Arai Yoshimune
Suma Beach
The figures carrying pails are making salt.
Date 1930s.
Size: Oban. 15.25 x 10.25 inches.
Unsigned.
Publisher: Nishinomiya Yosaku. Seal at left margin and back.
"Made in Japan" stamped on verso. Marked #103.
Medium: Japanese woodblock print.
Condition: Toning. Faint surface scuff on beach. Upper right margin corner crease. Back corners have mounting residue.

Arai Yoshimune
The Imperial Palace, Tokyo (penciled title, "Old Tokyo")
Date: ca. 1910s-38.
Size: Approximately 5.5 x 3.5 inches (14 x 9.1 cm)
Not signed (acquired with our artist-sealed Yoshimune053).
Publisher: Hasegawa Takejiro.
Medium: Japanese woodblock print attached along its top edge only to an unused holiday card.
Condition: Print is excellent. Card is toned.

Arai Yoshimune
The Temples in Shiba Park (penciled title, "Shinto Shrine)
Date: ca. 1910s-38.
Size: Approximately 5.5 x 3.5 inches (14 x 9.2 cm)
Artist's Yoshimune seal at lower left.
Publisher: Hasegawa Takejiro.
Medium: Japanese woodblock print attached along its top edge only to an unused holiday card.
Condition: Print is excellent. Card is toned and has lower left corner bend.

Arai Yoshimune
Fishing Boat
Date: 1910s.
This edition late 1950s or later.
Size: Chuban. Approximately 11.5 x 8.25 inches.
Artist's seal at left.
Publisher: Nishinomiya Yosaku. Seal at left margin.
Medium: Japanese woodblock print.
Condition: Excellent. Top margin has faint yellowish spot.

Arai Yoshimune
Fishing Village Under Snow
Date: ca. 1910.
Size: Chuban. Approximately 23.5 cm X 15.8 cm. 9.25 x 6.25 inches.
Artist's signature and seal at lower left.
Publisher: Matsumoto (No. 376).
Condition: Excellent. Light waviness in paper where the original publisher's tag is applied to the back.

Arai Yoshimune
Pine Beach By Moonlight
From the Hasegawa Night Scenes series.
Date: 1910s.
An early edition removed from its original matted presentation folder. Size: Chuban. Approximately 9.875 x 7.0 inches.
Publisher: Hasegawa
Condition: Faint matte line from original folder.
- A rarely encountered night scene design.

Arai Yoshimune
Sailing Boats at Anchor Under the Moon
Date: ca. 1910.
Size: Approximately 25.8 x 12.5 cm. 10.125 x 5.875 inches.
Artist's Yoshimune seal at lower left.
Publisher: Matsumoto. Catalog No. 385 tag on back.
Condition: Small white surface marks in sky. Verso has a couple of faint foxing marks near top. Margin mark.
Compare with our Yoshimune036 "Sailing Boats and Moon (1)."

Arai Yoshimune
Sailing Boats at Anchor Under the Moon
Date: ca. 1910.
Size: Approximately 25.8 x 12.5 cm. 10.125 x 5.875 inches.
Artist's Yoshimune seal at lower left.
Publisher: Matsumoto. Catalog No. 385 tag on back.
Medium: Japanese woodblock print.
Condition: Small white surface marks in sky. Verso has a couple of faint foxing marks near top. Margin mark.
Compare with our Yoshimune036 "Sailing Boats and Moon (1)."

Arai Yoshimune
View of Miyajima
Date: ca. 1910.
Size: Chuban. Approximately 23.2 cm 16.2 cm. 9.125 x 6.375 inches.
Artist's signature and seal at lower right.
Publisher: Matsumoto (No. 377).
Condition: Excellent. Very slight crease near top margin.

Araki Nobuyoshi, silver gelatine print, untitled, Signed on the back and dated ’09. Measurements: 27 x. 40 cm. Perfect condition. Nobuyoshi Araki (b. May 25, 1940) is a well known photographer and one of the most prolific Japanese artist, primarily known for his photographies that blend eroticism and bondage. His works are in Museums and private collections. Inquire for price.

In the world of Japanese ceramics, Tamamizu-ware has an almost mythical standing. A branch of the main Raku line, at one time the two kilns held equal prominence, both being endorsed by the major tea schools of Kyoto and both being favored by the Imperial household. The first in the line was an illegitimate son of Kichizaemon Ichinyu (Yahē) who studied under his father and then left to open his own kiln in the village of Tamamizu (known today as Ide-cho)...

We offer a beautiful deformed and heavy Japanese Bizen stoneware tsubo. It has expressive signs and spoils of the pottery making.

The brown colour with a little descent of yellow and orange are giving a smooth warm radiance to the viewer.

It is a unique Tsubo in excellent condition. No repairs, no damage.

It is from the late Edo period, 18-19th century.

Size: approx. 21cm in diameter, 16.5cm in height (8.26in, 6.49in)

Shipping included

This Hirado-yaki brush-rest—fashioned for the scholars desk of a bygone era—features meticulously sculpted plum blossoms set in a porcelain reproduction of a knotted plum branch. Hirado wares—alternately known as Mikawachi wares in some contexts—are known throughout Japan and also abroad for their high quality and fine craftsmanship and date back at least as far as the mid-18th century when they were produced exclusively for powerful lords and their families...

Over the years we have taken a special interest in Raku pottery, especially in pieces made by the original Raku family (16 generations) and by a branch kiln known as Tamamizu—started by the illegitimate son of the potter Ichinyū, whose work we see here. Approximately 350 years old, this piece displays a beautiful red glaze and has a shape known as “tsutsu” with high walls and a slender form making it ideal for keeping in heat during the cold winter months...

Used for ceremonial purposes by the Xia, Shang, and Zhou dynasties. Traditionally, the jue vessel was made of bronze with a pouring spout on either end and a pair of capped posts rising from the rim. This piece, although in the shape of a jue, is done in fine, powdery-blue celadon and is described on the tomobako as being a jue-shaped incense burner (korou).

Suwa Sozan the first (1852—1922) was born in an area of what is known today as Ishikawa prefecture...

A ceremonial presentation of Japanese yan one (arrow heads) to the Hachiman deity, performed by the Iwashimizu Hachimangu Temple.
These arrowheads are made the same as swords and other edged weapons as they are folded steel and most are tempered. Yanone were used for battle, hunting, gifts or rewards and for presentations as shown here. There are many different kinds of arrowhead and they all have their own special name. Togari-ya is a simple pointed design...

An interesting and well-shaped tea bowl, this Meiji piece surely has stories to tell. The gold repairs traversing one side of the bowl are extensive and skillfully applied, nicely complimenting the dark ferrous clay and flaxen glaze. Many find such repairs quite attractive and in this case they clearly add an extra dimension to this lovely work...

A rare and exquisite piece by the 12th Kichizaemon (1857-1932) of the Raku lineage, now in its 16th generation. Not only with excellent documentation including a certification and endorsement by famed tea-master Sei-sai and a record from its sale at the Tokyo Art Club in 1938, there are many facets of this work that make it a must-have for serious collectors. The color is quite unique among Raku tea bowls with a distinctive yellow glaze that you rarely find on works such as this...