This is one of the more intriguing lacquer objects we have owned. Adorned with maki-e Aoe (hollyhock) Ka-mon on nashiji ground (also known as the Kamo Aoi as it was sacred to the Kamo shrine), family crest for prominent daimyo families including the Tokugawa and the Matsudaira during the Momoyama and Edo periods. Even the drawer pull is fashioned as an open worked shibuichi Aoe Ka-mon with the surprise of a textured, kinko (soft metal) raised backing only if you look for it...

Antique Edo Period Japanese bronze standing red crown crane incensor with swirling dragon and tengu (mythical animal that lives in lakes) at its base. Original hand worn bronze patina consistent with age. The incense smoke would rise up an out from the openings in within the feathers of the crane on its back.
The red-crowned crane is a large East Asian crane among the rarest cranes in the world...

Ancient Iga pottery works had been made for a few decades since last Momoyama period from early Edo period. They were fired over 1250 degrees Celsius for 10 days and repeated 3 times and more with no glaze, they has natural glaze that is consist of melted ashes, burnt deposits and scarlet by fire. They are well known as dynamic style and loved by many tea ceremony master like as famous Oribe Furuta...

Ancient Iga pottery works had been made for a few decades since last Momoyama period from early Edo period. They were fired over 1250 degrees Celsius for 10 days and repeated 3 times and more with no glaze, they has natural glaze that is consist of melted ashes, burnt deposits and scarlet by fire. They are well known as dynamic style and loved by many tea ceremony master like as famous Oribe Furuta...

This rare and interesting ceramic work was done by one of the most renowned and loved waka poets of the 19th century, Ōtagaki Rengetsu (1791-1875). In fact, if you look closely at the attached images, you will see her finger imprints clearly preserved in the molded clay.

Born into a Samurai family but soon after adopted by the Ōtagaki family, from the age of seven to sixteen Rengetsu was a lady in waiting at Kameoka castle where she was trained in the arts and courtly graces...

An antique Japanese rare 2 section Butsudan (Buddhist Altar) hand made with elaborate Makie lacquerwork. Upper section has two large hinged doors decorated with a blooming Peony tree. The interior of the doors each feature a Buddhist diety, one holding a mushroom scepter with a Baku at his feet and the other studying a horizontal scroll with a Shishi (Foo dog) at his feet. Below the doors are three small drawers where Buddhist accoutrements were stored...

A rare antique Japanese Tansu chest called Kodansu. Its purpose was for use as a merchant's side chest where trade records, documents, papers and business tools were stored. The front and case were made using burl Keyaki (Zelkova) wood with Hinoki (Cypress) wood completing the rest of the chest. Constructed using straight dovetail joinery with hardened wood nails...

This is Safflower dyeing sarasa katazome somewake(dyed with separate design)cotton textile kimono of the last part of Edo era(1800-1868). It is very rare, and it is a precious item.Please watch somewake(dyed with separate design) of the part of the sleeve. It is very impressive, and it is beautiful. It does not have a stain and damage...

An album of twelve erotic pictures, Edo period, 18thcentury. Painted with ink and pigments on silk. The each image is exquisitely depicted throughout the year with some seasonal changes in the scene. The paintings bear a seal, which is quite rare as artists usually remained anonymous when they executed Shunga pictures during Edo period. The seal is recognized as Shunsho school. The inscription on the cover reads “jyunikagetsu emaki ikkan” meaning twelve months painting album - first volume...

An exquisite bird and flower painting features a Java sparrow rests on a branch in resurrection lily. Circa early Edo period, early 17th Century. This delicate painting is executed on paper with ink and pigments. The both Java sparrow and the flower are not native to Japan, but they were imported as early as 17th century from China, when the artist was a official painter to the Tokugawa shogunate...

Antique Japanese pair of abumi (samurai stirrups for horse riding). Made of iron and lacquered black with red lacquer foot. Each abumi is decorated with designs of kiri blossoms in gold lacquer. The buckle of each stirrup has an intricate pierced design and mon in gold lacquer. (Mounted on matching stands made of metal with wooden bases.)

Edo Period (early 1800's)

Dimensions: 16 3/4" high (10 3/4" high without stand) x 12" long x 5 1/2" wide.

This is a Edo Natural Indigo Vermillion-pigment hemp Umakake Tsutsugaki with triangular scale and Hannya – Nomask and stars and family crests pattern. It's a very rare design. The triangular scale pattern is also called the dragon scale. The triangular scale pattern also has the meaning of warding off evil. are slight repair marks and light stains...

Netsuké in wood by Kokeï A rabbit with its small forming netsuké carved in cherry wood by Kokei. There is no the two hole, the himotoshi is naturally formed by a leg...

Cabinet in black lacquered wood. Decor of plants in gilding and mother-of-pearl inlay. The mounts are incised and gilded copper. Two doors conceal a series of drawers and a small door. The small handles of the drawers are in cast bronze as well as the handles. On the top is represented in mother-of-pearl Mount Fuji partly concealed by clouds. This type of lacquer called "Namban" was manufactured in Japan for export at the beginning of the 17th century, either at the end of Momoyama or at the ver...

Scrafitto dots surround a pool of crackled glass deeply impressed into the ovoid form of this ko-tsubo by Yagi Kazuo enclosed in a wooden box signed by his son Yagi Akira. White slip appears haphazardly slapped on the body as with a wide brush, creating a vigorous dynamic, combined with the pointilized circle and abstract form, there is a tension which draws one into the belly of the work, certainly reflecting the best this important artist had to offer. It is 16.5 x 13 x 15 cm (6-1/2 x 5 x 6 i...

Netsuké representing a squirrel, perhaps a dormouse. The little animal is carved from a boar's tooth. He has just been surprised and stands on his hind legs momentarily abandoning the vegetable (eggplant?) he was nibbling. Its inset eyes were carved from a shiny black material, probably horn. The imotoshi is natural, formed by the base of the tail. The artist knew how to breathe life into this little animal. Excellent quality, pleasant subject, perfectly sculpted, precise details, in particular...

Pair of bottle-shaped bronze vases with dark patina depicting the dragon Ryu as a three-dimensional sculpture. The rounded part of the vases is decorated with bronze incisions and carvings depicting numerous sea waves. In the upper part the waves come to life becoming sculpted reliefs, emerging three-dimensionally from the bronze surface. It is here that the great dragon makes its appearance, completely enveloping the neck of the vase with its sinuous body and holding the end of the neck o...

A symbol of longevity and hope for happiness Minogame temple party headpiece. Gilt gold embossed details over leather hide. The detailed head resembles on of a dragon. Horsehair depicts the long flowing seaweed from the back of the turtle. Condition consistent with age. Complete
Comes with original Hitsu box.

“A crane lives a thousand years, a turtle, ten thousand.” The turtle, along with the crane and the pine tree, is one of three frequently used images to convey th...