This is the Noren used at the ship merchant's house on the Japan Sea side of the Edo Period. It has Mount Fuji, a merchant ship and a family crest. The merchant ship is stylized. This is dyed with indigo. This is Tsutsugaki cotton. There are two small holes, but they are not outstanding. There is a place where a thread came off a little. The back is fading. Size 160cm x 150cm (62.9 "x 59") cace G

Wonderful hexagonal latticed bronze hanging lantern with electrical bulb. Very art deco. Each panel has glass behind the lattice work to throw off an ambient light. 12" tall by 10" wide. Ask for shipping quote.

This is Tsutsugaki Furosiki manufactured in Iwate Prefecture during the Meiji period. Hemp is very thick and spun by hand. This is dyed with natural glaze. This is the Noshi pattern drawn in the center. The letter is the name of the owner. It has slight amber and slight holes, but does not stand out.　condition is good. Size Length 142 cm (55.9 inches) Width 132 cm (51.9 inches)　　Box.B

Smashing pair of zen temple buddhist cloud carvings form the late Edo Period/early Meiji Period c. 1870. Carved out of cypress wood and with gold gilt. Slight wear due to age on a couple of spots but adds character (see photos). Condition very good. One is 10" tall by 12" wide the other slightly smaller. Ask for shipping quote.

Height: 12 cm (4.8 in)
Length: 20.1 cm (8.1 in)
Width: 6.5 cm (2.7 in)
Weight: 1.5 kg (3.3 lb)

Excellent quality bronze elephant from the Meiji Period; produced by and signed Seiya; good condition

This is a Japanese antique beautiful tsutsugaki Hand drawn yuzen dye silk child kimono Pattern of Rabbits flying above the waves of the edo era. t is a very good-quality kid kimono.It is very carefully drawn by hand. The rabbits flying between the waves are dynamic and very charming. It has a thin stain on the back...

A decidedly different version of this theme, a Festive carved wooden Tai (Red Snapper) fish with removable side for sashimi coated inside in gold with bone teeth and inlayed bone eyes. The craftsman ahs gone to great lengths to make this as realistic as possible, from the textures of the skin to the folds in the fins and coloring. Unusually, most dishes in this vein are one sided, however this is equally realistically carved on both sides...

This is japanese antique tsutsugaki Umakake used in the Tohoku region of the Edo period. This was used during the occasion. Cotton is hand-spun cotton from the Edo period.It is dyed with indigo.The kanji is written as “Kakode Daikichi”. It means the most auspicious start.The carp waterfall climbing pattern is a symbol of the to pray for the success in life . And since ancient times, it is a lucky design. There is a slight fading, but no stains or damage...

This is a Japanese antique silk furoshiki textile. It is a rare furoshiki of the Edo period dyed with safflower, purple dyeing, indigo dyeing, hand-painting, and squeezing. It was made by hand in Kyoto and kept in a safe place. A connection pattern that is a metal fitting included in the horse's mouth. It has the meaning of a talisman that protects you from illness and accidents. It is a very auspicious design that has been used since the Heian period. All are dyed from natural plants...

This a rare yosegire patchwork kimono is original from the Edo period. The safflower-dyed board pattern is cherry blossoms. The safflower dyeing on the sleeves and waist is a pattern of squeezing, butterflies and waves. The hem has a very impressive ichimatsu and goose pattern. Very high tech shibori and stencil dye. All are dyed with natural dyes. There are some stains, but they are not noticeable. There is one small hole. it is in very good condition. Recommended for your collection...

Product of the pure spirit of Shigaraki tradition and the pure winds of the inferno and impurities of the clay is this fabulous chawan tea bowl by the inspiring Furutani Kazuya enclosed in the original signed wooden box titled Shigaraki Chawan. It has a rugged complexion with raw sunburnt clay dappled with spattered ash and a wide, solid, base. Enjoy the weight of it in your hands, then turn it over and marvel at the glistening jade gem clinging to the bottom...

This is a very charming kimono made of thick cotton from the Meiji era. The outer material is stencil dyed, and the back side is asamai-shibori cloth with indigo dyeing. It's a technique called aigaeshi. There are no stains or damage, and the condition is very excellent. Recommended for your collection. Size:Length:131cm(51.57inch)inch / Cuff to cuff, across the back: 120cm (47.2inch)

Exceptional wagumi Japanese style free flowing bamboo flower basket, Taisho Period c. 1920. Masterful weves using big strips of susudake bamboo aged in old Japanese farmhouses from the irori smoke. Height 36cm; width 32cm.

It is a sashiko hanten from the Meiji era. All sashiko are hand-sashiko. It was made in Hirosaki City, Aomori Prefecture during the Meiji era. The white thread is used to express indigo-dyed cotton-type dyeing with sashiko stitches. There is a little dirt. But it doesn't stand out. There is no damage. The condition is very good. Cotton is thick and feels good. It is a valuable gem. Size::length 70cm (27.6inch)

This is a Japanese antique indigo dye cotton sakiori big thick apron textile.There is a very slight stain, but there is no damage.The indigo dyed sakiro is very beautiful. Size:length:60cm(23.6inch)Width：90㎝(35.4inch)

Wabi - sabi Japanese Ryokan entrance way wood lamp from the end of the Taisho Period ca. 1930. Each side with fine shoji lattice work. H: 17"; W: 15"; depth:14". Ask for shipping quote.

One of a kind art deco Ca. 1935 wood stand for incense burner or object. Thick wood and old Negoro lacquer indicates even an older time period. Condition good with some age wear. see pictures. 12" high by 12" wide with a depth of 7". Very rare. Ask for shipping quote.

A small wall hanging in Togidashi maki-e surrounded by a checkerboard pattern of polished Suzu-ita metal squares by Okada Yuji dating from the mid 1970s. The Togidashi technique requires the artist to create a design in Maki-e, then cover the design entirely in a layer of lacquer, polishing the lacquer through to reveal the image below. A labor intensive and time-consuming practice...