Pair of Japanese Meiji Period Wood Kitchen Gods, Daikoku and Ebisu. 8 inches, 20 cm and 7.5 inches, 19 cm. Daikoku, God of Earth and Agriculture, stands on bales of rice and wields his magic mallet. Ebisu, God of Ocean and Prosperity, holds a large red sea bream tucked under his arm. This fish is an ancient symbol of good luck in Japan. Daikoku and Ebisu often appear together in the Japanese kitchen...

A nyoi scepter (in Chinese: ruyi) made of a natural branch of lacquered wood. For the scholar’s table. Late Edo to early Meiji. L 42 cm. Condition: Fine all-over.

Unique carved wood vessel for use in Tea Ceremony for flower arrangement, ikebana. Very smoothly polished and lacquered in the inside; standing on three small “feet”. It has a wonderful smooth patina all-over. L. 26 cm x 17 cm. Meiji-Taisho. Condition: great!

Japanese bronze usubata in the form of an open natural lotus, standing on a coiled stem with a lotus bud. Usubata are used for beautiful flower arrangements, an art form known as ikebana.

Size: 9" L x 9" W x 6" H

Takahashi Shotei (Hiroaki)
"Tama" (aka. White Cat on Black Background)
Date: 1924. This edition printed between 1946-1957.
Publisher: Watanabe Shozaburo. Bears the red 6 mm seal at lower left.
Size: Oban. Approximately 13.25 x 9.5 inches.
Condition: Trimmed margins. Light scuffing.
The cat is beautifully embossed as shown in photo 2.

Japanese bronze vase with design.

Age: Japan, Showa Period, Early 20th Century
Measurement: Height 16.1 C.M. / Width 15.3 C.M.
Condition: Nice condition overall. Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

Small scroll painting of the eccentric Zen priest Ikkyu Sojun dancing on top of the head of a skeleton, who is playing the shamisen. In his hands he holds his staff topped with a skull.
Scene from the story of the Hell Courtesan, as described by Santo Kyoden, the equivalent of memento mori.
Signed and sealed at lower right by the artist.
Ink, mineral colors and gofun on silk...

Shakudo tsuba with a relief decor representing foliage and flowers, with gilt highlights on a background of tiny dots. The tsuba is unsigned. Japan, late Edo period. Height: 7.2 cm. Very good condition despite a slight erosion all over the piece. Sold with its box.

Japanese print of a woman holding a calligraphy paint brush, by Shiko Munakata (1903-1975). A zen Buddhist, he worked in oil painting, then woodblock printing, calligraphy and ceramics. He is sometimes called the Japanese Picasso because of his prolific multi media creative work. He was part of the sasuka-hanga movement and the mingei, folk art, movement. He is from the northern region of Aomori and incorporated many of those local themes into his art...

Three well painted Shunga scenes with a loving couples. Silk with ink and colors. Fitted on traditional, gold-spotted cardboard. Meiji, ca. 1880. H 17 cm, W 19 cm. Condition: One in very good condition, the other two : over-all quite good. Minor spots.

One of three vessels by avant garde potter Kumakura Junkichi enclosed respectively in their original signed wooden boxes. First an industrial shaped box in green measuring 7 x 5-1/2 x 6-1/2 inches. Second a bowl in namako glaze, 9 inches (23 cm) diameter. Last a Tsubo in green measuring 6-1/2 x 4-1/2 x 8-1/4 inches (16 x 11 x 21 cm). All are in excellent condition...

Miyako-jofu woman's kimono with fine kasuri which is hand-woven of choma (ramie) and dyed with Ryukyu-ai. Wefts and warps are hand plied. Miyako-jofu has been woven in Miyako Island in Okinawa since 14th century. It was called "Satsuma-jofu" in Edo period as the island belonged to Satsuma feudal domain. It was imposed as tax. It is time-consuming process of thread making, thread plying, weaving as matching wefts and warps kasuri pattern...

Japanese ko tansu (personal chest) with two sliding doors opening to a compartment on top, five smaller drawers, and a sixth drawer extending along the bottom. Two side carrying handles. Pawlonia (kiri) wood with black iron hardware. Late Meiji to early Taisho Period (circa 1900 - 1920). 26 1/8" wide x 24 3/8" high x 13" deep. Very good solid overall condition. There are a few old repairs to the right sliding door, which is a bit difficult to slide open...

A Tenmoku Hanging vase by the living master of that genre, Kimura Morikazu, enclosed in the original signed wooden box titled Tetsuyu Kohen Kake-hana-ike. The lozenge form features two lug handles in the shape of a traditional Waniguchi Japanese Shrine Gong. It is 7-1/2 x 6-1/2 x 2 inches (19 x 16.5 x 5.5 cm) nd in excellent condition, retaining the original shiori and wrapping cloth...

Japanese bronze vase with nice form, used to decorate single flower arrangement in Japanese traditional tea ceremony.

Age: Japan, Showa Period, Early 20th Century
Measurement: Height 16.8 C.M. / Width 11.3 C.M.
Condition: Nice condition overall. Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

A beautiful limited reference book containing the collection of the Baur Museum in Geneva, Switzerland of "Japanese Sword Fittings and Associated Metalwork", written by Basil William Robinson (former in the Victoria & Albert Museum, London). Hardback with 444 pages, 752 illustrations (several in color), section with signatures. Cloth with dustjacket, printed 1980 in a limited numbered edition of 1600, this is No. 52. Condition: fine. Dimension: c. 28.8 cm x 24 cm x 5.1 cm, 3 kg.

Ash forms enigmatic shapes on this exquisite cocoon shaped wall vase by Yamada Jozan IV enclosed in the original signed wooden box. It is 8 cm (3 inches) diameter, 6 inches(16 cm) tall and in excellent condition.
Yamada Jozan IV was born into the house of third generation Living National Treasure Yamada Minoru in 1954. He graduated the Tokoname High Ceramics Course in 1973, before entering Osaka University of art...

Cotton futonji with tea utensil motif, which is hand-drawn with tsutsugaki technique and made of hand-spun cotton and vegetable indigo dye. Futonji with tea utensil motif was produced in the regions where tea ceremony was active such as Iyo (Ehime Pref.), Sanuki (Kagawa Pref.) and Izumo (Shimane Pref.) Tea kettle in the center, chawan (tea bowl), cha-ire (tea container), kamashiki (placement for the tea kettle), sumi-kago (chacoal basket), trivet, flower vase and so on. Late 19th to early 20th c...