An original Japanese color woodblock print by the artist Keisai Eisen (1791-1848), in oban yoko-e size. Depicting two women walking in the snow along the Sumida river. Condition: very good impression, still good colors, centerfold, lower rim with few small wormholes, slightly soiled, laid down at upper corners in matt. Dimension: 23.8 cm x 37.8 cm.

Japanese vintage kimono made of navy blue silk with embroidery of chrysanthemums on long vines down the front, and branches with cherry blossoms on the sleeves. The backside has a large, beautiful bunch of embroidered chrysanthemums and cherry blossoms cascading down with two small birds in flight. The collar is lined with a charming fabric of dragons, flowers, and oriental designs. Size: 53.5" height, 47.5" width

Japanese Edo period woodblock print by Utagawa Toyokuni I (1769-1825) depicting the Kabuki actor Ichikawa Danjuro possibly portraying Yoshitsune wearing a kimono with a pattern of Karasu (crow) Tengu. The mythical half man half bird creatures who lived deep in the woods were masters of swordsmanship with whom Yoshitsune practiced sword fighting. The tsuba on both swords is in the form of the crest of the Ichikawa family...

A print by Shiko Munakata, 1903-1975. A zen Buddhist, he worked in oil painting, then woodblock printing, calligraphy and ceramics. He is sometimes called the Japanese Picasso because of his prolific multi media creative work. He was part of the sasuka-hanga movement and the mingei, folk art, movement. He is from the northern region of Aomori and incorporated many of those local themes into his art. This is a black and white print of three women dancing...

An impressive mokubi painting in ink and gold on silk depicting the Zen Buddhist patriarch Bodhidharma/Daruma in profile. Signed and sealed: Imai Tenroku (b. 1866), a specialist in the painting of Buddhist subjects. The present painting is dated Taisho 8 (1919). Fully inscribed box and paper w. artist’s data. L 185, W 52 cm. Picture frame: L 112 cm, W 40.5 cm. Condition: Very fine (at the bottom a small portion of the silk has loosened from the mounting).

Pair of Japanese Meiji Period Wood Kitchen Gods, Daikoku and Ebisu. 8 inches, 20 cm and 7.5 inches, 19 cm. Daikoku, God of Earth and Agriculture, stands on bales of rice and wields his magic mallet. Ebisu, God of Ocean and Prosperity, holds a large red sea bream tucked under his arm. This fish is an ancient symbol of good luck in Japan. Daikoku and Ebisu often appear together in the Japanese kitchen...

A nyoi scepter (in Chinese: ruyi) made of a natural branch of lacquered wood. For the scholar’s table. Late Edo to early Meiji. L 42 cm. Condition: Fine all-over.

Unique carved wood vessel for use in Tea Ceremony for flower arrangement, ikebana. Very smoothly polished and lacquered in the inside; standing on three small “feet”. It has a wonderful smooth patina all-over. L. 26 cm x 17 cm. Meiji-Taisho. Condition: great!

Japanese bronze usubata in the form of an open natural lotus, standing on a coiled stem with a lotus bud. Usubata are used for beautiful flower arrangements, an art form known as ikebana.

Size: 9" L x 9" W x 6" H

Takahashi Shotei (Hiroaki)
"Tama" (aka. White Cat on Black Background)
Date: 1924. This edition printed between 1946-1957.
Publisher: Watanabe Shozaburo. Bears the red 6 mm seal at lower left.
Size: Oban. Approximately 13.25 x 9.5 inches.
Condition: Trimmed margins. Light scuffing.
The cat is beautifully embossed as shown in photo 2.

Japanese bronze vase with design.

Age: Japan, Showa Period, Early 20th Century
Measurement: Height 16.1 C.M. / Width 15.3 C.M.
Condition: Nice condition overall. Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

Small scroll painting of the eccentric Zen priest Ikkyu Sojun dancing on top of the head of a skeleton, who is playing the shamisen. In his hands he holds his staff topped with a skull.
Scene from the story of the Hell Courtesan, as described by Santo Kyoden, the equivalent of memento mori.
Signed and sealed at lower right by the artist.
Ink, mineral colors and gofun on silk...

Shakudo tsuba with a relief decor representing foliage and flowers, with gilt highlights on a background of tiny dots. The tsuba is unsigned. Japan, late Edo period. Height: 7.2 cm. Very good condition despite a slight erosion all over the piece. Sold with its box.

Japanese print of a woman holding a calligraphy paint brush, by Shiko Munakata (1903-1975). A zen Buddhist, he worked in oil painting, then woodblock printing, calligraphy and ceramics. He is sometimes called the Japanese Picasso because of his prolific multi media creative work. He was part of the sasuka-hanga movement and the mingei, folk art, movement. He is from the northern region of Aomori and incorporated many of those local themes into his art...

A small celadon box by in the shape of an elephane by Akiyama Yo enclosed in the original signed wooden box titled Zo Kogo. Kogo are used to carry Shaped Incense. It is 2 x 2-1/2 x 2-1/2 inches (6 x 5 x 6.5 cm) and is in excellent condition.
Akiyama Yo was born in Yamaguchi, home of Hagi pottery) in 1953, but went to Kyoto to study at the Kyoto Municipal University of Arts in 1976. He has an impressive list of exhibitions both domestic and abroad...

Three well painted Shunga scenes with a loving couples. Silk with ink and colors. Fitted on traditional, gold-spotted cardboard. Meiji, ca. 1880. H 17 cm, W 19 cm. Condition: One in very good condition, the other two : over-all quite good. Minor spots.

One of three vessels by avant garde potter Kumakura Junkichi enclosed respectively in their original signed wooden boxes. First an industrial shaped box in green measuring 7 x 5-1/2 x 6-1/2 inches. Second a bowl in namako glaze, 9 inches (23 cm) diameter. Last a Tsubo in green measuring 6-1/2 x 4-1/2 x 8-1/4 inches (16 x 11 x 21 cm). All are in excellent condition...

Miyako-jofu woman's kimono with fine kasuri which is hand-woven of choma (ramie) and dyed with Ryukyu-ai. Wefts and warps are hand plied. Miyako-jofu has been woven in Miyako Island in Okinawa since 14th century. It was called "Satsuma-jofu" in Edo period as the island belonged to Satsuma feudal domain. It was imposed as tax. It is time-consuming process of thread making, thread plying, weaving as matching wefts and warps kasuri pattern...