This is Tsutsugaki Yogi of the indigo dyeing tea service set of the Edo era. The cotton is spun by hand and is very thick. A color of the cloth is deep green. The green dyeing needs a technique higher than the dyeing only for indigo plants. Therefore it is a color required to the item of the upper class. And this was drawn in a good balance in very powerful Tsutsubiki...

This is Asamai-sibori of the Akita area of the Edo era. It is dyed with an indigo plant of nature. This is good-quality thick cotton spun by hand. This is woven with a good-quality cotton thread spun in the country. The feel is good, and it is comfortable to eyes. A technique of good Shibori was introduced into the Asamai district from the Narumi district late in the Edo era. This is an expression method of early Asamai-Shibori. It is the simplest expression method of good-quality Shibori...

This is Sugido-e used in Kyoto Imperial Palace for Edo period. This was one of the collection of very famous kimono collector Shoujiro Nomura of Kyoto for the Meiji period. It is thought that this was drawn by Kano Eigaku of Edo period. He revived by a picture of the early period of Edo era in history. As for this, both sides reproduce design of the early period of Edo era together. Generally, Sugido-e has bad state. However, this is very good condition...

This flag is a very superior item produced by a bold line of Tutugaki, the delicate line of the sumi painting. The image of red Kintarou is an item to keep off an evil and smallpox. And the people prayed it in hope of the growth of the child. There are 22 places of embroidery marks of the flag. It is the embroidery that it is very unique, and is charming. 22 embroidery has each meaning. This has a thin stain...

This is a hydrangea pattern and a high technique of yuzen dye, and shadow and the color of the leaf are expressed boldly. It is the gem which does not exist in other tsutsugaki. It is a painting of wonderful yuzen dye. Tsutsugaki is done by a considerably exact technology. It is a wonderful masterpiece of Edo at latter term. There is slightly a repair mark.It has several small holes.The material is hemp (superior grass cloth)and cotton. size:162cm x 140cm (63.7" x 55.1")

This is Katsugi used in the latter half of the Edo era(1800 ~ 1868) in Tohoku. This is good-quality Katugi produced in a district for Edo period. This is Katsugi produced with a tradition of Kyoto in a district. This has Oomon to a shoulder center part. This was dyed with a natural indigo plant. As for this, the bottom part is colored into black. As for this, Katazome of the small build is expressed by three patterns. The part of the hem is Tsutsugaki, and this is expressed...

This is decoration cloth used in Iwate for Edo period. This is dyed in indigo plant, black, Bengara- color. Hemp thread is spun by hand and this is thick. The back side is dyed into this with a natural indigo plant. This is cloth for ceremonies of the celebration. This has few stains, but there is not the damage. The state is complete. Size 542cmx 25cm (214 "x 9.8")

This is Shonai Sasiko made in the Edo period. This is an item made by Sashiko craftsmen during the Edo period. And it is a very rare design sashiko. This is the work clothes that a wealthy merchant had as one of his daughter's wedding supplies. The front side is dark indigo dyeing. The back side is a blue color called hanada. There are almost no traces of use and it is in good condition. You can wear it and enjoy it...

Edo Period Early 19th Century Japanese Gold Lacquered Box. An extraordinary master work inspired by the Rimpa style of Ogata Korin. This stunning box features a pair of Peacocks by a stream with auspicious Flowers and Butterflies rendered in high relief of gold lacquer and accents of mother of pearl. The beautifully rendered auspicious motif continues in the interior of this magnificent work of art. 16 x 12 x 5 inches, 40.5 x 30.5 x 12.5 cm. Excellent Condition.

This is Folk art boro Leather haori of the indigo dye rare of the Edo era. The change of the color and a leather wrinkle are very charming. It has the change of a stain and the color and a small hole. However, It is a good state. I recommend this to collection of you. size:102cm x 135cm (40.2" x 53.1")

It is considered that the sacredness which symbolizes the crop of a rich grape tree is a tree.The tree of the grape has a feeling of a lively motion very much. This is a "yogi", a kind of futon in the shape of kimono made of hand-spun cotton of Edo era (1800-1867). It is stuffed with cotton and has hand-spun cotton lining dyed with vegetable color...

It is echigo-jyofu hemp Indigo dye kasuri Child kimono of the Edo era81800-1867). The kimono is very rare, and It is excellent and am delicate, and the technique is very beautiful. It is a Chinese hairdo and a pattern of the treasures. It does not have a stain and the damage. size:86cm x 74cm (33.8" x 29.1")

This is boro Tattered noragi textile of the excellent Edo era(1800-1867)rare.This is an original of the rare Edo era(1800-1867). It is unusual boro noragi farm wear of Niigata region.It is any variMous patterned fragments ( stencil or tie-dyeing, stripe..etc) was stitched with hemp thread. It is made of hand-spun cotton dyed with natural indigo. The stitches are hemp threads.The stitch is all hemp thread of the Edo era and does a stitch by hand.It can enjoy both sides. I recommend this to collec...

This is dangawari katazome & tsutsugaki cotton katsugi kimono of the Edo era(1770-1799). The 18th century. The form size of the collar of this katsugi kimono has a characteristic of the 18th century. This katsugi kimono is rare, and I recommend it to collection of you. It is indigo dyeing and green of very beautiful nature. It is a plum and a family crest of a hemp leaf and the motif of the flowering fern. There are dyeing spots, but there is not the damage, and the state is very good. size:124...

This is Rikushaku-kanban where cotton cloth spun by hand for Edo period was used for. This cotton has the good feel. As for this, a crest is a letter of Kotobuki. The letter of Kotobuki expresses words and a ceremony of the celebration. A letter and the pattern of the cross filler are dyed in Tsutsugaki. This has a stain in several places. Size 150cm x 129cm (59 "x 50.7")

This is cotton Haori used in Kyoto for Edo period. As for this, the surface side is a stripe pattern, and the inside is Katazome- dyeing. The inside Katazome dyeing is a design of the grain of wood. As for this, cotton is spun by hand and is thick. In the upper part of the sleeve right as for this 4cm (there is a tear of 1.5 “).) And there is a tear of 10cm (3.9 ") in the upper part of the left sleeve. There is not the stain damage elsewhere. The others are in a good state. Size 91cm x 118c...

Unusual colored Imari porcelain sake server with panels depicting a beauty and a courtier, flying cranes in background with scrolling vine and shippo design, gilt bronze rim at opening. Colors of medium blue, orange, red, brown and black. With fluted sides and 6 character mark on recessed bottom. Good condition.

Edo period, circa early 1800s

Size: 9.5"H x 6"D

This is an Edo period chawan by Japans greatest Poet Rengetsu Ōtagaki ( 1791 - 1875 ).

It shows a poem of herself, tastefully carved onto the tea bowl. The chawan has a wild and rough look and an aesthetic kintsugi ( gold repair ). A tasteful woodbox is also included.

Size: 2.4'' height, 4.3'' width.

Ōtagaki Rengetsu was a Buddhist nun who is widely regarded to have been one of the greatest Japanese poets of the 19th century. She was also a skilled...