Antique Japanese extra large bronze vase. Dramatic baluster form with foliate rim, fluted neck and chimera handles. Archaic motifs around the neck and shoulders. The body of the vase is decorated with highly raised scenes of birds including songbirds and a peacock. The flared foot of the vase has a dragon and crashing waves.

Age: Meiji Period (1868-1912)

Dimensions: 32 3/4" high x 13" wide

Antique Japanese bronze Buddhist temple lantern. The finial is a flaming jewel and the corners of the roof are hung with bells. A dragon is coiled around the lower portion of the lantern stand. Many areas are decorated with colorful cloisonné clouds, flowers and cranes. Electrified.

Age: Meiji Period (1868-1912)

Dimensions: 25 1/2" high x 13" wide

Antique Japanese bronze vase with Chinese archaic motifs. The shape is a traditional ancient Chinese form with flared rim and incised scrolling archaic designs. Fudog handles. Dark patina with areas of deep red. On a carved wooden stand.

Age: Edo Period (1603-1867)

Dimensions: 13 1/8" high x 9 1/2" wide

Antique Japanese bronze vase with raised design of irises. Round body and long neck with flared mouth. Dark patina.

Age: Meiji Period (1868-1912)

Dimensions: 12 7/8" high x 4 1/2" wide

Antique Japanese copper censer with handles. The pierced copper lid has a repousse design of a dragon in swirling storm clouds with lightening. The body of the censer is hammered copper and has two warabite shaped handles on either side.

Age: Meiji Period (1868-1912)

Dimensions: 7" high x 11" wide (including handles)

Japanese shin hanga woodblock print titled "A Glimpse of Ueno Park" by Hiroshi Yoshida (1876-1950) dated Showa 12 (1937). First edition impression with "jizure" (self-printed) seal in the upper left margin. The artist's black ink brush signature and red seal is at the lower right with the pencil-signature in the margin below it. Illustrated in "The Complete Woodblock Prints of Yoshida Hiroshi," Abe Publications, color plate #218. Paper measures 16 1/8" x 11" (image size: 14 3/4" x 9 3/4")...

Leonard Tsuguharu Foujita (1886-1968)
White Cat
Date: 1929
Signed by the artist in the image in English and Japanese.
Matte size: 23.25 x 19.375 inches. Matte window: 17.5 x 12.75 inches.
Medium: Japanese woodblock print with gauffrage embossing on the cat (seen in indirect light).
Condition: Woodblock print is sealed inside matte and is possibly adhered to board. Some creasing visible in side lighting.

Large rinpa school painting depicted Deer. Painted with ink and pigments on a fan. Sealed...

A Unique Japanese Contemporary Bamboo Sculpture made of strips of lacquered madake bamboo in red and black. The artist is using an irregular, open work plaiting technique creating a kind of large, irregular egg shape with a narrow opening on the top . Made by Mori Tomoe, from Beppu, Oita prefecture, Kyushu, Japan. Unsigned, but a paper is provided with the name maker and the artwork title: “ Reasons 2”. It comes with a carton box...

Silk meisen lined kimono with geometric pattern in blue, white, pink, green and black. Both warps and wefts kasuri yarn are paper stencil dye. In good condition. Mid 20th century. W:124cm, L:152cm

Silk meisen lined kimono with geometric pattern in red, green, yellow, black and gray. Both wefts and warp kasuri yarn are paper stencil dye. Mid 20th century. In good condition. W:126cm, L:145cm

Japanese chestnut. Painted with ink on paper. Signed Tsunenobu and sealed. It is attributed to Kano Tsunenobu.

Kano Tsunenobu (1636-1713) was the eldest son of Kanō Naonobu (1607-50), younger brother of the renowned artist Kanō Tan'yū (1602-74). When his father died, Tsunenobu became a pupil of his uncle, and derived elements from the style of both men...

Beautiful Autumn Landscape with maple leaves. Painted with ink and pigments on paper. Signed Tetsuzan and sealed.

Some light marks are present on the painting itself, otherwise the painting is in very good antique/vintage condition. Some insignificant light marks are present on the scroll mounting, otherwise the piece is diplayed well and in very good condition...

Tatou-gami made of recycled old washi (Japanese handmade paper) with kakishibu (persimmon tannin) for waterproof. Tatougami is used for wrapping kimono, precious items and so on. This was used for wrapping old books. It has four cords made of washi too. The second half of the 19th century. In good condition. 62cm x 67.5cm when it is flat.

Winter peonies. Painted with ink and pigments on paper. Signed Bungyo and sealed...

Yuki-boshi (snow hat) or yuki-kabuto (snow helmet) made of palm tree fiber and vegetable indigo dye cotton inside. It has washi painted with Paulownia oil for waterproof, between outside and cotton indigo lining. It is from Shonai region in Yamagata prefecture in Tohoku district. It is said it was worn by "matagi", a hunter. The second half of the 19th century. In good condition with belts inside are left, which is rather rare. 40cm x 57cm

This Umakake was used in the Shinshu region during the Edo period, and Umaya-zaru was drawn with Tsutsugaki. Umaya-zaru was believed to be the guardian deity of horses. These days, it is a very rare item that is rarely seen. Cotton cloth is hand-spun and thick. The cleverly designed Umaya-zaru is interesting. There is no stain damage at all. Size:Width 33cm x Length 178cm Box G.

Striking Japanese sweets shop sign with the kanji 'ame' sweets and the name of the store ' Koko Ame Ya' written on the bottom in stylized kanji. Koko means 'with the intention of doing good for all'. 16" tall by 13" wide. great condition. Ask for shipping quote.