chips or cracks. Around the bowl are carved chinese characters. The tea bowl is very solid and fits perfectly into the palm of the hands. Great chawan!

No chips or cracks.

Size: 8,6 cm height x 11,9 cm in diameter.

Free shipping

A Pair of Kutani Vases. Each decorated with a scene of a figure and two attendants on a terrace. The reverse with floral panels on a red ground. Nine character mark to base. Meiji period 19/20thC Height; 13.2 cm; Condition; excellent

A set of five small dishes in the shape of an upturned roof tile covered in tri-colored glaze by Murakoshi Takuma enclosed in the original signed wooden box titled Shunju Kawara-zara. Each is roughly 14 x 12 x 5 cm (5-1/2 x 4-1/2 x 2 inches) and all are in excellent condition.
Murakoshi Takuma is one of those enigmas who simply lives to work with clay...