Japanese 20th century silver bowl. This contemporary designed bowl was made by Living National Treasure artist, SEKIYA SHIRO. The bowl is signed SHIRO on the bottom. It measures 11 1/2" in diameter and 2 1/2" tall. The bowl comes with TOMOBAKO or original artist signed wooden storage box.

One of the more innovative and international minded ceramicists on the Japanese pottery scene, Ryoji Koie’s interests and expertise are barely confined by this genre—as he often integrates non-traditional methods and materials...

One of the more innovative and international minded ceramicists on the Japanese pottery scene, Ryoji Koie’s interests and expertise are barely confined by this genre—as he often integrates non-traditional methods and materials...

A Tokkuri decorated with an Otsu-e image of a sword bearer and a poem by Otagaki Rengetsu enclosed in a wooden box annotated by the head of Jinkoin Temple and titled Rengetsu-ni saku, Otsu-e Tokkuri, The poem reads:
Furi tate shi As if raising and lowering
mameshi gokoro no his true heart like a standard
hitosuji ni in one line
koyuru ka imo ni will he pass through to meet his love
Osaka no seki...

A signed, matched, pair of Abumi with a geometric design of interwoven maple leafs. The design has been hand chiselled and inlaid with silver and bronze. The stirrups measure 11" long x 5 1/4" wide x 10 1/4" high, and date to the late Edo period. The maker has inlaid his Name and City on both stirrups and this translate as follows: "Made by Yamada Nagamoto living in Kanazawa". Nagamoto is the seventh generation Yamada chiseller to work at Kanazawa, and he was born in 1810...

Antique Japanese small tansu from the Sakata region, with original red lacquer top and sides and black lacquer front. The top drawer's iron lock plate is incised with the image of a flying crane and pine branches; The bottom drawer's lock is incised with an ancient turtle with many tails. This imagery represents good health and longevity. Key is included.

Meiji Period (1868-1912) Dimensions: 32.75" L x 15.75" D x 20" H

Japanese late 20th to early 21st century ORIBE ware large tray by artist SATO KAZUJI. (1948 -) SATO KAZUJI studied with ceramicist, HAYASHI KOTARO, a SHINO ware artist, but both artist are MINO artist. In 1978 he started his own kiln in Gifu Prefecture working with SHINO and ORIBE ware. The tray comes with TOMOBAKO, or original artist signed wooden storage box. The tray measures 29 1/2" in wide, 18" deep and 2 1/2" tall. The tray sits on 4 large feet.

Japanese early 20th century earthenware teapot by SASAKI NIROKU. The wonderful teapot has a Chinese landscape design carved into the side. The teapot measures 5 1/4" wide, 4 3/4" tall and 5" deep.

A fulling block form draped with ochre glaze over charred olive shades by Tsukigata Nahiko wrapped in a brocade bag and enclosed in the original signed wooden box titled Oni Shino Hana-Ike which is in turn enclosed in a black lacquered wooden double-wood storage box. It is a very traditional shape in Japanese pottery. This is 8 inches (20 cm) tall, 5 inches (12 cm) diameter and in excellent condition. A superlative example of this artists work...

Honda Tenjo enclosed in the original signed wooden box titled Seven Great Men. Ink on paper in a superlative silk mounting with ivory rollers (they will be changed if exporting). It is 26 x 85-1/2 inches (66.5 x 217 cm) and is in excellent condition. Honda Tenjo (1867-1946), born in Tokyo, initially studied western painting for five years under Kondo Katsumi before moving to Nihonga under Kano Hogai. Along with Okakura Shusui and Oka Fuho was to be called the four pillars of the Hogai Studio...

Elegantly shaped Ki-Seto Chawan from the Edo Period, early 19th century with a rarely seen gold rim. Precious metal rings were added when the chawan was made for the aristocracy and for the high nobility.

The beautiful and glossy glaze (guinomi-de) has a fantastic crazing. The bowl has also a decoration with vivid tanpan marks ( copper green marks ).

This Ki-Seto tea bowl is in very good condition, very unusual for a chawan of this age...

An incredible organic form, the delicate petals appearing to waft in some tide by Shingu Sayaka enclosed in the original signed wooden box. A closed bud on the side is lined with hundreds of tiny sharp needles in black. It is 6 x 5 x 4 inches (15 x 13 x 10 cm) and in excellent condition.
Shingu Sayaka was born in Osaka, the industrial and commercial heartland of central Japan, in 1979...

Tsuchiya Koitsu
Edogawa (Edo River)
Date: 1930s.
Size: Chuban. Approximately 10.5 x 7.75 inches.
Publisher: Takemura Hideo. Seals on front and back.
Sealed by Koitsu at lower left.
Koitsu catalog no.: TK-TM-68
Medium: Japanese woodblock print.
Condition: Excellent.

Tsuchiya Koitsu
Takanawa Sengakuji Temple
Date: 1930s.
Size: Chuban. Approximately 10.5 x 8.0 inches.
Publisher: Takemura Hideo. Seals on front and back.
Sealed by Koitsu at lower left.
Koitsu catalog no.: TK-TM-83
Medium: Japanese woodblock print.
Condition: Excellent.

Every shade between mustard and aubergine fades into the deepest blue on the sides of this ovoid form decorated with enigmatic relief-work by Shinkai Kanzan enclosed in the original signed wooden box titled Nishiki-ka Kabin. It is 14-1/2 inches (37 cm) tall and in excellent condition...

Kaji-banten worn by a fireman (fire-fighter) with all hand-stitched sashiko. It has katazome (stencil-resist-dye) "gissha", wheels of a cow carriage motif. It has rather rare green lining. In excellent condition except for some wear and rips in the lower front. 19th century. 126cm x 122cm

Very rare bronze murashido vase with an elephant in gorgeous 3D relief. Beautifully executed. 10" tall and 3 1/2 " in diameter. Very good condition. Taisho Period C.1920. Ask for shipping quote.

Autumn colors by Goto Shiro in thick pigment on silk in a superb patterned-silk frame with solid ivory rollers. It comes in the original signed wooden box with a Futo-maki rolling bar titled Yudonoyama Banshu (Late Autumn at Mt. Yudono). This is representational of Nihonga in the 1950s, a time when artists were seeking a new direction, breaking with the past and expanding the limits of the medium...