Furoshiki made of handspun cotton and natural brown dye. It has family crest and katazome asanoha (hemp leaf) and check design. Generally, in good condition but it has some brown color faded parts. It has brown cotton belt for hangong in the back. 19th century. 128cm x 132cm

Ohara Koson
Two Japanese Waxwings on Twig with Red Berries
Date: 1910s-23.
Size: 14.75 x 7.5 inches.
Publisher: Daikokuya.
"Made in Japan" stamped on verso.
Koson signature and seal.
Reference: K32.3. in Crows, Cranes and Camellias: The Natural World of Ohara Koson (Reigle Newland).
Medium: Japanese woodblock print.
Condition: Toning at top margin and back.
Note: This example retains its lovely yellows.

A Japanese ivory seal netsuke carved in the shape of Siniu, sitting with his legs bent on an oval sigil base, smiling while holding his head up and turned back. Edo period late 18th century Sizes: 5.6 x 3 x 2.8 cm Condition report: Good condition

Blue glaze has been applied to the joined slabs of raw clay forming this elongated basin by Shigemori Yoko enclosed in a signed wooden box titled Mudai. Several slabs of clay were rolled and crushed together, the raw edges untouched forming a mountain-scape along the top. It is 66 cm (26 inches) long and in excellent condition, enclosed in a wooden box signed by her brother Naoki. This is one of only a couple examples we have from this torn series...

Meiji (1868-1912) Japanese Boxwood Carved Mother of Pearl Shibayama Kogo Fan Shaped Box

It is 1.08 inches (2.75 cm) tall by 3.9 inches (10 cm) wide. It is 44.9 gram.

It has inclusions, flea bite chips, and surface wears and scratches (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it for a 100% refund of the amount you originally paid...

Very rare 'Noshi" celebration wood carving. Noshi is an ornament attached to gifts and presents offered on festive occasions in Japan like weddings, births etc. This carving is a jizaikagi used on a hearth pot holder with iron fittings and bamboo pole. This would hang over the irori hearth and hold the pot above the coals. 61" long by 13" wide. great condition. Shipping from CA warehouse.

MANNEQUIN HEAD MOLD

Quite a rare bronze head mold for making resinoid mannequin, Showa period, 20th century, Japan, approx. H 23.5 x W 13.5 x D 18.5cm (9.25 x 5.31 x 7.28in). Aged deterioration and recent cutting scar at neck...

High level Antique Japanese bronze vase with a water dragon coiled revealing itself around foliated neck. The vase has a squat body and elongated, fluted neck with open foliated mouth, revealing excellent original condition and beautiful patina. Dramatic lifelike waves crash on the vases shoulders just below the dragon, spraying outward. Highly detailed and signed.

Age: Meiji Period (1868-1912)

Dimensions: 14 1/2" high x 8 1/4" wide

Exceptionally large Kyoto ceramic incense burner. It is turned in a typical clay, a kind of sandstone earthenware covered with finely cracked glaze . A charming decor, animated by chinese children playing, develops over the entire surface, enamelled with colors predominantly green and blue. Gold details. On the sides, bouquets of flowers and leaves bloom elegantly. It is rare to find such harmonious sculptures on Japanese ceramics, usually they are ostentatiously excessive and vulgar...

Kyushu hard porcelain teapot, kutani style arita kiln. Decor in polychrome enamels and gilding. Symbols of longevity, cranes, turtles and the famous couple of legendary old lovers, Jô and Uba. The old man holds his traditional broom in his hand. Good condition. No catering. No wear. Height approximately:25cm.

A fabulous bowl, scarred on both sides and decorated in the manner of the Oribe work held in the collection of the V&A by Shigemori Yoko enclosed in a signed wooden box titled Ao-tenten Natsu Chawan (Summer Tea Bowl with Blue Spots). It has been dipped in two different colors of overlapping glaze, with random strikes of black punctuated by dribbles and splatters of blue and red...

Japanese bronze rabbit.

Age: Japan, Showa Period, 20th Century
Size: Height 15.6 C.M. / Width 8.4 C.M. / Length 14.5 C.M.
Condition: Nice condition overall. Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

Japanese bronze rooster with artist sign.

Age: Japan, Showa Period, 20th Century
Size: Height 17 C.M. / Width 6.3 C.M. / Length 12.5 C.M.
Condition: Nice condition overall. Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

Katakuchi has been used as server for sake or other liquid in Japan for long term. This piece is made of kiseto glaze very popular, yellow glaze is made of tree ashes and green pattern is by oxide copper. Hamada is well as an expert in kiseto works. Size: 8.3cm(length)/13.8cm(width)/10.8cm (height) Accessary: none

This piece is covered natural ash glaze, made by Junri Hamada who is well known as an expert potter in Mino pottery area where many traditional potteries has been made from 15th century. Size: 6.3cm(D)/5.0cm(H) Accessary: wooden box signed by artist

Joichi Hoshi (1911-1979)
Field
Size: 32 inches by 17.25 inches.
Date: 1974.
Edition: 63/99
Signed, dated, and numbered by the artist.
Medium: Japanese woodblock print on gold leaf.
Condition: Light toning at margin. Back margin has tape residue and one reinforced corner.
Note: Please see additional images for texture and metallics.

Painting in ink, polychromy and gold on silk. The scene represents (several sennins) Taoist immortals with children or servants. In the background we can distinguish mountains more or less masked by golden clouds. In the center of the screen we can see Chokaro with his gourd, Chinnan with two dragons emerging from his alms bowl, and Tekkai leaning against his cane and pointing his finger at Jurojin who is mounted on a white crane...

Cut iron tsuba. Decor of dragons and sacred pearls. Inside the beads, tiny iron balls are mobile. The style is called Namban. This kind of tsuba is little represented without however being rare. But the model presented here is exceptionally of excellent quality. Indeed the blacksmith has cut out his pattern excessively finely like an iron lace. We do not know of a model with such thin wires cut at the extreme limit of the constraints of the metal...