Meiji (1868-1912) Japanese Satsuma Large Vase with Mountain Scene Marked Kozan

It is 13.7 inches (35 cm) tall by 6.2 inches (15.8 cm) wide. It is 7.4 Lb.

It has rubbing of gold, skip glazes, and surface wears and scratches (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it for a 100% refund of the amount you originally paid...

A small antique Japanese Cha Tansu (tea chest) made of Kuri (Chestnut), Keyaki (Zelkova) and Kiri (Paulownia) woods. All original bronze hardware including the Warabite handles. A pair of sliding doors and a lift-out door housed the tea accoutrements for serving guests...

Rare Japanese 6 panel-screen in ink, color pigments and gold leaf. On the second screen, on the last panel on the left, one can distinguish many Tartar warriors hunting as well as falconers on horseback...

Japanese bronze bird and bamboo.

Age: Japan, Showa Period, 20th Century
Size: Height 18.8 C.M. / Width 8.8 C.M. / Length 20.5 C.M.
Condition: Nice condition overall. Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

Tsuchiya Koitsu
Lake Kawaguchi at the Foot of Mt. Fuji
Date: 1938.
Size: Oban...

Old Japanese Ito Ichizaemon Basse Taille Cloisonne Vase Koi Fish

It is 9.6 inches (24.4 cm) tall by 6.6 inches (16.8 cm) wide. It is 2.3 Lb.

It has enamel hairline cracks (2 cm) at the side and one at one fish. It also has tarnished metals and surface wears and scratches (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell...

Knitted bag made of asa (hemp or ramie) and kakishibu (persimon tannin) is coated with. It has mending parts, however, in good condition. It was used by a mountain worker. The first half of the 20th century. W:39cm, L:36cm

Print by Toshi Yoshida (1911-1995). "White Plum in Farmyard". Good condition. Framed under glass. Dimensions of the print 26x36.5cm, of the frame: 46x56cm.

An antique Japanese single section Choba Tansu (merchant chest) made of Keyaki (Zelkova) and Kiri (Paulownia) woods. All original hand forged iron hardware including the Hirute handles and natural Urushi lacquer finish. Sliding main doors hide 6 drawers of varying sizes and a shelf where merchant books and records were kept. Three side by side drawers below the doors were used to keep valuables and store inventory...

A very rare antique Japanese Choba Biraki Safe Tansu (merchant safety chest with hinged doors) made of old growth Keyaki (Zelkova) and Kiri (Paulownia) woods. All original hand forged iron hardware including the main drawer lock plate of Pine trees with matching corners of monkeys reaching for peaches, the hexagonal hinged door lock representing the owner's family crest and Furui (old) Kakute handles. Hinged doors open to 7 drawers of varying sizes...

A dynamic early porcelain work in vivid color by Kiyomizu Rokubei VI enclosed in the original signed wooden box titled Futatsuki Kajutu Mon Kashiki (Sweets dish decorated with fruit) bearing his real name, indicating it predates his taking the name Rokubei in 1945. The box bears the seal of the Hattori Tokeiten, purveyors of fine art in Pre-war Japan. The porcelain is 19.7 cm (8 inches) diameter and in excellent condition, signed on the bottom...

Shiko Munakata (1903 ~ 1975)
Titled in Japanese: Flower(s) of Vienna, the great Leo Sirota ウィーンノハナ　レオシロタ大人
Dated: April 11, 1965.
Leo Sirota (1885-1965) was one of the world's most famous pianists. Munakata was his friend and produced this print shortly after Sirota's death.
Edition: Not known. A color version of this design exists.
Signed: "Shiko" in Japanese; "Munakata" in English.
Sheet size: 16 x 10.75 inches...

Also known as "The Buddha of Immeasurable Light and Life,” here in this pre-Edo Buddhist painting we see Amida and his two assistant bodhisattvas, Seishi on the left (associated with wisdom and strength), and Kannon on the right (associated with compassion and mercy), descending from the Western Pure Land to welcome newly deceased believers into the realm of paradise...

Although reports vary, it is generally thought that Zeze-yaki had its heyday in the late Momoyama to early Edo period under the influence and patronage of legendary artists/ men of tea, Honami Koetsu and Kobori Enshu. It was also counted among the seven best kilns selected by Enshu Kobori (1579-1647), a tea master and military commander of that era. In the mid-1600s the tradition died out for a time after the destruction of the kiln by fire...

A quintessential example of this artists most sought-after style, a ‘Scattered Blossoms’ vessel by Kondo Yutaka enclosed in the original signed wooden box titled simply Hai (Sake cup). The pattern of petals is impressed deeply into the surface, and filled with white slip, contrasting starkly against the textured black background. It is 4.8 cm (2 inches) tall, 6.5 cm (2-1/2 inches) diameter and in excellent condition...

With a base of dazzling red ochre clay, a technique known as “san-giri,” pioneered by the progenitor of this generational potting family and now widely used among Bizen potters, is employed here to bring out stunning mustard yellows, mossy greens, charcoal blacks, along with a range of subtler hues.

The potter, Konishi Tōko II (1927 -2018) was second daughter to Konishi the first. After graduating from women’s college she assisted her father at the family kiln, e...

Like many pottery traditions in Japan, Karatsu takes its name from the city where it originated. As early as the 15th century, Korean potters heavily influenced the development of this form—helping to endow it with the earthy, simple, and natural qualities it is so appreciated for. The piece shown here displays an austere black glaze providing the perfect backdrop for the extensive and expertly applied gold repairs— making this antique tea bowl quite attractive, a pleasure to use...

This antique Japanese okimono was intricately hand-carved during the Meiji period (1868-1912) to portray a lifelike rhinoceros. The artist has skillfully captured the fine details of the animal's body, creating a rough texture that emulates the real hide of a rhinoceros. The material's natural color is brilliantly incorporated, particularly on the shoulders and head of the creature, lending it a strikingly realistic appearance.

The eyes of the rhinoceros are inlaid with exquisite mother of...