A lacquered cabinet for storing Tea accoutrements by Koyama Kogetsu enclosed in the original signed wooden box dated 1931 and titled Tsukiyama Maki-e Kikkyoku (Mon and Hills Maki-e Tea Cabinet). On the door deer stand on the edge of a glade, gold, lead and Raden (mother of pearl) trees with branches of gold and silver maki-e above. The door lifts off to reveal the silver disc of a full moon rising over evening hills. It is signed in gold Kogetsu...

MAKEUP SHOP

Contemporary art work by Japanese artist, Yume Aoyama (1997-). Oil painting on the wooden board titled as 'Makeup shop', like an advertisement of weird cosmetic surgery in the style of Japanese Showa-Retro. 2019. approx. 60.5 x 72.5 x 2.3 cm (23.81 x 28.54 x 0.90in). Some scratches and peelings as is...

Colorful serigraph print entitled "Hands of Compassion" by the artist Mayumi Oda (b. 1941). The Goddess Kannon, the Bodhisattva of compassion, stands on a blossoming lotus against a silver background. In her 8 hands she holds her magical attributes. This print is signed in pencil and numbered 25/50...

Serigraph print entitled "Earthship" by the artist Mayumi Oda (b. 1941). Takarabune or "Treasure Ship" of Japanese folklore is usually piloted by the Seven Lucky Gods and laden with magical objects. Here, the ship is steered by Mother Earth who cradles our planet in her lap. The ship is brimming with plants and animals, the wondrous treasures of nature. This print is signed in gold pencil and numbered 60/100...

A large serigraph print entitled “Rainbow Serpent” by the artist Mayumi Oda (b. 1941). A developing baby floats in a field of blue sky and sea while tethered by umbilical cord to the planet Earth. Out of the Earth springs a tree of life. Creatures of ocean and land are encompassed by two linked serpents. Printed in deep blue and gold ink...

Colorful serigraph print entitled "Dakini, the Sky Goer" by the artist Mayumi Oda (b. 1941). Dakini, broadly identified as a female spirit, goddess or demon in Hinduism and Buddhism. She is a fierce goddess and considered the embodiment of enlightened energy...

Octopus and Anchor. Painted with ink on paper. Signed Koho and sealed.

Some insignificant light marks, insignificant light crease and foxing are present on the both painting, insignificant light marks are present on the mounting, otherwise the piece is in very good vintage/antique condition with the age. It is accompanied by an aged paulownia wood storage box.

Painting: W12 1/4” x H51 1/8” (W31cm x H130cm)
Scroll: W16” x H76 3/4” (W40.5cmx H195cm)

Tokkuri (alccol bottle) made of hard porcelain. Mikawachi kilns. Japan early 19th century. The bottle has an unusually elegant, typically Japanese shape, it was created for the Japanese market and not for export. The porcelain, immaculately white, has a very fine grain similar to that of marble, which is typical of Hirado clay. A lake landscape decor subtly drowned in mist is painted in a luminous cobalt blue...

HANAKAGO

Flower basket with handle as a traditional Japanese ikebana vase woven with six-layer strips of bamboo. Contemporary. H 27 x D 21 cm (10.62 x 8.26in).


selected by Pottari




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Iwai-Bandori which is a backpack pad for carrying household items on wedding, made in Shonai region in Yamagata prefecture in Tohoku. It is made of cotton rags. In good condition. The first half of the 20th century. L:110cm, W:28cm

A unique waterfall-like architectural lacquered sculpture by Okada Yuji presented at the 33rd National Modern Crafts Exhibition (Nihon Gendai Kogeiten) in 1994...

Keisai Eisen (1790-1848)
Carp Ascending a Waterfall
Date: 1830-1844.
Size: Vertical oban diptych. 28.5 x 9.75 inches.
Signed Keisai hitsu with red Eisen seal (upper right).
Publisher: Izumiya Ichibei (Kansendo). Kansendo seal (lower left).
Unread notation back (last photo)
Condition: Top left margin uneven. Paper residue at back top corners. Light creasing near top. Faint foxing. Two point-sized invisible wear holes.
- The large size of this famous Eise...

Excellent quality dark patina bronze okimono depicting the study of a powerful panther. The posture is engaging with the hind legs bent, tail curled upwards and the body in an oblique position. The jaws are wide open and show the animal's teeth, while the whiskers are in relief. The streaks of the fur are depicted in a masterly way and highlighted in a different patina even to the touch. The eyes are in gilded bronze which give the animal greater truthfulness and strength. This okimono ...

An Edo period incense burner of wood cut in a squash shape known as an Akoda-koro covered in black lacquer with designs of aogai-shell laid onto the surface under a solid silver dome-lid. It is 11 cm (4-1/2 inches) diameter and enclosed in modern custom wooden storage box. There are losses to the raden design revealing the underlying tonoko on which it is laid.

The spider crosses a glimmering golden web wet with dewdrops of solid gold Hirame and inlayed mother of pearl, a stellar work by Okada Yuji enclosed in the original signed wooden box. The interior and base are glittering with gold Nashiji. Known for his depictions of small creatures, this is a perfect example of his work. It is 8 cm (just over 3 inches) diameter and in excellent condition.
Okada Yuji was born in Kyoto in 1948 and graduated with honors from the Kyoto Hiyoshi-ga-oka High S...

TEA CEREMONIAL POT WITH DRIPPING GLAZE

Unique and rare find of an old Japanese double-eared pottery tea utensil ware for the use of flowering or incense made of the well-burnt blackish clay containing rich in iron in the traditional but more like organic forming by refined tebineri (hand-forming) finished with such wildly dripping glaze, 19th - early 20th century, approx. 18.5 x 18.5 x H 16 cm (7.28 x 7.28 x 6.29in).


selected by hotoke ...

ANDROGYNY

Wood carving phallus having vagina, Showa period, 20th century, Japan, H 23.5 x W 5.5 x D 6 cm (9.25 x 2.16 x 2.36in). Aged deterioration as is.


selected by titcoRet




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Tsugaru kogin kimono made of vegetable indigo dye hemp whose warps and wefts are hand plied. It is made in Tsugaru region in Aomori prefecture in Tohoku district. Kogin-sashi is one kind of needlework (sashiko), stitches with white cotton yarn go horizontally and make geometrical patterns. It makes the hemp kimono warm with thick kogin in the cold district like Aomori, where it is hard to cultivate cotton. Both sleeves are "tsutsu-sode. It has indigo dye thin cotton lining and sashiko in the lo...