Marked “Hichozan” and “made by Maru(circle mark) hei”. Hichozan was a large organization located in Kyushu, the southern island of Japan. The organization did not make any porcelain itself but had large workshops decorating blanks from other factories. Most of the blanks were made at Mikawachi where the Hirado kilns were located. They also ordered underglaze decorated wares that they could supply to their clients...

Beautiful Japanese Wajima lacquer stand with gold maki-e painting on a nashi-ji (pear skin) background. The designs are scrolling vines with stylized chrysanthemums and paulonias, which are the crests of the emperor and empress. The style of sparkling nashiji lacquer work and the theme were popular in the Taisho period (1912-1926) to the beginning of the Showa era, sometime after the return of the throne to the emperor...

A stylish cloisonné beaker vase decorated with a yellow rose on a blue ground by Ando, a leading Japanese cloisonné maker since the beginning of Meiji period. Impressed Ando and 'jyun-gin' (pure silver) marks on the bottom rim, dated from 1950 to 1960. Original square black stand and pamphlet issued by Ando with some brief notes about the company and a photo of the famous enameled mirror discovered in Shoso-in. 11" tall (vase alone) and 7 1/2" in diameter at the opening...

This is a lovely 18th century Japanese Arita (we think) blue and white porcelain plate, bearing a peach mark and surrounded by bats, good luck signs; decorated with bands of stylized cloud forms and flowers; rim chips; 7 3/8".

Featured here a tempestuous scene of furious waves and dark roiling clouds dominated by the crimson orb of the rising sun, seeming ready to purge the sky of its violence. Depicted in ink and mineral paints on silk, the unsigned painting is immediately bordered in patterned brocade, extended in rough beige silk and terminates in large bone rollers...

Japanese cloisonne vase of globular form with elongated neck, beautiful light green color with design of 2 white herons in flight, minor cracks on bottom not visible from front, Meiji/Taisho Period (very early 20th century). 9 3/4" high x 4 1/4" wide.

Japanese hair comb and Kogai hair pin in a Wakasa-nuri Lacquer finish on wood, circa early 1900s. Wakasa-nuri lacquer is a unique urushi lacquer technique that uses stones (coarse to soft) to scrape and reveal different layers of lacquer coatings which are painted on wood using many different colors. The dimensions of the comb are 1 1/4 inches and 3 1/4 inches, pin 5 3/4 inches long.

Old Japanese Kogai, a hair pin made of tortoiseshell(bekko). It is 6 1/4 inches long, from the Meiji period (1868-1912).

Quality Japanese Hina Ningyo with unique faces. These Jyokan dolls are a part of the Hina doll set displayed for the Japanese Girls Day, Hina Matsuri Festival, also called the Peach Festival, held in every March. The peach blossoms are often associated with a woman’s beauty and inner strength. When the blossoms start to open by breaking through the snow from February to March, it is the announcement of the arrival of spring...

Beautiful antique Kanzashi, Kogai Japanese hair pin with gold maki-e on tortoiseshell with identical design on both sides, 5 1/4 inches long.

This is “kataginu” (shoulder cloth), only the upper part of kamishimo without a trouser. Kami-shimo simply means top and bottom in Japanese. It was a high ranking samurai’s formal attire when they attended official meetings at the Edo castle. It was worn over kosode (kimono with small sleeves) with trousers. The shoulders are arch shaped and this was the style that developed in the late Edo period (1603-1868). Longer trousers (approx...

Three Japanese Jyokan (ladies-in-waiting) hina dolls are a part of the hina doll set displayed for the Hina Matsuri Festival, Japanese Girls Day in March, also called the Peach Festival. This day is reserved for the girls of the family wishing for their well-being for the coming year. Late Meiji to Taisho period, early 1900’s.

When the peach blossoms start to open by breaking through the snow from February to March, it is the announcement of the arrival of spring...

Beautiful thick Kasuri cloth almost in new condition. Hand sewn with four panels, little cotton stuffing on reverse side. Dimensions: 51 inches x 62 inches

This is a Rikyu doll, one of the Hakata clay doll made in the Fukuoka, Japan. Rikyu (Sen Rikyu) is a 16th century influential tea master who perfected the Cha-no-yu, way of tea. He served two historically powerful figures, Nobunaga (Oda) and Hideyoshi (Toyotomi), and eventually being forced to commit Seppuku by Hideyoshi. Sen Rikyu is a given name by the Emperor. 10 inches tall.

The idea of a Fukusa gift cover comes from the old Japanese tradition of gift presentation. Fukusa began to be decorative as well as practical in the Edo period (1600 to 1868). The appropriate design was chosen for the occasion; for seasonal, ceremonial and later, time of grief when Japan started to face battles again, with the foreign countries this time...

Beautiful silk Japanese Uchikake, wedding kimono, from Taisho to Early Showa period, early 1900s. When the peaceful life of Edo (1600-1868) continued without any major battles for years, the lives of the people became more affluent. The merchant's economical power was getting stronger. Some very wealthy merchants were even supporting the different types of art and their extravagant lifestyle was influencing all the social rankings...