An incredible lacquered screen decorated with a Bugaku Dancer wearing an angry devil mask opposing a snake in incredibly thick relief opposite three gentlemen heating sake over a fire under the changing leaves of a maple, their oxcart off to the side. An inlaid cartouche near the snake reads Kan. The two-sided panel is set into a frame with matt black iron texture over a raw kiri-wood panel inset with three windows...

An original piece by the second in the line of Choraku potters. This bowl is stamped twice on the side and once on the pedestal with the mark of Ogawa Choraku II (1912-1991).

The Choraku line began when a student of Kichizaemon XI (Keinyu) and Kichizaemon XII (Konyu) opened an independent kiln in Kyoto in 1904. The line was officially given the name Choraku in 1906 by Choyuken, the head of a very influential tea ceremony association...

Ogata Korin (1658-1716)
Crows and Moon
Date: 1920s.
Size: Approximately 4.0 x 3.0 inches
Bears the artist's seal.
"Made in Japan" stamp on verso.
Medium: Japanese woodblock print after a design by Ogata Korin.
Provenance: The Robert O. Muller estate.
Condition: Excellent. Some thinning of paper at top margin.

Ogata Korin (1658-1716)
Crows and Moon
Date: ca. 1920s.
Size: Approximately 8.5 x 5.5 inches.
Publisher: Hasegawa.
Bears red, rectangular Ogata Korin seal.
"Made in Japan" stamped on verso.
Medium: Japanese woodblock print after a design by Ogata Korin.
Condition: Excellent. Small slightly toned area at lower right edge.
Provenance: The Robert O. Muller estate.

Japanese Meiji period woodblock print by Ogata Gekko titled “The Soul of Japan: A Chivalrous Man” from the series Gekko’s Essays published by Takegawa Risaburo and dated in the lower left margin 1892. Signed and with the artist’s red seal at the lower right. Paper: 14 3/8” x 9 3/4" (image: 12 3/4" x 8 1/2"). Very good color and overall condition with gauffrage in the title cartouche and full margins...

Ogata Gekko (1859-1920)
Cuckoo with Full Moon
Date: 1900 or earlier.
Size: Shikishiban. 9.75 x 9.25 inches.
Publisher: Matsuki Heikichi (Daikokuya).
Signed and sealed.
Edition: First/early.
Provenance: Purchased from family who acquired in Japan on a 1900 world tour.
Woodblock print is adhered to board.
Condition: Edge toning. Minor marks.

OFUKUSAN

Humorous Japanese *Ofukusan pottery figurine with such powerful face. Showa period, 20th century. approx...

A museum quality work by 19th century great Oda Kaisen featuring vines burgeoning with ripe fruit under the epitaph “Painted on a muggy date (possibly “by moonlight” as the term keigetsu refers) in 1840”. Ink on silk in brass colored Satin patterned with tendrils of mist and featuring white piping in the Mincho style and ivory rollers typical of literati painting of the 19th century. It is 18-3/4 x 72-3/4 inches (47.5 x 184.5 cm) and is in excellent condition...

Artist: Oda Hironobu [signature and seal]
Descrption: Mountain scene
Date: 1930s
Size: Oban, approximately 15.5 x 10.5 inches
Publisher: Maeba Han (oval seal)
Condition: A thinning area at the upper left. Crease at left. See verso photo of small tape/pencil notes.
- Oda Hironobu was born in 1888. His prints were produced in very small quantities and are rare. The colors in the hills would be at home in a California/Western woodcut.

OCTOPUS

Object made to be based on octopus. Used Japanese washi paper. Contemporary, Japan. H 18 x 16 x 17 cm (7.08 x 6.29 x 6.69in)


made by Jinta




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A rush of water descends into mist between the rocky crags tinted with autumns color on this superb silk scroll by Ochi Shokan enclosed in the original signed double wooden box (niju bako) titled Shusei (Voice of Autumn). Top quality, it is mounted in striped silk extended with green and has large solid ivory rollers. The scroll measures 55 x 213 cm (21-1/2 inches x 7 feet). It is in fine condition...

OBJECT MADE OF TIN AND BAMBOO

Applied from an old handmade dustpan made of reused tinware edged with bamboo. Showa period, 20th century, Japan. Hanged: approx. H 40 x W 39 x D 11cm (15.74 x 15.35 x 4.33in). Sign of use and dent as is...

OBJECT AS QUAD VASE

Such a unique supernatural creation composed of four pieces of Japanese Seto ware tokkuri (sake flasks) sticking to each other in a row in the kiln-firing as a coincidence, 19th century, approx...

A long woman’s summer obi made of thin silk, woven in jacquard and openwork techniques with chrysanthemums or asters interlaced with fences of plaited bamboo leaves. On this, in Yuzen dye technique, imitating an ink drawing, several areas painted with cart wheels floating in waves.
The obi has been opened; a practice quite common in order to have the material cleaned. There is a paper (dry) cleaner’s tag on the obi.
Japan, ca. 1950s.
L ca. 13 ft, H ca...

Obi (sash) with design on both sides. One side taupe colored silk embroidered in brown, murasaki, pink, green and blue with a design of bamboo leaves and matsukawabishi. The other side decorated in silver and some colored silk on murasaki colored silk with an intricate design of a river bank with stone barricades, containers and vegetation: bamboo, pine, chrysanthemums and momiji. The end of the obi marked with two strokes of gold thread. Japan, early Showa period.
Length 151 ¾ in...

A small cottage perched on the edge of a tranquil lake, fishermen heading out in the morning chill to secure their daily catch. This pastoral scene from the Japanese countryside was captured over 300 years ago by painter, poet, and Buddhist monk Hyakusetsu Genyō (poet) and Kuge Yaou (painter) a monk of the Tenryu-ji sect.

Dharma heir to Chinese monk Gaoquan Xingdun, Hyakusetsu Genyō began his spiritual practice in the Rinzai sect under his teacher Hyakuju. An important figure in t...

NUDE WOMAN

Charcoal on layered washi (Japanese paper) stuck on wooden canvas, 53 x 65.5 x 1.5cm (20.86 x 25.78 x 0.59in), by Eiki Tsukioka (1916-1997), as one of the leading Showa's Nihonga (Japanese-style painting) painter with very unique and alternative worldview, once as the pupil of a master, Seison Maeda (1885-1977). No his own signature, but obviously coming from his own studio as its certain provenance.


selected by hotoke