A furosaki tea room screen made of a very large hanga woodblock print in the fashion of Inui Tai mounted within a simple wooden frame and stamped in the lower left corner. An intriguing work, village roofs are visible over a sea of rice containing all manner of small country scenes...

Japanese silk and gold embroidery depicting two cockerels and peonies. The peonies are a symbol of wealth. This imagery can also be interpreted as a father and son motif of passing on knowledge with a moral compass symbolism.The gold thread is 24-karat gold hand-hammered onto the thread.

Meiji period Circa 1860's.

67-1/2" high, 44-3/4" wide

Gorgeous Rare Japanese single section isho tansu (clothing chest) from Sado Island, made of kiri (paulownia) wood with translucent reddish orange lacquer finish, fantastic iron hardware including large and elaborate lockplates featuring phoenixes, safe door open to two small drawers, Meiji Period (circa late 1800's). Size: 44 1/2" high x 45 1/2" wide x 17 3/4" deep.

A very tall footed chawan by Kawai Kanjiro enclosed in a fine Kiri-wood box endorsed by his daughter Koha, head of the Kawai Kanjiro Museum. The piece is very much in this potters unique style. The pale rough clay is covered in ash colored glaze with a wide band of soft green, within which are two floral scribbles in red and blue. The bowl is 6 inches (15 cm) diameter, 3-3/4 inches (9 cm) tall and is in perfect condition...

Japanese bronze statute of a peasant maiden. Signed Hidemitsu. Meiji Period. Height 30-1/2"; diameter of base 9-1/4".

This Japanese doll looks like a woman from Ukiyo-e (pictures of the "floating world") wood block prints. She is sensual and inviting; posing to fix her hair with a hair pin. To do so, she would need to tilt her head sideways and gently pull out the hair pin so she wll not make a mess of the hairdo. The process takes delicate movement of the fingers and is also a chance to show off the area behind her neck which is considered to be the most sensual place to show for a women wearing a kimono...

Elegantly modeled Satsuma teapot of Cherry Blossom Viewing, Scene encircling body of teapot with diamond shaped top border in a dark green. Very good condition with some wear to gilt and signature. Signed"____ZAN". 5 inches high. Taisho Period.

Silk kimono decorated in yuzen technique with design of flowering stalks. Bamboo, cherry blossom and marigold. On the stalks small beetles crawl up. Outlines of flowers in silver. Inside partly lined with red silk. Japan, Showa period, mid 20th century.
Length 66 in. (168 cm), sleeve to sleeve 49 ½ in. (126 cm).
Few light stains, one torn seam at sleeve (ca. 2 in.), one small moth hole in seam of other sleeve, otherwise good condition.

Obi (sash) with design on both sides. One side taupe colored silk embroidered in brown, murasaki, pink, green and blue with a design of bamboo leaves and matsukawabishi. The other side decorated in silver and some colored silk on murasaki colored silk with an intricate design of a river bank with stone barricades, containers and vegetation: bamboo, pine, chrysanthemums and momiji. The end of the obi marked with two strokes of gold thread. Japan, early Showa period.
Length 151 ¾ in...

A powerful drawing of Shoki, a demon queller, is hand painted over two nobori banners (each has two panels sewn together) on a thick and loosely woven cotton. The size of two panels together is huge; approx...

An haunting 17th century sumi-e image of a goose at twilight by Kano Toun (1624-1694) in the original Edo silver threaded brocade border patterned with clouds, upper and lower extensions of heavy coffee colored cloth ending in ivory rollers. The almost complete dominance of white seems to convey a passage through space, from clarity into obscurity, leaving the viewer with a slight sense of loss echoing in ones memory...

Fantastic Funa-dansu from Sado Island. Keyaki (elm) wood with very heavy and ornate iron work on entire front face, interior behind bottom panel contains set of drawers with lacquered keyaki fronts and more iron work, early Meiji Period, keys. This chest has been published in several books and is one of the top fune tansus in the world. H 20", W 23", D 17".

Japanese isho tansu (clothing chest) from the Yamagata area, made of kuri (chestnut) wood and sugi (cryptomeria) wood with lovely original deep red and black lacquer finish, iron hardware with ivy leaf lock plates, hirute handles, safe box with two small interior drawers, Edo/Meiji Periods (circa mid 1800's). H 35-1/2", W 39-1/4", D 17-1/2"

Rare Mid Edo Period choba, merchant's chest, from the Sakata area, made of kiri (paulownia) wood with original patina (not refinished), nice iron hardware, interior (behind sliding panels) contains set of five drawers (three on the right, 2 on the left) and one hidden drawer. Incredibly rare Large oversized iron handles flanking each side of the chest.

Edo (1603 - 1868)

H 35-3/4", W 38", D 16-3/4".

Antique Japanese Satsuma ware bowl in the shape of a money pouch, decorated with motif of procession of children pulling flower cart, ceramic with gold and polychrome overglaze, Meiji Period. Size: 5 1/2" high x 6" wide (diameter).

Beautiful antique Japanese choba tansu, merchant's storage chest, all original finish with keyaki (elm) wood panels on the front finished in a medium brown, sugi (cryptomeria) wood frame finished with a black lacquer, iron hardware, safe box with two small drawers on the inside, Edo Period (early 1800's). Size: 33 1/2" high x 36" wide (37 1/4" wide including side handles) x 15 1/2" deep.

Japanese Buddhist scroll painting with the image of Amida raigo, the descent of Amida Buddha from the Western Paradise to earth. He comes down to transport the newly deceased devotee to the Western Paradise. In the middle Amida, to his right the bodhisattva Seishi, hands folded in prayer, to his left Kannon holding the lotus throne for transporting the deceased to Paradise. A ray of light comes from Amida’s urna. All three figures are standing on lotus thrones, floating on white clouds...

Japanese woodblock print depicting an actor portraying a samurai by Kuniteru II (1829-1874), published by Daikokuya Heikichi (Shojudo) in 1867. The paper measures about 14 5/8"V x 10 1/4"H. The print is in very good overall condition with good impression quality and color. There are lacquer highlights in the black areas and mica at the top. There is an ample margin on the left and top. The paper is fine, the print is not backed, and the image is clearly visible on the reverse...