TEABURI BRAZIER

Refined Japanese ceramic 'teaburi' (small hand-warmer brazier) of minimally roundish cylinder form coated with calm glossy pale glazing, early 20th century, approx. H 20 x D 17cm (7.87 x 6.69in)...

TEA CEREMONIAL POT WITH DRIPPING GLAZE

Unique and rare find of an old Japanese double-eared pottery tea utensil ware for the use of flowering or incense made of the well-burnt blackish clay containing rich in iron in the traditional but more like organic forming by refined tebineri (hand-forming) finished with such wildly dripping glaze, 19th - early 20th century, approx...

Tea Ceremony Seto Chaire Tea Caddy of cylindrical form with slightly tapering sides, covered with a light chocolate brown and a running mottled black glaze. Ivory lid lined with gold leaf on the inside. Signed: Hikari. It comes with a silk shifuku storage pouch. Size: H 9,5 x 6 cm. Taisho -Showa period. Good Condition!

This is the second valuable porcelain item of Japanese Living National and Human Treasure Tsukamoto Kaiji that we offer from our collection.

A bird and leaf patterns are molded on the plate. The seal of this great potter is stamped on the bottom...

Small cast iron tea-pot. One side is decorated with lotus flowers, the other side is without any decoration. The spout is doubled in bronze, the handle is in copper as well as the lid which has a decoration of small rounds in light relief of different patina, perhaps formerly gilded. The grip button is in silver plated copper and shakudo. It is likely that this type of jug was also used for alcohol as specified on the invoice issued by the seller in Kyoto which dates it to 1850...

Ted Colyer (b. 1947)
Winter '84
Size: 16.5 x 16.5 inches. Sheet size: 18.5 x 18.5 inches. Matte size: 21.75 x 21.75 inches.
Date: 1984.
Signed, dated, and numbered by the artist.
Medium: Japanese woodblock print.
Condition: Hinged at top back with tape to circular matte.
Canadian native Colyer studied Japanese printmaking under Toshi Yoshida.

Large incense burner made for a Buddhist temple. Square format with beautiful curves and two handles on the upper rim. Cast bronze with brown patina (sentoku), the shoulder decorated with butterflies in the clouds, done in gold and silver nunome zogan and silver wire inlay.

Japan, Edo period, 19th century

H 8.5 x W 11.75 x 11.5 in.

Unfortunately badly abused as a planter, causing water damage on the patina on the outside, and with numerous small and unobtrusive dents...

TENGU HEAD

Unique Japanese okimono of the head of 'Tengu' (Long-nosed goblin), originally an wooden mold used for making a paper-mache tengu head (because of such back cutting scar for removing paper-mache head out), then vermilion-painted after retired to lead a second life, Taisho-Showa period, early-mid 20th century, approx. 18 x 18 x Depth 19cm (7.08 x 7.08 x 7.48in). Aged deterioration, uneven paint appearance, crack, exfoliation, etc...

A matching set of 10 Imari porcelain bowls with panels of birds and cranes surrounded by a brocade border. There is a blue and white peach design in the center interior with gold highlights, and a blue marking on the bottom. The bowls measure 2" high and 6" in diameter. The bowls date to the Meiji period, Circa 1880. Condition: The condition of all bowls is excellent with some small kiln flaws, and the gold covered edges show some rubbing. Free shipping within the USA.

Ceramic "tenmoku" bowl of classical shape with thick rim and small base. Fine glazing of "hare fur" type, part of which has run down gracefully to the base. An old accident at a small area on the rim has been restored (see last two photos). China, Song Dynasty period. Height: 4,6 cm. Diameter: 10,7 cm.

A Yuteki Tenmoku Koro with wooden lid surmounted by a stone finial by Kimura Moriyasu enclosed in the original signed wooden box. It is 5 inches (12.5 cm) diameter and in excellent condition.
Kimura Moriyasu (b. 1935) studied pottery initially at the Kyoto Ceramics Research Facility (which turned out such masters as Hamada Shoji and Kawai Kanjiro) and then under his brother Kimura Morikazu. He is well known for his use of crawling and oil spot glazes...

As mentioned before, what I love about the work of Teramoto Mamoru is it is so vivacious and full of life, full of movement. This vase has all that life and movement on a perfect, elegant form. Here also is another dimension, with the pebble textured surface breaking up the reflection of light granting a tactile quality to the silver. It comes enclosed in the original signed wooden box titled Ginasi Hachi (Silver Glazed Bowl) complete with Shiroi and shifuku...

Very simple teshoku, hand-held candle stick, used for walking around. The handle made of a bamboo segment, the head made of forged iron and an iron sheet saucer. Mingei. Japan, Edo period, early 19th century. Very rare piece.

L stick 10 in.; diam saucer 2 in.

Iron corroded, bamboo with crack the does not impact the stability or beauty of the piece. Traces of usage.

From the collection (estate) of William Lipton, Ltd., New York

very bn

Cast iron teapot. Very deep decoration. Nice quality of cast iron. Unusual interesting decoration, meticulous details (fineness of the dragon ties of the handle). Signed in relief on the back and under the lid. Difficult to date. Meiji or Edo ? only the translation of the signature could tell us the artist and the period. The handle inlaid with plants in silver. Good condition. Height without the handle: 15,5 cm with the handle 25 cm

Large cast iron teapot. Very elegant decoration of Mon and stylized flowers. Seems very old to me perhaps ealier than Edo. Datation of iron is difficult. The bottom is broken and glued with resin. It is not usable for tea anymore. Height without the handle : 17cm with the handle : 31 cm

A large Plate by Living National Treasure Hamada Shoji enclosed in the original signed wooden box titled Mori-sara. Splashes of black supplant the rich red Mashiko glaze. It is 12 inches (31.5 cm) diameter and in fine condition.
Hamada Shoji was born in Tokyo, and enrolled in the Tokyo Technical University at the age of 19. In 1918 he met the important British potter Bernard Leach, and the history of ceramic arts was forever changed...

Mask made of kiri (Paulownia) wood, showing the wide-laughing and dimpled face of god of good fortune (shichifukujin), Daikoku. The base of his hat just sitting on the top of his head.

The broad grain of the wood was used to accentuate the round cheeks, nose and nostrils. The wood was formerly stained with a reddish-brown color, now almost completely worn off...