A rare blue and white bowl decorated with swirling grasses loaded with rice by important contemporary artist Kondo Takahiro enclosed in the original signed wooden box titled simply Sometsuke Hachi. Takahiro is known for his innovative mist series, however is also the recipient of a long ceramic tradition. The bowl is 18 cm (7 inches) diameter, 6.3 cm (2-1/2 inches) tall and in excellent condition.
Kondo Takahiro (b. 1958) was born the grandson of Living National Treasure Kondo Yuzo...

Height: 3.5 cm (1.3 in)
Width: 3 cm (1.2 in)
Depth: 3.7 cm (1.6 in)

Fine wooden netsuke carved by Gyokkei; a stone lifter, masseur or a man attempting to lift his distended scrotum?; a tumour is also present on the back of his head; the poor fellow also has a wall-eye; signed on an inlaid tablet; good condition

A rare set of small early earthy dishes by Kiyomizu Rokubei VII enclosed in the original wooden box signed Hiroshi titled Ki-yu Memezara roku-iri (6 Yellow Glazed Small Dishes). Dating from the 1950s, the shapes are flawless, and show the mastery of design for which this artist would become known. They are 14 cm (5-1/2 inches) diameter and all are in excellent condition.
Kiyomizu Kyubei (1922-2006) was born Tsukamoto Hiroshi in Nagoya...

Early edition Japanese shin hanga woodblock print titled "Boats at Shinagawa, Night" (aka “Shinagawa Coast”) from the series “Tokyo Views” (Tokyo Fukei) by Tsuchiya Koitsu (1870-1949) dated in the right margin "5th month of Showa 10" (1935). The black ink signature and red seal of the artist are at the lower right. The seals of the publisher Doi Sadaichi (used 1933-1945), carver Ikeda, and printer Matsushita are in the lower left margin...

An antique Japanese Ranma (transom) made of Akita Sugi (Cryptomeria from Akita prefecture) and Hinoki (Cypress). Natural Urushi black lacquer frame. Hand carved scene featuring a good luck turtle with longevity tail admiring an old Plum Blossom tree with scatterings of Bamboo underneath.

Age: Taisho Era (1912-1920)

Dimensions: 73 1/4" Wide by 14 1/2" High.

Tokunyu was born as the eldest son of seventh-generation master Chonyu. He succeeded his father at the age of 18, but was prone to illness, and when his father died, he passed the mantle on to his younger brother later known as Ryonyu.

As he was sickly from a young age, he was a Raku master only for nine years and the number of his remaining works is the fewest among all Raku generations...

Eye-catching Hirokazu Ichikawa art deco ceramic vase. B.1959 Ichikawa has won many prizes including the Kyoto Art Exhibition 4x, Asahi Pottery Exhibition twice and many more. With original box. Ask for shipping quote.

Height: 38.4 cm (15.4 in)
Width: 18.5 cm (7.3 in)

Japanese large Satsuma square section vase; shows heavily-gilt polychrome Geisha and children surrounding the piece with details of the clothing picked out in colourful moriage diaper work; a flock of cranes are on the wing under the rim; signed to the base; good condition

A fisherman's work wear hand-woven of hemp for both wefts and warps. Both natural color and indigo stripes are hemp yarn, which are hand plied. It is from Tsushima in Nagasaki prefecture, an island located between Korean Peninsula and north Kyushu, and the textile is called Tsushima-asa. It had been woven till 1930s, but haven't been woven since then, so it is precious, especially in this excellent condition one. The first half of the 20th century, 110cm x 116cm

Heavily distorted shoe shaped (kutsu) Kuro Oribe Chawan from the mid 19th century (late Edo) with a strongly flaring mouth made of light, coarse, unrefined Mino clay. The expertly thrown body was trimmed with a potters knife in its lower part and covered with a very deep black iron oxide glaze inside and outside.

A window has been left unglazed and shows a typical Momoyama era design...

SHRINE AND MONKEY

Well-matched assortment of a naturally soot-colored wooden zushi (household shinto altar) with such blackened depth and a votive seated stone monkey sculpture in the ‘gassho’ praying pose with folded hands in such mountain-like well-abstracted silhouette due to aging.

Shrine: H 29.7 x W 19.3 x D 13.5cm (11.69 x 7.59 x 5.31in), Edo period, 19th century, Japan
Monkey: H 10.7 x W 8.4 x D 7.4cm (4.21 x 3.30 x 2.91in), Meiji period...

A beautiful Shino Chawan by one of the best Japanese artists of the 20th century, Yano Keisen, made 70 years ago. His ceramics were part of the wedding of the Japanese Emperor Akihito in 1959 and since then part of the imperial household.

It comes with its originally signed and sealed wooden box without chips or cracks.

Yano Keisen was a Japanese Asian Modern & Contemporary artist...

Straight out of a Miyazaki Hayao fantasy is this Future Fossil Series Koro incense burner by Watanabe Takuma which comes enclosed in the original signed wooden box titled Bizen Koro Mirai Kaseki (future Fossil). It is 13 cm (5 inches diameter, 16.5 cm (6-1/2 inches) tall and in excellent condition, directly from the artist this summer...

Antique Japanese cast iron lantern in the form of a cricket (or grasshopper). Crafted with long, elegant antennae. The lantern is made so it can sit over a light or candle, illuminating the cut out sections on it's wings.

Age: Taisho Period (1912-1926)

Dimensions: 5 1/4" high x 11" long x 5" wide

Antique Japanese cast iron lantern in the form of a rabbit. Sitting upright with long ears alert. The lantern is made to hold a candle, the light escaping through many round cast windows in the rabbit's body.

Age: Taisho Period (1912-1926)

Dimensions: 10 1/2" high x 9 1/2" long x 5 1/2" wide

A glacial lake of alpine green pools inside the Caldera-like top of this striking vase by Furutani Taketoshi enclosed in the original signed wooden box titled Shigaraki Shizen-yu Hanaire. It is 14 cm (5-1/2 inches) diameter, 15.5 cm (6 inches) tall and in excellent condition, directly from the artist...

How perfectly does this vessel show off the character of clay?! Furutani Taketoshi has built up the clay I a method allowing the natural rough surface to remain undisturbed, a deep gouge around the shoulder filled with a pool of alpine green crystals and the neck meandering up like a natural crag. Soft gray underlies the flying ash and rivulets of fresh green cascading down the sides...

With an uncanny ability to emulate features of the natural environment, the creator of this sake vessel,Tsujimura Yui, is one of Japan’s most skilled potters working in the field today. With a breathtaking ash glaze that appears half planned and half left to the dictates of the kiln, we can see a number of textures and colors that one might encounter in a Zen garden or while hiking along a mountain brook...