Rain at Shinobazu Pond
Sealed "S". Artist unidentified.
Date: ca. 1940s.
Print size: 3.75 x 2.75 inches.
Publisher: Unsodo. From a group included in an Unsodo client sample book.
Medium: Japanese woodblock print attached along top edge only to original holiday card.
Condition: Tiny dot in sky.

Nihonbashi
Sealed "S". Artist unidentified.
Date: ca. 1940s.
Print size: 3.75 x 2.75 inches.
Publisher: Unsodo. From a group included in an Unsodo client sample book.
Medium: Japanese woodblock print attached along top edge only to original holiday card.
Condition: Excellent.

A beautifully crafted and remarkable example of an early Edo period (1603-1868) Raku Chawan. This bowl is strongly reminiscent of the Chōjirō tea bowls, the first head of the Raku family.

This exceptionally well-crafted tea bowl has a very meditative presence and reveals its highlights of a typically Momoyama Period classic black glaze. It comes with an old Japanese wooden box...

Height: 18.6 cm (7.5 in)
Width: 9 cm (3.6 in)

Fine quality Japanese cloisonne vase depicting birds amongst wisteria; fine gold and silver wire-work throughout with excellent enamel shading; attributed to Hayashi Kodenji; fine diaper enamel patination below and above the rims; excellent condition; email for more pictures

Kano school painting depicted a white heron rests on the willow tree. Painted with ink and pigments on silk. Sealed. It is inscribed the name Kano Motonobu on the side of the scroll.

The condition is reasonable due to its great age, with some marks, crease, damage are present on the painting and scroll mounting due to its great age...

An elegant bowl swept in a Zen circle of ink by Shigemori Yoko, the vessel evidencing several dips in white slip, creating a captivating sensibility which contests the simplicity of the coloration. It is 14 cm diameter, 8 cm tall and in perfect condition, directly from the artist’ family and comes enclosed in a wooden box annotated by her nephew.
Shigemori Yoko (1953-2021) was born in Kagoshima...

HANAKAGO

Flower basket as old Japanese ikebana vase made of wildly but refinedly woven two different type (condition) of bamboo attached with natural wood handle, early 20th century, approx. H 46 x 23 x 19 cm (18.11 x 9.05 x 7.48in). The bottom is holed as seen so that needs to prepare inner container when use of fresh flower arrangement...

A set of three hanging scroll paintings finely depicted auspicious motifs such as rising sun and old pine tree, jurojin with divine deer and a sacred scroll, as well as a flock of crow rest in the winter old tree that reminds of the zen like scenery. Painted with ink and pigments on silk. Signed Tsunenobu and sealed. It is attributed to Kano Tsunenobu.

Kano Tsunenobu (1636-1713) was the eldest son of Kanō Naonobu (1607-50), younger brother of the renowned artist Kanō Tan'yū (1602-74)...

Clouds cling to the slopes of this large ceramic container in the shape of Mt. Fuji by Matsuda Yuriko enclosed in the original signed wooden box titled Fujisan. It is 41.5 x 15.5 x 41.5 cm (16-1/4 x 6 x 16-1/4 inches) and is in excellent condition.
Matsuda Yuriko was born in Ashiya, Hyōgō Prefecture in 1943nd lives and works in Oshino, Yamanashi Prefecture. Yuriko is an avid exhibitor; it is a wonder she has time to do any work at all...

Vibrant colors and glistening gold decorate this leaf shaped sculpture by Matsuda Yuriko enclosed in the original signed wooden box titled HASU (Lotus Leaf). It is roughly 37 cm (15 inches) diameter and in excellent condition.
Matsuda Yuriko was born in Ashiya, Hyōgō Prefecture in 1943nd lives and works in Oshino, Yamanashi Prefecture. Yuriko is an avid exhibitor; it is a wonder she has time to do any work at all...

A deep wan-gata bowl swept with swirling Zen brush-strokes over earthen glaze by veteran female artist Shigemori Yoko enclosed ina wooden box titled O-Chawan (Big Tea Bowl). It is 13.5 cm (5-1/4 inches) diameter, 9.5 cm (just less than 4 inches) tall and in perfect condition, directly from the artist’ family and comes enclosed in a wooden box annotated by her nephew.
Shigemori Yoko (1953-2021) was born in Kagoshima...

A square Chinese cloisonne enamel gau box with four arched apertures and gold gilt strap loops for personal carrying. Richly decorated on a yellow ground with designs of formal lotus and foliage, the top side panel has a dark blue fylfot. The back panel, with the large red Shou-type character, slides up to open. Made for the Tibetan market, this dates early to mid 19th century, but could possibly be late 18th. Measures 3.35 inches high, 3" across, 1" deep.

Hotei, one of the seven lucky gods. Painted with ink on paper. Signed and sealed. It is accompanied by an inscripton authenticating the painting that it is painted by Okamoto Hansuke. It is attributed to Okamoto Hansuke(1575-1657).

Okamoto Hansuke(1575-1657) was a military tactician and calligrapher of the early Edo period. His original surname was Ishigami, and he later inherited the Okamoto clan. He is well known by his given name, Nobunari, and his common name, Hansuke...

A set of 5 rare Dutch glass cups imported to Japan in the Edo period and formerly owned by the Confucian scholar Nakai Riken (1732-1817). They are enclosed in a custom made double sided wooden box with drop in doors titled on the side Yoi-O-Gozui (Five fortuitous ways to be drunken) with a long verse carved into each door. Of course, the meaning of the title goes much deeper, and the Gozui is also a Confucian concept...

Okimono expertly carved from a single block of ivory depicting a hunter in the company of an Onagadori rooster. A child stands at the hunter's feet while he strokes the rooster's feathers. This okimono features the Yukiharu 之晴 signature in relief under the base within a rectangular reserve in red lacquer. Origin: Japan Period: Meiji end of 19th century. Dimensions: 29 x 7.5 x 6 cm. State of conservation: Very good

Bronze okimono depicting the study of a powerful tiger in a furtive position. The animal is represented with its legs bent, its tail curled upwards and its body in a lowered position just before launching the attack. The streaks of the fur, typical of the animal, are depicted in a masterful way and highlighted with a marked engraving. This okimono is signed Hideyoshi 秀義 under the belly. Origin: Japan Period: Meiji second half of the 19th century. Dimensions: 10 x 36 x 9 cm....

Amazing boro made of hand-spun and vegetable indigo dye cotton fragments. It used to be the lining of yogi, which is one kind of futon, in the shape of kimono. It is from the Japan Sea side district in Kansai, such as Fukui or Kyoto. It is partly sewn with hemp yarn. Late 19th to early 20th century. W:95cm, L:165cm

Late Edo (1603-1868) Period Shino Chawan with all highlights of the Japanese aesthetics of wabi sabi. It is in perfect antique condition and comes with its original wooden box, a cloth bag (shifuku) and the attestation of a tea master inside.

Shino-ware dates to the Momoyama period when potters were attempting to recreate white porcelain-wares that were being imported from China at the time. Originally they were made in single-chamber anagama style kilns set into the hillsides. La...