Midsize storage jar, tsubo. Greyish brown stoneware, with the typical white stone inclusions, partially bursting out through the surface. The ashes in the wood burning kiln settled during the firing onto the surface of the pot and melted, creating the beautiful brownish yellow ash glaze. This is a natural process that cannot be controlled by the potter beyond the decision of placement within the kiln...

Circular kobako in gold lacquer, decorated with cranes and pines on a nashiji background. The interior is in nashiji lacquer. On the lid, we can see the mon of the Tsugaru family (津軽).
This family is a samurai clan from the province of Mutsu, in the north of Japan. It was originally a branch of the Nambu clan, which became free during the Azuchi Momoyama period (1573-1603)...

Decriminalizations:
A Bronze Oil Lamp Sets was preserved in good patina.

Date: Early 20th century.

Height: 53cm

This polychrome piece was made in Imari with Kakiemon-style in last 18th century. It has been transmitted from generation to generation in Japan with wooden box. The small handle on the rid has repaired at the base Size: 11.5cm(D) 14.0(H) Accessary: traditional wooden box YouTube movie:https://www.youtube.com/watch?v=sz23dGVUEss&list=PLcPjV3Xf0-WPWoVxtqux54Unn8C1bQ7YJ&index=43&t=4s

1920's Japanese Aquamarine Color Silver Wires Cloisonne Vase with Iris Flowers Unsigned but Attributed to Hayashi Hachizaemon

It is 6 inches (15.2 cm) tall by 2 inches (5 cm) wide. It weighs 170.4 gram.

The metal rims and bottom are tarnished and have surface wears and scratches. It has surface wears and scratches, missing enamels at the bubbles, pitting, bubbles, and oxidized and tarnished wires (as seen in the photos)...

1930's Japanese Sterling Silver Repousse Teapot with Chrysanthemum Flower Signed

It is 5 inches (12.9 cm) long by 7.7 inches (19.5 cm) wide. It is 425 gram.

It is tarnished and has small dents, surface wears and scratches (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it for a 100% refund of the amount you originally paid...

Sakiori obi (sash) for a casual kimono. Weft is cotton strips which are recycled old cotton kimono and warp is silk yarn. In excellent condition. 20th century. 14cm x 2m28cm

Antique Japanese fubako, box for holding letters. Made of lacquered wood with a design of young pine and blossoming plum branches. Both box and lid are decorated in maki-e gold and silver lacquer over a delicate nashiji on a black lacquer ground. The interior has clouds of dense gold nashiji and two mon on the underside of the lid.

Age: Edo Period (18th/19th century)

Dimensions: 10 1/4" long x 3 1/2" wide x 2 3/4" deep

An antique Japanese Kasane Kimono Tansu (stacking chest on chest) made entirely of Kirinoki (Paulownia) wood. Constructed using straight dovetail joinery and hardened wooden nails. Hand forged iron hardware.

Originally used for the storage of Japanese Kimono, it functions well in today's home as a pair of nightstands, a daily dresser drawer or a beautiful accent piece in any room decor...

Antique Japanese ikebana basket. Woven of split bamboo in a round, footed form. The handle is made of a piece of bamboo that has been carefully curved to give the whole basket a lovely hourglass shape.

Age: Meiji Period (1868-1912)

Dimensions: 16 1/2" high x 7 1/2" wide

Antique Japanese small zushi, traveler's shrine which opens to reveal a seated figure of the goddess, Benzaiten. She is the guardian of the people of Japan and is considered the goddess of all things that flow: water, music, time, words, eloquence, and knowledge. In Japan, she is one of the 7 Gods of Fortune (or 7 Lucky Gods). In the Shinto religion, she is a kami (a divine being) and is often depicted with the likeness of kami Ugajin on top of her head...

Antique Japanese standing figure of Bishamonten, chief of the Four Heavenly Kings (Shitenno) and protectors of Buddhism. He is the distributor of treasures and wealth, protector of warriors, healer of illnesses and guardian of the north. Dressed for war, he stands on the back of an evil spirit. He holds a Buddhist staff in his right hand and a small pagoda representing the divine treasure house in his left hand. Made of lacquered and gilded wood...

An antique Japanese Zeni Bako (money safe) made of Keyaki (Zelkova) and Suginoki (Cryptomeria) woods. Top cover is secured with an iron lock and serves a dual purpose. When closed, a slot is apparent for dropping coins into the box. When opened, the retrieval of the coins becomes convenient as well as keeping safe and storing paper money, IOUs, and financial bonds and certificates. A bottom drawer was often used to store writing paper, writing brushes and an inkstone...

Antique Japanese zushi (traveler's shrine) with double panel doors which open to reveal a standing figure of Jizo Bosatsu (O-Jizo-Sama). Jizo is the protector of travelers and firefighters as well as the guardian of the souls of all children. He stands on a lotus base with a Buddhist ring staff (shakujo) in his right hand and a jewel in his left. The doors of the shrine are painted with tennin, celestial beings on either side. Made of wood with lacquer and gold gilt...

An antique Japanese low one section Mizuya Tansu (kitchen chest) made of Sakuranoki (Cherry) and Suginoki (Cryptomeria) woods. Two sliding doors behind which is a spacious storage area with a full width split level shelf. Constructed using through mortise and tenon Japanese joinery...

Antique Japanese Buddhist temple banner made of silk and woven with gold gilt paper weft (ginran or kinren) in a dynamic design of a pair of water dragons each facing the center where a burning pearl (woven with silver leaf) floats on a golden cloud. Dragons and pearls together in Buddhist art symbolize the endless cycle of transformation. The flaming pearl is one of the Eight Treasures and represents pure intentions as well as the sacred wish-granting pearl of the Buddhist faith. The back si...

A Chinese style celadon vase by one of the 5 Imperial Court Artists of Meiji. Sozan spent his life perfecting techniques for celadon production first used in the Souther Song Dynasty as evidenced here with the powdery blue “”kinuta”. The outer ring of the foot is unglazed showing the fine porcelain clay this piece is constructed from and the glazed center bears the seal of the Imperial Court Artist who fashioned this piece. While several of Sozan’s better known motifs appear on the marke...

An amazing japanese table composed of two beautifully decorated shelves. The upper shelf depicts a waterfall, high waves and pine trees in gold and brown takamaki-e, hirakami-e lacquer and kirigane on a base of nashi-ji. It lies on two openwork side panels.
The lower shelf is more sparsely decorated but still finely executed. It depicts a cottage surrounded by hills and trees in gold and brown takamaki-e and hiramaki-e lacquer, kirigane and nashi-ji.

Japan, Edo Period ...