A beautiful pair of chosen-karatsu glaze plate with stem. They were fired with pine fire wood. They would be suitable for western style. Size: 15.6cm(D) 5.3cm(H)

Ivory netsuke representing six pumpkin-shaped flasks, with a cord that holds the first three, while the other three are still in a natural state, before being worked and dug to be transformed into real bottles for sake. Below the central button, the writing “Fuki chomei” (Blessed long life) has a deep symbolic meaning...

Japanese ivory netsuke depicting the Buddha's Hand or Fingered cedar among the leaves, a scented ornamental citrus fruit, a very important symbol in Buddhism, in the shape of a hand, originating from China and Japan where it is grown for religious purposes. The surface of the netsuke precisely reproduces the natural texture of the fruit, which is not smooth but characterized by roughness and pores. Origin: Japan Period: Meiji end of 19th century. Dimensions: 5.2×2.3×2.5 cm. Stat...

This compote has also modern sense with Japanese traditional pottery technique to fire pine fire wood in Karatsu that is famous pottery area in Japan. Dohei is one of famous masters in Karatsu. This plate is suitable for not only Japanese cuisine but also western cuisine. Size: 20.0cm(square) 3.0cm(height)

This compote has modern sense with traditional work. Potter Dohei is one of the masters in Karatsu that is famous traditional pottery area in Japan. YouTube movie: https://www.youtube.com/watch?v=unPsXnEkcl0 Accessary: wooden box signed by artist. Size: 23.5cm(D) 6.0cm(H)

An Inuyama style pottery dish covered in black lacquer; the two pinched areas of the rim decorated with slight gold designs of fortuitous symbols from the Toyoraku kiln of Nagoya. Inside the dish features crackled glaze decorated with young pine and bamboo shoots with splashes of Oribe green. The Toyoraku stamp is visible to the left of the design. The dish is roughly 17.5 cm (7 inches) diameter and in excellent condition...

Saiho-hinagata (or hinagata), the sewing sample which is a miniature sample to learn sewing. It was invented by an educator for saving time and textile using a special measuring rod. It was practiced in a girl's school from Meiji 7, 1874). Reduced scales were one-third in the beginning and one-quarter, one-half, one-fifth etc. The sewing technique was exactly same as the real size in details. Saiho-hinagata was designated as a significant tangible folk cultural asset...

Tsuchiya Koitsu
Twilight at Hira
Date: 1936.
Size: Oban. Approximately 15.25 x 10.25 inches.
Publisher: Watanabe Shozaburo.
Edition. First. Watanabe D seal at right margin (used 1931-41).
Artist's signature and seal at lower right.
Reference: Koitsu catalog TK-DH-18.
Medium: Japanese woodblock print.
Reference: TK-WN-7 in Koitsu catalog.
Condition: Print is fully adhered to slightly larger board. Two marks above boat. Slight soling in sky...

This pieces is large vase with tokkuri shape. It has covered by ashes in anagama and gold trimming at the mouth, very beautiful contrast. YouTube movie: https://www.youtube.com/watch?v=Jyxmiceoz4c Accessary: wooden box signed by artist

This piece was fired for 11 days with pine fire wood in anagama. Melted ashes has turned to green glass as natural glaze, it's very beautiful, And shells that was placed to avoid sticking has become to natural pattern. YouTube movie: https://www.youtube.com/watch?v=DKmdIyVGWEg Accessary: wooden box signed by artist Size: 10.6cm(base diameter) 23.3cm(height)

Seed pods cluster beneath the glimmering white flowers clinging to the silver tinged gold vines decorating the exquisite marbled grain of this large tray from Okada Yuji. The vines and leaves are in gold and silver taka-maki-e, the flowers inlaid carved and polished shell, and the beans are inlaid lead. The tray has been enhanced with wiped on lacquer accentuating the natural wood grain. Turned from a tree dried for over ten years in 1995, it was decorated by Okada in 2008...

A sample book of wa-sarasa (Japanese sarasa) with 106 fragments on 43 sheets of paper board, mostly made in Meiji period (1869～1912) and some from early Taisho period (1910s). Originally it has 45 sheets, but 2 (3rd and 20th) are lost. The dye techniques are katazome (stencil-resist-dye) and print. The book is published by Kyoto Shoin in Showa 42 (1967). The 4th among limited 60 issues. 27cm x 35cm x 5cm.

An antique Japanese Kansai Mizuya Tansu (kitchen chest) in 2 sections made of Hinoki (Cypress) and Keyaki (Zelkova) woods. All original hand forged iron hardware including the Hirute style handles. Three pairs of sliding doors of varying sizes with 8 drawers on the upper half and 5 drawers to the bottom half. There is a split level shelf behind each set of doors.

Age: Meiji Period (1890-1910)

Dimensions: 70 3/4" Wide by 67 1/4" High by 19 1/4" Deep

An antique Japanese Choba Tansu (merchant chest) made of Kiri (Paulownia) wood. All original hand forged iron hardware including the Warabite style handles. 2 sliding doors with 5 drawers. Spacious storage area behind the doors with a split level shelf where business books and records were stored by the store owner.

This would make a perfect side chest or bedside nightstand.

Age: Meiji Period (1880-1890)

Dimensions: 30" Wide by 21 5/8" High by 15" Deep

A rare Japanese small 2 section Choba Tansu (merchant chest) made of Hinoki (Cypress) wood. All original hand forged iron hardware including the Warabite style handles. Upper section features 2 sliding doors with 5 drawers below. Lower section incorporates 7 drawers with 2 sliding doors and a hinged security door that hides 2 drawers...

An antique Japanese Choba Tansu (merchant chest) made entirely of old growth Kiri (Paulownia) wood. All original patina and hand forged iron hardware including the Warabite style handles. Designed with 6 exterior drawers, 2 sliding doors and a hinged security door that hides 2 interior drawers. A spacious storage area and shelf behind the sliding doors stored the merchant's books and business records.

Age: Edo Period (1800-1850)

Dimensions: 31" Wide by 31" High by 16 5/8" Deep

Lacquered wooden box inlaid with gold, silver and mother-of-pearl mosaic, typical work of the famous Somada family of Japanese lacquerers. The box is made up of two superimposed parts which are partially covered by a surprisingly openwork lid, largely revealing the sides. Inside there is a small tray. The preciousness of this box is matched only by its fragility; however, it is in a perfect state of conservation, which is exceptional...

Arai Yoshimune
Kominato Bay
Date: 1910-60.
Size: Chuban. 10 x 7.5 inches.
Sealed by the artist at lower right.
Publisher: Hasegawa/Nishinomiya Yosaku. From the famous "Night Scenes" series. Hasegawa catalogue No. 1261.
Medium: Japanese woodblock print.
Condition: Excellent.