The size of Bowl: 7 1/2" Dia x 3 3/8"High. Japanese Ko Imari Porcelain Bowl. The bowl has very good enamel works surface as well as on the backside. Surface side has the design of Eagle with Pine tree, clouds and bamboo grass. Insid rim area with blue underglaze and chrysanthemum design. Outside has a lots of enamel work with Peony flower and clouds. Very good works of blue underglaze design around foot rim. The condition of bowl is excellent, no chip, no crack and no hairline...

The size of Bowl: 8 3/4" Dia x 4"High. Japanese Ko Imari Porcelain Deep Bowl. The bowl has very good enamel works surface as well as on the backside. Surface has the design of Eagle with Pine tree, clouds and bamboo grass. Inside rim area with blue underglaze and chrysanthemum design. Outside has a lots of enamel work with Peony flower and clouds. Very good works of blue underglaze design around foot rim. The condition of bowl is excellent, no chip, no crack and no hairline...

Ebisu sits on a rock, a bamboo stalk in the hand, as if holding a fishing rod, a giant red carp stuck under his arm. Daikoku stands on rice bales and holds his hammer in the hand. Around them a split daikon and the coat and hat of invisibility. On the lower right two seals: Kachutei Ninsei (or Jinsei). Ink and colors on paper (black outlines are hand painted, NOT printed). Painted area 11 ¾ x 18 1/8 inches...

Half portrait of Daruma in bold strokes of gray and black. Lower right signature Isshin hitsu and two seals. Black and gray ink on paper. Painted area 36 ½ x 8 ½ inches. Toned, some horizontal creases, repaired missing area at lower middle. Celluloid scroll ends.

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The size of Plate: 7 1/4" Dia x 1 1/8". Pretty Japanese Ko Imari Plate. The plate has blue underglaze design with red, gold design in the center. There is two design around with total three windows and three strip decoration. One with Crane and Pine tree with gold karakusa design. Other stripe design with red Karakusa and green geometric design. All of design are done with very good detail work. The condiiton of plate very good, no chip, no crack and no hairline...

A surreal ink on cloth landscape by Kyoto artist Nakanishi Koseki (1807-1884) bordered in rich blue patterned silk and featuring radical flaring rosewood rollers. Soft ink tones and heavy washes of gray clash with the brisk strokes and jagged lines of the painting, creating a vivacious scene. The stamps on this match those on the next listing, a second scroll by Koseki. This scroll measures 19-3/4 by 76 inches (50.5 x 194 cm)...

Travel shrine, or zushi, with sitting figure of Kukai, carved in wood. The founder of the Shingon sect sits on a low pedestal, his shoes put underneath. In his left hand he holds the rosary, in the right he formerly held a vajra. Figure carved in plain wood, the pedestal decorated in gold and the typical red, white, green and blue. The inside of the doors decorated with lotus flowers in dull gold lacquer on shining gold lacquer...

Japanese woodblock print quadriptych (four panels) by Osaka actor Yoshitaki (1841-1899) dating circa 1860's. Each panel features an actor standing against an embossed, checkered background. The black ink signature of the artist is in the lower section of each panel. Each chuban sized sheet measures 9 1/2"V x 6 7/8"H...

A framed calligraphy fan painting by important Edo period poet Kawano Tetsuto (1825-1867), published in the book Shijin Kano Tetsuto (1932). The ancient paper fan is mounted in a field of gold flake bordered with black lacquered wood, the frame measuring 11-1/2 by 23-1/2 inches (29 x 59.5 cm). There is one spot of damage to the flecked gold mounting in the lower right (see photos). Tetsuto was an influential poet and scholar of the late Edo period, trained in the arts under Yoshida Kakusen an...

A fine Edo period portrait of a sinewy middle aged samurai proudly seated before a pair of swords, a table upon which rests an ink stone and book at his right elbow. Exquisite detail in the figures face and fine lines and shadows in the clothing are reminiscent of portraits by the great artist Watanabe Kazan. The portrait is signed Higashiyama Giryo and dated Tenpo 3 (1832) and the epitaph is signed Raijo. The portrait appears to be of a samurai named Kanda Hojo. The artist Giryo is likely a...

A pair of ancient iron tongs for working charcoal within the furo during the Japanese Tea Ceremony enclosed in an ancient wooden box titled HiBashi, Todaiji Kawara-Kugi, or charcoal tongs, Todaiji, Roof Tile Nails. One of the nails shows deterioration in the center where it rusted on the surface between the tile and the roof. The hand forged nails are just over 9 inches (23.5 cm) long, folded over on the flattened ends to form the head. The polished rusty surface, and the manner in which the ...

A lovely late Edo to early Meiji period square footed dish decorated with autumn grass and crosshatching in underglaze iron with a charming lacquer repair in one corner featuring a crescent moon expertly rendered. The dish has been formed on a cloth covered pattern; impressions remain visible in the surface through blanks in the thick white glaze. It was made with fluted corners, with 4 pressed on loop feet. The dish was dipped in glaze from one side, then held on edge, allowing the glaze to ...

Authentic Japanese Meiji period woodblock printed "mitate banzuke" dating from the late 19th century. Banzuke prints were designed to compare or rank virtually any subject, ranging from popular actors and sumo wrestlers to the best spas and restaurants. The banner at the top, which is being held by two winged cherubs, reads "Comparison of Good and Bad Housewives." The title in the middle translates "Women's Domestic Instructions," a phrase commonly used in materials intended to instruct girls...

Three Jokan Dolls are part of a Hina doll set for the Japanese Girl's Day. They are to serve the Emperor and Empress with drinks and food. The young and pretty are usually choosen for this role. Many sets have one older married woman sitting in the middle, possibly a supervising figure? Her hair is usually done in a less attractive manner and she often has her teeth blackened. It was the sign of being a married woman at the time. Here, one of the dolls has a black line across her tee...

Museum quality Japanese kimono - uchikake wedding gown. The condition of this kimono is excellent, amazingly well preserved without damage or repair. The black area has different shades with a muddy black color, particularly on the sleeves and the middle section of kimono where the black gradually changes to white. The gown is thinly padded (silk wadding) throughout and feather light with very soft silk. The dimension: 50 1/2 inches sleeve to sleeve, 59 inches long. Not wearable, please.

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A black-tailed white crane braves tempestuous seas before the massive orb of a blood red rising sun in this sensational late Edo period Kano style scroll. From the right a sinewy tree loaded with exaggerated fruits hangs precariously from the green face of a sheer cliff, its wild branches running helter-skelter through the dark sphere. Mist retreats beyond the horizon, regrouping for another night. A very unorthodox scene, each wave scratched out with soft gray, foam flying from the bird and ...

Very rare. Simple wooden zushi with a figure of Fudo Myoo sitting on a high rock before a flaming halo. In his right hand he holds a sword, in his left a rope.
On lower levels of the rock formation sits Seitaka doji, holding his scarf in his left hand and a (now missing) club in his right, and stands Kongara doji, holding a lotus flower in his hands.

Light brown CLAY, hand modeled (not molded!), fired at low temperature, painted dark brown. Back of halo engraved with name of temple an...

Tall zushi with wooden sculpture of Yakushi Nyorai standing on a high, double lotus base. In his left hand he holds a medicine jar, while his right hand is raised in mudra. Very simple, country style carving. Lotus base very well carved in wood, covered with gold lacquer. Figure is plain wood covered with soot patina. Names of the donors written in ink on the bottom of the case. Date unreadable. Edo period, mid 17th century, possibly earlier. Height of case 25 3/4 in. (65.8 cm). Figure in good c...