A Guinomi and Tokkuri by Murakoshi Takuma enclosed in their respective original signed wooden boxes complete with Shiori and Shifuku. The deep well shaped cup rises vertically from the flat base, a dollop of hand crushed foamy feldspar glaze (this one he makes himself) clinging to the rim. The bottle is tall with a smattering of the same yellow green ash on one side, the opposite marked with distinct red hi-iro flame color...

Leaping green fish soar up the sides over tempestuous crackled celadon waves crashing over the matte blue of this exquisite Mizusashi fresh water container by Sawada Sozan enclosed in the original signed wooden box. It comes with a pottery lid as well as a black lacquered lid (Kaebuta). It is 18 cm (7 inches) tall, 13 cm (5 inches) diameter and in excellent condition.
Sawada Sozan (1881-1963) was born in Kyoto and graduated the Tokyo School of Fine Arts...

Japanese shin hanga woodblock print titled "Lake Yamanaka in Winter" by Tsuchiya Koitsu (1870-1949) dated in the right margin "2nd month of Showa 14" (1939). The black ink signature and red seal of the artist are at the lower right. The seals of the publisher Doi Hangaten, printer Itoh, and carver Ikeda are in the left margin. This seal combination was used between 1948-1950. Paper measures 10 1/4" x 15 5/8" (image: 9 7/16" x 14 1/4"). Very good overall condition...

Over 400 years ago the first Takatori potter known as “Hachizan” was brought to Japan by the powerful Kuroda clan and was tasked with establishing a kiln in the town of Fukuoka...

Very unusual and elegant Japanese Kuronbo (of African decent) wooden kokeshi doll. Especially hard to find with a child. Dating mid 20th century, this would fit perfectly in a mid-century home or a make perfect gift for the collector. IMPORTANT NOTE: Glare from lights makes a shape that follows the curve of the chin making making the mother's mouth appear to have lips. She does not. Adult doll measures 11" tall, child is 4.75" high"

A dish of plain everted form measuring seven suns in diameter and decorated in somenishikide style with a traditional kacho-ga pattern of a pair of Butterflies and a Rock Peony. An auspicious pattern symbolising harmony and prosperity. The reverse decorated with scattered Peony leaf sprigs and the base is plain. The dish dating to circa 1780-1800. The reverse decorated with auspicious stylised Chinese clouds and a four character Fu Ki Cho Sun mark. A single spur mark to the base...

A rare full size Japanese Temple gold gilt ranma. Deep hand-carved relief depicting a floating apsara with an incredible flowing phoenix tail feathers (heavenly being) amongst swirling clouds. A phoenix rising up and through the angel with its head seen leading the way.
An apsara is a female spirit of the clouds and waters in Hindu and Buddhist culture...

Rare 17th Century Chinese Kangxi small peach bloom vase scholars object. Incredible speckled glazing revealing natural lighter of purple, off whites with a touch of green under tones. May have been used as a glaze example, kept with similar objects, each an example of glazing techniques. Inscribed with six character Kangxi signature

His reign lasted 61 years, from February 7, 1661 until his death December 20, 1722, making him the longest-reigning Emperor of China in history...

Kawase Hasui
Hwasa Gate, Suwon (Mizuhra Kakomon). From the series Eight Views of Korea (Chosen Hakkei).
Date: August 1939.
Size: Oban. Approximately 16.5 x 11.5 inches.
Publisher: Watanabe Shozaburo. Watanabe C seal (sausage seal 1929-42)...

An antique Japanese Funa Tansu (ship chest) made of Kirinoki (Paulownia) wood. All original hand made iron hardware including the Kakute front drawer handles and the Warabite side carrying handles. Construction includes straight dovetail joinery with hardened wooden nails. Lock plates include parallel vertical bars that double as decorative as well as strong security connectors preventing easy removal from the drawer fronts...

A rare example of an Karasu (raven) Samurai menpo (facial armour). Although not as celebrated today, the crow is a mark of rebirth and rejuvenation; the animal that has historically cleaned up after great battles symbolized the renaissance after such tragedy. Yatagarasu as a crow-god is a symbol specifically of guidance.
Known by many different names, Men-gu,Men-yoroiand Katchu-men, the face protection encountered with many suits of Japanese armour is a fascinating topic in its own r...

Japanese antique indigo dye soft Choma Ramie tsutsugaki katabira kimono of echigo-jyofu.There are thin Stain and discoloration and small holes. It is a Kyoho era(1716-1736). Shochiku Umebun's bamboo is reminiscent of flowing water, and there is movement, and a delicate and flowing pattern is expressed throughout. Sprinkling sparrows here and there and adding moving sparrows to bamboo that looks like running water is a good combination of "bamboo sparrow" and "Shochiume" pattern. It seems to be...

The artist who produced this piece, Wataru Motomura, prides himself in living a traditional life in the eastern hills of Kyoto—long known for its rich clay and idyllic pastoral lands. Though the form of this vessel appears innovative and modern, the techniques and materials used to produce it have been around for many hundreds of years. Taking inspiration from the varied pottery traditions of his native Hyogo, Motomura is also known to use clay and methods from the Shigaraki region and many of...

As mentioned before, what I love about the work of Teramoto Mamoru is it is so vivacious and full of life, full of movement. This vase has all that life and movement on a perfect, elegant form. Here also is another dimension, with the pebble textured surface breaking up the reflection of light granting a tactile quality to the silver. It comes enclosed in the original signed wooden box titled Ginasi Hachi (Silver Glazed Bowl) complete with Shiroi and shifuku. The designs of various colors ar...

Incense box of irregular circular shape. Over a light gray clay thickly applied opaque, lightly crackled glaze with feldspar that leaves bare a few small areas uncovered, which colored orange red during firing. On the cover a few circular black-brown underglaze "brush strokes".
Although bottom and cover clearly match, they do not make an airtight close line, but leave a couple of gaps. Few very short firing cracks.
Shino ware, Japan. Showa era, mid-20th century.

H 1.25 in.; W 2.2...

A Carved and Gilded Buddhist Reliquary containing a polished pink stone exhibited at the Shimane Prefectural Musuem Arakawa Kisai exhibition in 1974 enclosed in a custom-made wooden box and retaining the loan papers from the museum as well as the original pamphlet. The wood body has been carved in tempestuous waves, lacquered black and gilded, with a polished pink orb inside a flame shaped finial. It is 7 inches (18 cm) tall and in excellent condition.
Arakawa Kisai (dates disputed, rou...

An antique architectural Japanese Buddhist temple carving of opposing flying Ryu (dragons) protecting a Hoju (sacred Buddhist jewel) with the eyes made using the reverse glass painting technique. The detailed relief carving shows their coiled bodies circulating amongst the stylized clouds with one dragon open mouth to expel evil spirits and the other closed mouth to keep good spirits in. Their serpentine body reveals 4 appendages with classic three claw anatomy. The dragon represents the heave...