Fairly large bowl of irregular round shape with indentations in upper edge and openings in the side, decorated with a large red lobster. The spiny lobster is traditionally eaten during the New Year...

Ohara Koson
Roaring Tiger
Size: O-tanzaku. Approximately 14.25 x 7.75 inches.
Date: ca. 1900s-1923.
Koson signature and seal at lower right.
Publisher: Daikokuya.
Reference: K41.6 and cat. 134 in Crows, Cranes and Camellias: The Natural World of Ohara Koson (Reigle Newland).
Medium: Japanese woodblock print.
Condition: Excellent.
"A tiger roars as it stands on a mountain ridge and looks over the crescent moon far below...

MONKEY PARENT AND CHILD

Minimal ceramic figure of monkey parent and child in such beautiful silhouette, Showa period, 20th century, Japan, approx...

The Size: 12 1/4" High x 5" Dia Body, 5 1/2" Top. It is beautiful Japanese Ko Imari Vase with flare top and ruffled top. The workmanship is wonderful. It has Musha design (Samurai figure) with window on each side of vase. The vase is like a Satsuma body with crackle glazing. The between the window design, there are peony and pheasant design wonderful detail work. There are two pheasant birds design as well as Cherry blossoms, and mums design. The top vase has peony design...

Antique Japanese Ryukyu Cha Tansu (display and storage chest for tea items). Lacquered black and inlaid with Mother of Pearl (Raden) in intricate and extraordinarily fine designs of noblemen and scholars in pavilion gardens. The upper portion has a compartment with four sliding panels. Below this are two open shelves inlaid with larger designs of birds on a blossoming dogwood branch...

Hiroshi Yoshida
Temple in the Wood
Date: 1940.
Size: Oban. Approximately 16.0 x 10.75 inches.
Signed and sealed in the image. Titled and signed in pencil.
Jizuri seal at upper left margin indicating self-printing by the artist.
Medium: Japanese woodblock print.
Condition: Toned paper. Corner margins have heavy creases.
Dedicated in top margin: "Captain and Mrs Tibbitts, Wishing a Merry X'mas and a Happy New Year - Gozo and Shiori"

From a well-known series entitled “Chōtō” (Listening to the Waves) this contoured vase features a sandy glaze that the sculptor claims is an expression of the features of the landscape where he grew up.

Born in the port city of Shimoda, Sakiyama studied art in Osaka and then later went on to open his own kiln that he named “Hidaka” (High Sun)...

Japanese iron helmet inlaid with silver and gold. Made by 6 riveted iron plates. The dragon and cloud inlay is damascened (nunome zogan), the water drops in silver are in strong relief. At the front is riveted a circular steel plate representing a dragon. Signed by Shige Katsu. At the beginning of the 17th century, a Myochin Shige Katsu was working for the Date clan in Sandaï, it is certainly him...

Exceptional fushi in shakudo inlaid with gold and sentoku ,recounting the legend of the warrior Hide Sato victorious over the giant Mokume. As a reward, the Dragon King Ryu-Jin presented him with a precious bell, an always hot cauldron and an inexhaustible sack of rice. We see these three objects carried by the servants of Ryu-Jin emerging from the waves. Exceptional quality.Important note that the gold parts are solid gold in pieces and not just gilded. 35x27mm. Sign...

Length: 6cm (2.3 in)
Height: 2.3 cm (0.8 in)
Depth: 1.5 cm (0.6 in)

Japanese netsuke of a dry salmon head; carved from some form of horn; remnants of colour in the eyes; interesting himatoshi location; 19th century; condition

A small round heavily lacquered box made to contain incense carved with Peonies by Imperial Artist Suwa Sozan I enclosed in the original signed wooden box. Layer upon layer of lacquer has been applied over time, each subsequent layer allowing for drying, then the entire is carved through with the floral motif. This would likely have been years in the making. This kogo is 3 inches (7.5 cm) diameter and in perfect condition signed underneath Sozan...

Antique Japanese large hanging Buddhist temple lantern made of gilt copper. Elaborately designed with a three dimensional hexagonal form and decorated all over with pierced scrolling filigree featuring chrysanthemum blossoms and swirling mist. Smaller friezes display ocean waves. Raised roundels with peonies decorate the feet. The interior is lined with rice paper.

Age: Late Meiji Period (circa 1900)

Dimensions: 29" high x 33" long x 31" wide

A flagrant barrage of color gets in your face with this futuristic vessel by Yanagihara Mutsuo enclosed in the original signed wooden box titled Saimon Kabin (Colored Vase). Over the crackled sunshine yellow gleams platinum on lightning strikes of red, completely juxtaposed to the cool blue of the interior. Very much an iconic work by this eclectic artist. It is 17.5 cm (7 inches) diameter, 15 cm (6 inches) tall and in perfect condition...

Always innovative, here is a basin for flower arrangement in pastel Hagi colors by Kaneta Masanao carved and torn from a solid block of clay in the Kurinuki technique enclosed in the original signed wooden box. Making use of a flower frog, I can imagine a fabulous spray of green rising up from within the undulating rim, like the first burst of flora through the last of the winter snow...

A dark forest rises in a field of white, as if still covered in frost or snow, over which is draped a poem brushed in the exquisite script of the poet-nun Otagaki Rengetsu, Itsu to naki, Tokiwa no sato ha, Hototogisu shinobu hatsune ni, Uzuki wo ya shiru?
With the first cry of the Cuckoo, in this village of Tokiwa
Will the people realize, Spring has arrived?
To the extreme left, the cuckoo flies off the page. Ink on paper in forest green silk extended in a beige with black ...

1900's Japanese Bronze Rooster Shaped Censer Koro Marked

It is 7.5 inches (19cm) tall by 5.6 inches (14.3cm) wide. It weighs 982.5 gram (2.2 lb).

It has surface wears and scratches (as seen in the photos).

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Cotton lining for narrow sash (obi). Most of the fragments are hand-spun cotton cloth, such as plain cotton indigo dyed, itajime mame-shibori (clamp-board dye), katazome (stencil-resist-dye) etc. The second half of the 19th century. 15cm x 4m50cm

An excellent shakudo tsuba inlaid with a "thousand flowers" decoration in gold, silver and sentoku. The technique is particular, the tsuba is first cast in shakudo with all the flowers in relief, then chiseled. Then each flower is covered with a thick sheet of metal, gold, silver or sentoku, this sheet is hammered on the sides of the flowers as one would border a bed sheet. Excellent work , exceedingly difficult more than inlaid. This was not done to save material nor economy, because the silver...