A beautifully cast bronze dragon waterspout from an ancient Japanese garden in Nara prefecture made to rise over the edge of a water basin, the water trickling out through his mouth. It retains the original bronze pipe and connector, overall, in excellent original condition. The dragon itself is roughly 25 x 13 x 20 cm tall (10 x 5 x 8 inches) and weighs 3.9 kg (8.5 pounds). Including the pipe roughly 50 cm long.

Hawk. Painted with ink on paper. Sealed. Circa late 19th C.

Some light marks, insignificant light crease, traces of restoration of the damage and foxing are present on the painting, otherwise the painting is in very good condition. Some insignificant light marks are present on the mounting, otherwise the piece is in fine condition. It is accompanied by a paulownia wood storage box...

Ripples cover the archaic surface of this flattened vessel by Sakata Jinnai enclosed in the original signed wooden box titled Hakudeisai Hajomon Henko (White Clay Wave Patterned Henko) It is 11 x 23 x 32 cm (4 x 9 x 13 inches) and is in excellent condition.
Sakata Jinnai was born in Tokyo in 1943, and began as an apprentice under the legendary Kamoda Shoji in 1964, establishing his first kiln in 1966...

An incredibly elegant form by Ikegami Eichi enclosed in the original signed wooden box titled Seiji HIsago Kaki (Gourd Shaped vessel). It is 30.5 cm (12 inches) tall and in excellent condition.
Ikegami Eichi was born in Kanazawa City, home of Kutani porcelain, in 1931, and during his time at the Kanazawa University of Art he submitted sculptures and was awarded at the Hokuriku Art Exhibitoin and Ishikawa Modern Art Exhibitions, graduating university in 1953...

A spectacular pottery sculpture of the Okoze (Scorpion Fish) by Kimura Gyokushu enclosed in the original signed wooden box titled simply Bizen Okoze. It is 27 x 18.5 x 9 cm (11 x 7-1/2 x 3-1/2 inches) and is in excellent condition.
Kimra Gyokushu was born the eldest son of the 16th generation Kimura Munetoku in 1953. He graduated from Nagoya University of Arts in 1976, then went on to be awarded the Okayama Mayor's Award at the Okayama Prefectural Exhibition that same year...

An unusual large bottle-shaped vase by Morino Taimei enclosed in the original signed wooden box. It is fawn-speckled blue on black-mottled tarnished silver, a striking combination. The shape of the mouth he has taken from traditional Korean forms. The vessel is 27 cm (11 inches) tall and in excellent condition...

A Hikeshi-Banten Fireman Jacket decorated with protective images of waves and birds outside in various dyed colors and sashiko stitching, the inside emblazoned with a dragon and tiger; symbols respectively of wisdom and protection (the dragon is a water god) and ferocity and bravery as the tiger knows no fear. The handmade coats were fashioned from several layers of highly absorbent quilted cotton fabric...

A beautifully crafted cast, carved, and parcel gilt bronze image of a samurai pulling back, arrow nocked, ready to let fly, signed in a metal cartouche on back Shunko-saku (made by Shunko). It is roughly 27.5 cm (11 inches) to the top of his hat, 25 cm (10 inches) from forefinger to elbow. The warrior is calm, determined, with a look of deep concentration in his inlaid eyes...

An Edo period coat (haubergeon) and “kote” (mitons) of linked chain over layers of indigo dyed blue cloth decorated with family crests in gold. The chain, Kikko collar, outer layers of cloth and leather piping are all in overall excellent condition, the original pale blue lining is much worn away. This is made for an adult.
In Japan, mail is called kusari which means chain...

A very large mask of heavily carved wood covered in black lacquer with golden eyes dating from the mid Edo period (18th century). There are minor losses to the lacquer on the cheeks and along the edges typical of age. It is 37.5 x 30 cm (14-1/2 x 12 inches) and is in overall fine condition.

Long armed shrimp, a symbol in any culture of a festive meal, decorate in red the shunkei lacquered surfaces of these turned bamboo basins called Haisen made for washing sake cups between drinks. Each bowl is turned from a bamboo node, celebrating the natural basin formed by the bamboo tree and used from time immemorial in Asia. They are 13 cm (5 inches) diameter, 9 cm (3-1/2 inches) tall and in excellent condition, enclosed in the original kiri-wood box signed Shunko.

A stunning large Menuki in the form of a writhing dragon of gilt copper dating from the 19th century, It is 7.5 cm (3 inches) long and in perfect condition, retaining both the original studs on back unused. The Year of the Dragon is coming up!

The Takahashi family is along with the Ueda family the oldest potter family in Shigaraki and Takahashi Rakusai III b.1898-1976 was largely responsible for the revival of unglazed Shigaraki pottery in the 20th century. Working in the third generation he was designated a "Shiga Prefectural Intangible Cultural Property" in 1964 for his countless efforts. He was succeeded in 1976 by his son Takahashi Rakusai IV who was designated by government as "Intangible Cultural Property"...

Small box and cover made of very thinly cut kiri (Paulownia) wood, in the shape of a Daruma doll. The cover is decorated in gold, silver and red kiji makie technique (lacquer decoration applied to natural wood) with three tumbler dolls: rat, farmer girl, samurai boy...

Small box and cover. The base of the box made of kiri wood (Paulownia), the cover made of kiri and keyaki (Zelkova) wood, diagonally joined together. The outside of the cover is decorated with two black shijimi fresh-water clam shells in kiji makie technique (applying makie lacquer decoration to natural wood)...

FLAT-SOLID VASE

Pottery. 20th century, Japan...

SCROLL OF YOSHIO

Very easy and simple drawing (fish, kanji character as fish, and this artist's name) by a Japanese child named Yoshio, mounted to very serious hanging scroll though don't know why. Showa period, 20th century, Japan, approx. 59.5 x 114 cm (23.42 x 44.88in). Enjoy its contrast. Some stains and deflection as is.


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MORNING IN SHIOBARA

Vintage Japanese oil painting on canvas, by Matsunaga Toshitaro, Showa period, 20th century. Morning landscape of cold winter spa town in Nasushiobara, Tochigi prefecture. 52.7 x 45.8 x 2 cm (20.74 x 18.03 x 0.78in). Some oil stains as is.


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