Antique Japanese tall banner for Boy's Day celebration, two mon (family crests), scene depicting a noted scene from a noh play called Takasago. The two old couples represent the wish for a couple to be together till the end. The rake represents raking in fortune and the broom for sweeping away misfortune and bad energy. A crane above and an ancient turtle below, both also symbolic of longevity. The banner is painted in mineral pigments on cotton. 190" high x 26 1/2" wide.

A set of yoroi and kabuto for Boy's Day in Japan. The condition is almost new except the color (salmon pink) of strings is not so reddish (dull, faded color). There is a straight crack along the wood grain on the lid - did not show up well in the last photo. Total height is 30 1/2". The dimensions of wood box are 16 1/2" wide x 13" long x 12 3/4" high.

Japanese antique okimono carved of boxwood in the form of a lovely lady standing with an octopus. A whimsical scene with the lady holding the "nose" of the octopus who in return is sneaking his tentacle up her kimono. Wonderful attention to detail can be seen in the weaving of the basket behind the two figures as well as in the suction cups of the tentacles and the fashionable Edo Period knot in the woman's long hair. Unsigned. Edo Period. Size: 2 1/2" high x 2" wide.

A very well carved netsuke in the shape of a lion's head, wit moveable jaw and brass eyes. H. 3,5 cm. very good age wear and a nice glossy patina. Excellent condition.

Japanese box made of boxwood carved in the shape of a giant clam shell upon which sits an arhat. His robes are beautifully decorated with gold maki-e lacquer. He holds a sharp tool as if he may attempt to open the enormous shell. Meiji Period (1868-1912).

In the shape of three Noh masks. With maker's mark. Meiji period, late 19th/early 20th century. Dimensions: 4x2,5x2 cm. From a Dutch private collection.

Antique Japanese chop case made of boxwood and carved with a beautiful lady. The Inside of the box is still coated with powdered orange-red seal ink, at the base of the box is a semi circular bead made of amber, the top of the box is closed with a bead of bone and a smaller one of coral, the toggle is the shell of a cone snail, the sea creature hunts with a venomous barb. Meiji Period (1868 - 1912) Size of the box: 3" High

Suzuribako box (empty) in black lacquer. Gold maki-e decoration of a river bordered by peonies, one with red highlights. The edges of the lid are in gold lacquer. Nashi-ji interior.

Japan – Meiji era (1868-1912)
Height: 1.8 in (4.7 cm) – width : 8.3 in (21.3 cm) – dept: 10 in (25.5 cm)

Shibuichi box inlaid with solid gold, shakudo, silver and sentoku. Several techniques are used, chasing, engraving, inlays in relief and flat. Interior lined with silver. Signature of the silversmith underneath with his stamp in gold inlay. Exceptional goldsmith's work. The scene must represent the god of the sea, his servants are an octopus and a fish wearing kimono. The octopus is particularly amusing with its angry and authoritarian look...

Book titled "Pattern Weaves" authored by a prominent researcher of weaving techniques and also a textile artist, Keiko Kobayashi(1947~). It has abundant examples of weaving and patterns all over the world with images and her own drawings. 465 pages including 24 color pages. Published in 2017. B5 size. $40 with tax.

Japanese Blue and White Transfer ware Porcelain Square cut corner deep Platter, 12" square, 1 1/2" high, pine tree, mountain and river design in the center, and two different shade of transfer blue design of trees, foliage and butterflies on the wide border. One shallow flake chip 3/4" wide underneath the rim and some old frits on the corner of the dish, and scratches in the glaze on top of the dish.

An old Japanese saki storage bottle in good condition except for some manufacturing flaws which only add to its character and charm. They include firing cracks on the rim, a spot where it touched another bottle in the kiln, and some loss at the base which may have also happened during firing. These type of saki bottles were used as everyday ware by Japanese people and were not made for export. Desired by collectors they also make excellent vases...

Japanese Blue and White Stoneware Sake Bottle, or Tokkuri, 10" high, 5 1/2" wide-widest middle section, with Blue Kanji letters on white rough glazed surface. White glaze chipped off, will make nice decorative kitchen items.

Japanese Blue and White Soba Noodle Cup, Showa period, late 1800 to early 1900's, 2 3/4" high, 3" diameter-top rim, tapered top and transfered blue design of flying Phoenix Bird among scrolling vines and leaves, unglazed bottom. The condition is good, some sand spots while firing in the kiln.

Japanese Porcelain underglaze Blue and White Peony flower design Tokkuri, Sake Bottle, 1930's, 8" high, 4 1/2" diameter-bottom rim, 1 1/2" diameter-top rim with overlap top, about 3" long stained hairline on one side.

Japanese Blue & White Imari Porcelain deep Serving Dish, Ca. 1920, deep flat bottom dish for serving food, 12" diameter, 2 3/4" high, with underglaze blue decoration of mountain, pine tree and Japanese style house. Wide border of flowers in blue transfer design on inside and outside the rim, transfer blue mark on the bottom. Stained old chip 1/2" wide on the foot rim, and some scratches on top of the dish.

A rare octagonal porcelain dish decorated in underglaze blue with a flowering bush by a rock, along the border stylized Chinese characters. The rim glazed brown, the base with three spur marks and a "fuku" mark within a double square. Dating to the early Edo period. Condition: well with little scratches, rim with 3 tiny frits and two chips, and one chip under the glaze (photo 8). Dimension: diameter: 20 cm, 3.2 cm high.

DESCRIPTION: A square porcelain dish by Arita, hand painted in the blue and white “Three Friends of Winter” motif. The “Three Friends of Winter” was a popular Japanese theme where pine, prunus and bamboo are grouped, said to represent perseverance, longevity and vitality, despite adversity. The raised and flared edges have repeating geometric patterns and bamboo plants are found in each corner. The plate rests on a round raised foot with blue designs on the undersides...