A small cottage perched on the edge of a tranquil lake, fishermen heading out in the morning chill to secure their daily catch. This pastoral scene from the Japanese countryside was captured over 300 years ago by painter, poet, and Buddhist monk Hyakusetsu Genyō (poet) and Kuge Yaou (painter) a monk of the Tenryu-ji sect.

Dharma heir to Chinese monk Gaoquan Xingdun, Hyakusetsu Genyō began his spiritual practice in the Rinzai sect under his teacher Hyakuju...

NUDE WOMAN

Charcoal on layered washi (Japanese paper) stuck on wooden canvas, 53 x 65.5 x 1.5cm (20.86 x 25.78 x 0.59in), by Eiki Tsukioka (1916-1997), as one of the leading Showa's Nihonga (Japanese-style painting) painter with very unique and alternative worldview, once as the pupil of a master, Seison Maeda (1885-1977)...

NUDE

Hand-drawn Japanese painting on thin silk backed with paper, Meiji-Taisho period, early 20th century, Japan, 39 x 28 cm (15.35 x 11.02in). Very early unique Japanese modern style with traditional Japanese technique and method combined with the taste of Western romance and decadence. Aged deterioration as is, and backing paper pasted on just one side among the four sides, as seen...

A very unusual three sided vase by Miyashita Zenji covered in pale glaze with vertical stripes of color enclosed in the original signed wooden box titled Deisai Kaki and titled kizashikaze (Sprouting wind). What makes this vessel quite unique is the use of vertical design. The majority of his work employs horizontal patterns, and it was only in his last years that he began exploring vertical motifs in full, however this piece dates circa 1995 so is a very early example of this ideal...

Chinese painted pottery court man wearing tunic, with red, black and white pigments remaining.

Age: China, Northern Qi Dynasty, A.D. 550-577
Measurement: Height 25 C.M. / Width 6.5 C.M.
Condition: Well-preserved old burial condition overall with some amount of soil adherings (some abrasions and wearings on the piece due to the long burial time underground). Please refer to the enlargement photos for more details...

Chinese painted pottery court man wearing tunic, with red, black and white pigments remaining.

Age: China, Northern Qi Dynasty, A.D. 550-577
Measurement: Height 25 C.M. / Width 7 C.M.
Condition: Well-preserved old burial condition overall with some amount of soil adherings (some abrasions and wearings on the piece due to the long burial time underground). Please refer to the enlargement photos for more details...

Chinese painted pottery court man wearing tunic, with red, black and white pigments remaining.

Age: China, Northern Qi Dynasty, A.D. 550-577
Measurement: Height 24.5 C.M. / Width 6 C.M.
Condition: Well-preserved old burial condition overall with some amount of soil adherings (some abrasions and wearings on the piece due to the long burial time underground). Please refer to the enlargement photos for more details...

Chinese painted pottery court man wearing tunic, with red, black and white pigments remaining.

Age: China, Northern Qi Dynasty, A.D. 550-577
Measurement: Height 26 C.M. / Width 6.8 C.M.
Condition: Well-preserved old burial condition overall with some amount of soil adherings (some abrasions and wearings on the piece due to the long burial time underground). Please refer to the enlargement photos for more details...

Chinese painted pottery court man wearing tunic, with red, black and white pigments remaining.

Age: China, Northern Qi Dynasty, A.D. 550-577
Measurement: Height 23 C.M. / Width 6 C.M.
Condition: Well-preserved old burial condition overall with some amount of soil adherings (some abrasions and wearings on the piece due to the long burial time underground). Please refer to the enlargement photos for more details...

Three cups and saucer trays by Noritake, Japan, mid 50’s. Saucers shaped like water lily leaves – a modernist design also reminding of the painter’s palette shape so much in vogue in the 50’s in ceramics, jewelry, teak wood and more. The cups to fit at one side, in order to allow for a sandwich or some biscuits. The back with the N and ribbon mark in use from 1953. Width of saucers "9 ½ / 24 cm, height of cups "2 2/3 / 6.8 cm. Condition: fine.

Japanese etching by "Norikane Hiroto", (1949- ), frame size - 9" x 6 1/2", image size - 3 3/4" x 5 1/2", signed and numbered "119/500" in lower area with double cut mat and rounded corner black wooden frame, frame work done by Kanda's B.O.Q Gallery in Japan. The condition is in beautiful condition. Artist history written in the back.

Japanese Etching by "Norikane Hiroto",(1949 - ) "Shiragawago" signed by pencil and numbered "121/500" by artist, frame size - 9" x 6 1/2", image size - 3 3/4" x 5 1/2", beautiful historical World Heritage Site "Shiragawako" farm house with thick forest mountain behind, framed by Kanda Gallery (B-O-Q) in double mats and rounded corner black wooden frame, the condition is in excellent condition.

Old mask of the Noh traditional theater representing the character of Yamauba or Yamamba, with an emaciated face, dishevelled hair, and a sinister smile. The mask is made of wood, painted to ehance its features, and with brass eyes. The mask is signed. Japan, early 20th century. Height: 21 cm. Some abrasion due to age and wear, otherwise very good condition. The mask is nicely mounted on a custom stand...

Noh theater wood mask representing the character of Shakumi, a middle-aged woman. The loose strands of hair give her the careworn air of one who has suffered and survived countless trials. Note the slight sag to her cheeks and the creases on either side of her mouth. She often appears in the role of a mother. Japan, early 20th century. Height: 21 cm. The mask is nicely mounted on a custom stand. A few signs of use, otherwise very good condition.

Finely carved mask of the Noh traditional theater, with a verystrong expression, representing the character of Otobide. The mask is made of wood, painted in gold (the whole face), black (for the eyebrows and moustache, also on top of the forehead) and red (for the mouth), and the eyes are made of brass. Japan, late 19th century...

Noh theater mask, representing the character of Shintai, a youthful deity, with a rather soft expression. The mask is signed (see pictures). Painted wood, with metal eyes. Japan, Edo period early 19th century. Height: 21 cm. The mask is nicely mounted on a custom stand. Slight abrasion on the painting in some areas, otherwise very good condition.

Noh Mask (noh-men), Hanakobu Akujyo (Akujou), bumpy nosed fierce old man. Besides the distinctive nose, he has a deep V-shaped crease between his eyebrows and the veins on his temples to his forehead, piercing bulging eyes, teeth painted in gold, with a tan colored horsehair beard and mustache. Not an ordinary face of an old man, he appears to possess something supernatural. This men(mask) is very lightweight. Written on the reverse side is "Hana kobu Aku jyo" in gold. His mask is large for ...

Dry lacquer Noh mask depicting the character of Kokushiki-Jo and designed to represent divine blessings. Inscription at the back of the mask. Japan, early 20th century, maybe earlier. Height: 20.4 cm. Some chips around the rim, partly flaked lacquer, otherwise good condition. NOTE: This mask is used exclusively in "Okina", an ancient dance ritual said to be close to the roots of Noh. Okina is viewed as sacred and therefore accorded a different status from other items in the Noh repertoire. Lack...