During the Edo Period, there was a time when puppet play became the most popular form of entertainment among the common people. At one time, they were so popular that Kabuki actors even began mimicking the movement of the puppets.

The era of Ningyo Joruri (puppet play later called Bunraku) began in 1684 when Takemoto Gidayu, a narrator, opened a theater in Dotonbori...

Old Hakoseko (Japanese tissue holder) for times when women wear formal kimono. They are placed in the chest area with the chains of the kanzashi hair ornaments hanging from the obi belt. The colors of the embroidery are soft and shinier (silk threads) than shown in the photos. The background is in a soft creamy color (shioze silk). The color of interior is reddish orange. Kanzashi is gold plated, thick and heavy (approx...

Old Hakoseko (Japanese tissue holder or purse) for times when women wear formal kimono. They are placed in the chest area with the chains of the kanzashi hair ornaments hanging from the obi belt. The beautiful embroidery work (very delicate) on this hakoseko did not show up in the photos. The red color is a much softer tone; this is truely an elegant piece. The dimensions of the wooden box: 5 1/4" x 5" x 1 1/2" Early Showa, 1930 to 1950

During the Edo period, the women of the Samurai class carried a pouch in their chest area (right above the obi belt) when they were dressed up in formal kimonos. The pouch was folded into a skinnier shape and accented with a nice tie. Carried inside were the beni ita (today's lipstick), a mirror, tissues, kanzashi, coins, etc. The chains were added to the kanzashi (hair ornament) sometime later...

Japanese Fukagawa, Koransha baluster vase decorated in underglaze red with a leaping carp, on a shaded blue ground, Koransha orchid mark to the base, original wood box (13" x 9" x 9"). Dimensions of the vase are 12" in height and 7" in diameter (at the widest).

Japanese antique scroll painting of a group of three monkeys in persimmon tree, painted in colors on silk, school of Mori Sosen, Meiji Period (1868-1912). total size: 58" high x 38" wide

A dragon wraps around the trumpeting form of this brilliant yellow vase by Makuzu Kozan II (Hanzan) enclosed in the original signed wooden box. A vibrant contrast between the yellow and blue is enhanced by the artists care and minute detail. The vase is 8-1/2 inches (21 cm) tall, 6-1/4 inches (16 cm) diameter and in perfect condition...

Cranes cut on the frosted surface rise from ice blue, their necks curling out as handles as they preen. A quintessentially Japanese subject executed with impeccable Japanese craftsmanship. The vase is 11 inches (28 cm) tall, 6-1/2 inches (16.5 cm) diameter and in perfect condition; enclosed in a covered wooden box.

A wooden sign of three golden characters carved into the surface of a solid slab of burled wood enclosed in a frame expertly carved with the four gentlemen, plum, bamboo, iris and chrysanthemum. It reads Yuraku-sai, A Place of Playful Enjoyment. The sign (with frame) is 11-1/4 x 21 inches (28.5 x 53 cm). It is signed Setsuyo (?) followed by two stamps. There is a chip into a hollow in the wooden plaque, lower left (see photos) otherwise is in excellent condition...

Here is a rare Jizai mantis. It is by an artist named Tomiki Munenobu, one in a line of artists carrying on the Myochin style of metalwork. Teh piece likely dates from somewhere in the later Meiji, 1890-1910. Life-size, it is roughly 3 inches long, the same height and in fine condition. It is as found, not yet cleaned or tampered with. The head is mobile; the thorax with retractable arms and folding wings...

7 twisted gold pines shroud a seedling on the roiro ground of this fine togidashi suzuri bako writing box dated 1931 by Moriya Shotei enclosed in the original signed wooden box. The writing box contains the original suzuri ink stone and water-dropper. Inside the lid is the large character Kotobuki (fortune) followed by an inscription reading 88 year old man Bajo Kasho...

A Japanese sake ewer (kurojoka) shaped as a minogame (mythical tortoise with a tail that symbolizes long life) covered with mottled brown, gray and yellow glaze, probably from Satsuma province in southern Kyushu Island.

Kuro (black) joka is a container that is used to heat "shochu" wine which is made from sweet potatoes. Shochu, started in Kagoshima area has been a cheaper wine for common people. It is different from "sake" wine which is brewed rice wine...

A lacquered wooden box decorated in built up Takamaki-e with Tsuba and Kozuka by Heian Zohiko dating from the first half of the 20th century. Inside is fine even nashiji. The decorations rise quite high off the surface, almost as if genuine tsuba were lying atop the box. One tsuba is in the shape of a Mokugyo, a Buddhist prayer drum of hollowed wood culminating in two dragons...

A bronze vase of mountainous form by Nakajima Yasumi I patinated in his signature mottled red-brown and enclosed in the original signed wooden box. The vase is 9-1/2 inches (24 cm) tall, 8 inches (20.5 cm wide and in excellent condition...

A daunting image by radical Nihon Nanga-In member and founder of the Osaka Art College Yano Kyoson (1890-1965) dating from earlier in this influential artists career. Crisp white walls of a strangely elongated house perch on the edge of a dark forest reaching up to the rain washed sky. A single tree ripe with yellow leaves guards the entrance. The light color on silk image is bordered in lavender silk matching the leaden sky, extended with green cloth and features shimmering silvered-yellow c...

Limited edition serigraph print titled "Oriental Masterprint - 7" by Roger Shimomura (b. 1939) dated 1975. This is an original, pencil-signed, edition of 20. Paper size 19"V x 19"H (image: 15"V x 15"H). Full margins. Excellent condition. This image is illustrated on page 50 of "Roger Shimomura Delayed Reactions," Spencer Museum exhibition catalogue, 1995.

Fine example of a Jomon Period (13,000-300BC) Dogu, the earliest known Japanese figure. This figure was purchased at a Parke Bernet auction by a renowned author on and collector of Asian art. The Dogu acted as effigies of people. They manifested some kind of sympathetic magic. For example, it may have been believed that illnesses could be transferred into the Dogu, then destroyed, clearing the illness, or any other misfortune. Because of the ritual destruction of Dogu, they are quite rare. This ...

Fine example of a Jomon Period (13,000-300BC) Dogu, the earliest known Japanese figure. This figure was purchased at a Parke Bernet auction by a renowned author on and collector of Asian art. The Dogu acted as effigies of people. They manifested some kind of sympathetic magic. For example, it may have been believed that illnesses could be transferred into the Dogu, then destroyed, clearing the illness, or any other misfortune. Because of the ritual destruction of Dogu, they are quite rare. This ...