An interesting pair of Japanese Arita saucer form dishes decorated in a transitional style incorporating elements of the Kakiemon style, notably the asymmetric elements within the reserves to the outer rim of the dish, with Katamono style motifs dating to the late 17th century or early 18th century made for the domestic market. For a more sophisticated version of this type of design in Katamono style dated 1680-1700 see Shibata Volume II no 422...

A rice bowl and its accompanying cover cum small sauce dish dating from the late 18th century to the early 19th century decorated entirely in enamels with gilding. The exterior of the bowl and cover are decorated with a turquoise green brocade ground which is intended to simulate a Chinese enamelled scrafitto pattern of the period...

Kappa (cape) made of cotton kasuri on both sides which are hand-spun and natural indigo dyed. It is called "maru-gappa" or "hiki-mawashi" in old days. It was worn on the occasion of travel over kimono. It has washi (Japanese handmade paper) between two cotton cloth which is washed out and soft. The word "kappa" came from Portuguese "capa". The Portuguese first came to Japan in 17th century. The piping　is made of handwoven hemp. Generally in good condition but has some holes and wear in cords...

Chinese Tang dynasty (618-907) pottery tomb figure depicting a male attendant with short beard and mustache dressed in a belted gown and wearing a red hood. 8 3/4" high. Very good overall condition with cold painted facial features and much original pigment remaining. Typical losses. The flat base is sightly slanted so the figure does not stand upright without a support. From an old Tucson, Arizona collection. Purchased from a California gallery in the 1990s.

A rare, attractively enamelled, figure of the Bodhisattva and Japanese "Goddess of Mercy", Kannon.. Unusually, she is seated on a large boulder inhabited by a writhing white glazed dragon...

A crow stands stark against a dark landscape, the last vestiges of autumn clinging to frozen branches as the landscape settles with snow. Below water surrenders to gravity as it drops into the unseen depths. Ink and light color on silk in a green silk border patterned with tangled vines and featuring stag antler rollers. It is 19 x 76-1/2 inches (48 x 194 cm) and in overall great condition...

Antique Japanese scroll painting, with an arrangement representing a bounty of good fortune. Fish top a bushel of rice and are tied with roped straw in an auspicious presentation meant to bring in a bounty of fortune. Adding to it, three of the Lucky Gods make an appearance in miniature, treating the decoration as if it were a boat or their ship of good luck. Sumi ink on silk. Dates from 18th century.

Dimensions: Total size: 44" high x 22 1/4" wide (24 1/2" wide including ends)...

This is an extremely rare cloisonne masterpiece. It was created by one of the great Meiji artists, Ogasawara Shuzo. It is also a very large piece for cloisonne, at 14 3/4 inches wide and 7 tall. It probably weighs over 10 lbs. The entire dragon is raised relief. This is an eye catching piece that truly belongs in a Museum. Condition is excellent.

Japanese two section tansu made of Kiri (paulownia) natural finish wood. With hand forged iron hardware incised with motifs of cherry blossoms and fans.

Meiji period (1868-1912)

Dimensions: 34 1/2" x 15 3/4" x 40 1/2"

Antique Japanese scroll painting of a monkey seated near a blossoming peony. Painted with great expression and much attention to the details of the face, hands and feet of the monkey. Every hair is carefully brushed. Painted in light mineral colors and ink on silk. Bone ends. Signed Mori Sosen (1747-1821) with seal.

Edo period (1603-1868)

Dimensions: Total size: 44" high x 18 3/4" wide (20 1/2" wide including ends. Size of art: 12 3/4" high x 14 1/2" wide.

Frank Brangwyn and Yoshijiro Urushibara
Venice, Golden Morning
Size: Oban. Approximately 15.25. x 10.25 inches.
Date: 1924
Edition: First and only.
Yoshijiro produced this woodblock print from a watercolor by Brangwyn as part of their famous collaboration.
Signed in pencil by both Brangwyn and Urushibara. Initialed by Brangwyn within image.
Reference: UB27 in Chapman and Horner.
Medium: Japanese woodblock print.
Condition: Excellent.

This is a very unusual Japanese Cloisonne vase that looks more like a porcelain blue and white vase. The vase has a mix of silver wire and wireless enamel work. The vase is heavy and has a nice glossy sheen. The rims have an unusual dark chocolate patina to them. It stands 9 5/8 inches tall and is 6 1/2 inches wide. Overall condition is very good but there are two short lines in the narrow white area just above the scroll on the base.

A selection of three sake cups by Tanoue Shinya encapsulating the various characters fo this artists work. Each comes enclosed in the original signed wooden box. 700 dollars for all three or:
a) White W2.5(7cm) H2(5cm) 250.00
b) Blue W3.5(9cm) H2(5cm) 300.00
c) White W3(8cm) H1.5(4cm) 250.00
Tanoue Shinya was born in Kyoto, the cultural heartland of Japan in 1976...

A very rare Nana-sun plate with swirling hake-me design from the kilns of Utsutsukawa dating from the early to mid Edo period wrapped in a ragged bit of sarasa dyed cotton cloth and enclosed in an age darkened wooden box titled Utsutsukawa-Yaki Kashibachi - Ikko (Sweets dish-1) It is 7-1/2 inches (19 cm) diameter. Thinly potted, there is a tiny chip in the rim, otherwise is in perfect condition; exceedingly rare for this type of pottery...

Antique Japanese hibachi or coal brazier, constructed of heavy Keyaki (elm) hardwood with natural burl grain in a The frame of the brazier and drawers are done in kurogaki (black persimmon wood). The copper lining with original patina from oxidation.

Meiji period (1868-1912)

Dimensions: 27 1/2" x 16" x 13 1/2" H

A fine, Mishina school tanto, forged and signed collaboratively, Omi no Kami Minamoto Hisamichi and Chakushi Minamoto Rai Hisatsugu with edakiku (branched chrysanthemum) above the two signatures. Dated on the verso 'a day in August of Genroku 15' (1702). In full polish, in shirasaya, accompanied with original koshirae with fine fittings including floral and snow on persimmons motifs. Included are kozuka, kogai, tsuba, fuchi-gashira, menuki...

A very interesting and well-carved figure-group (okimono) on a fitted base depicting the ox-herding boy and his ox loaded with fire wood in naturalistic style. The head, hands, feet of the body as well as the leash and the bundle of fire wood carried by the ox have been made from tinted ivory, as has the plaque with the artist’s name. The rest of the group has been made from a dense type and beautifully veined Oriental wood...

Large Japanese religious scroll painting of the bodhisattva of compassion, Quanyin. She holds a willow branch and a container holding the elixir of life. Mineral pigments on paper with gold thread silk border.

Edo period circa 1850s

Dimensions: 105 1/2" x 32" overall