Iron glaze with hakeme brushed slip design by Koie Ryoji enclosed in the original signed wooden box titled simply Chawan. There is something of a midcentury abstract expressionist painting to it, with minimal coloration, it stands out in its minimalism and simplicity with a quiet elegance. The brush stroke is consistent both inside and out, not allowing a boundary at the rim. It is 14 cm (5-1/2 inches) diameter, 8.5 cm (3-1/4 inches) tall and in excellent condition...

A 16th to 17th century (Momoyama to early Edo period) candle-stick of vine or root set onto a hollow carved base and covered in black and red lacquer with a metal stud and drip pan. It is 11 inches (28 cm) tall and in overall fine condition, with wear typical of centuries of use.

Rare item. Rokushaku Kanban which was worn by a palanquin bearer (kago-kaki) who was a servant worked for a feudal lord (tono-sama) and a bearer of a palanquin when the lord went out. There are various theories that the kimono is called "Rokushaku-Kanban": servants worked in the lord's residence or a castle are called "rokushaku" and the kimono has "kanban" which means a symbol or a family crest...

An antique Japanese Ko Tansu (personal storage chest) made of Kiri (Paulownia) and Sugi (Cryptomeria) woods. All hand forged iron hardware including the Hikute drawer handles. and the Warabite side handles. Constructed using straight dovetail Japanese joinery as well as hardened wooden nails. Full moon lock plates, Atari handle stoppers and drawer front corner hardware complete this beautiful chest...

An antique Japanese Suzuribako (calligraphy writing box) made of Kirinoki (Paulownia) and Suginoki (Cryptomeria) woods. All hand forged iron hardware including the Warabite handles on the lid and drawer front.

This box originally functioned as an essential instrument for storing writing paper, brushes, ink and the inkstone. Whether it was a merchant writing a customer receipt or a professional calligrapher writing a personal letter for a farmer, this box was always ready for duty...

An antique Japanese Cha Tansu (tea chest) made of Sakuranoki (Cherry) and Suginoki (Cryptomeria) woods. The body was constructed using Japanese Unique stylized four leaf clover cut-out design window allows natural light to showcase the interior shelf display. Upper four sliding doors opens to a spacious storage area. Below this to the upper left is a lift-out door behind which is more storage. Four multi-level shelves allowed for prominent viewing of seasonal and cultural decorations...

This is a Japanese antique BORO rag indigo dye Blue check pattern cotton fabric . It is an old handspun natural indigo dye cotton that is very comfortable to the touch. There are light stains and small holes and repairs. It sews 2 panels together. The vintage old fabrics used many times have become so beautiful and in themselves a wonderful art. It can be enjoyed on both sides. size: Length::147cm / 57.8" Width: 93cm / 36.6"

Descended directly from the Raku household of potters in Kyoto, Ohi is known as some of the highest quality tea-ware in Japan. The 10th generation Chozaemon is especially appreciated for his masterful technique and high-quality pieces. This one has the added distinction of being endorsed by Hōunsai, the 15th head tea master of Urasenke and of having a expertly applied gold repair along the front of the vessel...

A wild work by young pottery sensation Matsumura Jun enclosed in the original signed wooden box titled Necrosis TBF. It is 23 x 14.5 x 8 cm (9 x 5-1/2 x 3 inches) and is in excellent condition, from the artist late 2020. Matsumura Jun was born in Chiba Prefecture on the outskirts of Tokyo in 1986...

An exceptionally large work by one of the most important contemporary ceramic artists in Japan. Collected widely both here and abroad, a favorite of Daitoku temple in Kyoto who hold a number of his works. Pieces by this artist are held internationally by museums including: The Metropolitan Museum of Art, Stockholm Museum of Art, and the Urasenke Chado Research Center, Miho Museum.

Trained in a Zen temple before becoming a potter, Tsujimura Shiro (b...

Japanese shin hanga woodblock print by Toshi Yoshida (1911-1995) titled "Raicho" (Thunderbird) depicting a rock ptarmigan (a type of grouse) and chicks dated in the left margin Showa 5 (1930). The artists's black ink signature and red seal are at the lower right corner. The print is pencil-signed in the lower right margin. The date and kanji title are in the left margin with the English title below in the lower left margin. Paper size: 10 3/4" x 16" (image: 9 5/8" x 14 3/4"...

Antique Japanese men’s silk juban, an undergarment worn under a kimono. The dimensions: 51 ½” across and 53” from shoulder to bottom hem.

Being based in Kyoto we occasionally come across fine Chinese and Korean tea-ware to mix in with our Japanese offerings. Here we have an example of a ceremonial tea bowl from the Shinragi kiln in Korea. Pieces like the one seen here are baked in a traditional wood-fired “climbing kiln” at a temperature of over 1,300 degrees for 5 days...

Master of a very difficult technique from the Chinese Tang Dynasty (618 - 907) known in Japanese as Neriage, the potter who created this elegant vase uses extreme precision to combine sheets of differing types of clay, culminating in a unique visual effect. While many of his pieces are ringed with swirls of colors, this one is more modern and subdued...

Fujiuchi Saeko enclosed in the original signed wooden box titled Usuhanada Kanyu Chawan. Usuhanada is a traditional Japanese color in the blue tone. Kanyu is glaze crackling. This bowl is 13.5 x 14.5 x 7.5 cm (5-1/4 x 5-3/4 x 3 inches) and is in excellent condition, from the artist late 2020.
Fujiuchi Saeko wsa born in Shiga prefecture (home of Shigaraki) in 1983 but chose to study in the Okayama Prefectureal University (Okayama being the home of Bizen) graduating in 2006. She went on...

A 17th century Japanese porcelain plate plate for the domestic market. Arita 1670 - 1690. A goose on a promontory next to a crashing wave.

d = 19.4 cm. Perfect condition

Please study the photographs.

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An Ai-Kutani plate, Arita circa 1700. Decorated in underglaze blue with various molluscs amongst seaweed clad rocks. The back is plain with three spur marks within the foot-rim. Overall the glaze has a blue tinge.

Approximately 18.8 cm diameter. Perfect condition.

Please study the photographs.

Within the UK payment by bank transfer is preferred.

Customers resident in China must make arrangements to pay by International Bank Transfer in GBP, fees paid.

P...

An underglaze blue and polychrome enamelled Arita bowl and saucer with panels of chrysanthemums supported by canes that suggest crucifixes, separated by panels of bird and trellis design. Early 18th century.

The cup is approximately 8cm diameter, the saucer is 14.8cm diameter. Perfect condition.

Please study the photographs.

Within the UK payment by bank transfer is preferred.

Customers resident in China must make arrangements to pay by International Bank T...