An enchanting tea bowl with painted plum blossoms. The blossoms appears to be of the "un-ryu" species which translates as "flying dragon" in English. Grounded and weighty in construction, the innocent and playful drawings on the outer surface of this tea bowl make for a well-balanced composition.

In excellent condition, this piece measure 4.7 inches in diameter (12 cm) and stands 4 inches tall (10 cm). It features a signature in the clay of the pedestal (unknown potter)...

A very bold and distinctive plate by well-known Bizen potter Kaneshige Makoto (Maruyama Kiln). The plate was purchased from an independent exhibition of Kaneshige’s early works close to 40 years ago and, following a accidental break, was skillfully repaired with gold joinery, or what is known as “kintsugi” in Japanese...

Kawase Hasui
Dusk (Twilight) at Ushibori
Size: Dai-oban. Approximately 17.0 x 11.75 inches.
Signed and sealed by the artist.
Date: 1930.
Publisher: Shobisha (acquired original blocks from Kawaguchi and Sakai). A posthumous edition.
Medium: Japanese woodblock print.
Condition: Excellent.

Japanese limited edition sosaku hanga “kappa-ban” (stencil print) on crumpled hand-made momigami paper by Sadao Watanabe (1913-1996) titled “Entry into Jerusalem” depicting Christ on a donkey riding over a flower strewn path and surrounded by a crowd of followers. Set against a light grey background. The print is signed and dated 1978 at the lower right and numbered 17/70 at the lower left, all in black ink. The paper measures about 27”V x 21”H (22 ½” unfolded)...

Japanese limited edition sosaku hanga “kappa-ban” (stencil print) on crumpled hand-made momigami paper by Sadao Watanabe (1913-1996) titled “The Crucifixion.” The black and white image of Jesus nailed to a red cross is set against a blue background. Mary and Saint John kneel in prayer at each side. The print is signed and dated 1980 at the lower right and numbered 11/80 at the lower left, all in white ink. The paper measures about 26”V x 23”H...

Japanese framed woodblock print by Joichi Hoshi (1913-1979), (1913-1979) "Moon and Tree", signed in pencil, circa 1978.

Size: 10" L x 12.5" H (entire frame) 5.25" L x 8" H (print only)

Japanese framed print by Mayumi Oda (1941-present) of a crane, titled "New Year" and signed in pencil. Mayumi is widely loved for her female empowering works, many of which are currently part of the permanent collections of the Museum of Modern Art, New York, Museum of Fine Arts, Boston, and more.

Size: (entire frame) 23" L x 28.5" H (print only) 15" L x 19.75" H

Japanese framed print by Yoshitoshi Mori (October 31, 1898 - May 29, 1992). Depiction of a beautiful geisha combing her hair with bright pops of color. Number 18/50, signed and dated 1978 in pencil.

Size: (entire frame) 17" Wx 24.5" H (artwork only) 10.5" W x 17.25" H

14 images spanning two pages each are sandwiched between the silk binding of this two sided accordion album by Zen Priest Inaba Shinden enclosed in the original storage sleeve. The images span from Mount fuji to the Daruma to Zen Circles, each annotated with some verse or Buddhist anecdote. It is in excellent condition, the album (closed) measuring 8-1/4 x 12 inches (21 x 30 cm).
Inaba Shinden (1906-1986) was an important priest of the Rinzai sect of Japanese Buddhism...

Japanese Pottery Gray and White Tea Bowl, 5" diameter-top rim, 2 3/4" high, with impressed mark on the bottom, 2" long glaze hairline on the side of the bowl.

This striking chawan is a fine example of “Oni Shino” (carbon trap and natural ash glazing) that Tsukigata is so well-known for. Coining the term in the mid-50’s after countless failed experiments—which ultimately culminated in the discovery of this unique style of pottery—“Oni” translates roughly to demon or ogre...

Original Japanese print by well known artist Mayumi Oda (1941-present), titled "Let Wisdom Arise Within Us" (Blue) , number 23/100, and signed in pencil along the bottom. Wonderful depiction of a goddess wielding a sword while riding on the back of a growling fu lion, surrounded by large bouquets of peonies, the flower petals blown around her by mystic winds.

Size: 19" W x 26" H

A large primitive robotic form by Morino Taimei in his iconic blue and gold dating from his experimental days in the early 1970 enclosed in the original signed wooden box titled Soji Shiho Kabin. It is 12 inches (30 cm) tall, 6 inches (15 cm) square and in excellent condition.
Taimei was born in Kyoto in 1934, and was first accepted into the Nitten National Exhibition at a relatively young age in 1957 (a year before graduating the Kyoto Municipal University of Fine Art!)...

Contemporary Korean single section kitchen cabinet, made with bold elm wood (Keyaki in Japanese). This piece has an upper and lower set of sliding doors with attractive latticework over rice paper. The top and mid region have four small drawers across, with the very top middle drawers as hidden compartments. The bottom of the piece has two doors on hinges, and a middle lock to match the others.

Size: 37.75" L x 17.25" W x 65" H

This extraordinary mizusashi is a fine example of Oni Shino (carbon trap and natural ash glazing) that Tsukigata is so well-known for. Coining the term in the mid-50’s after countless failed experiments—which ultimately culminated in the discovery of this unique style of pottery—“Oni” translates roughly to demon or ogre...

Japanese Late 20th Century (1995) porcelain charger by master ceramicist, Ono Hakuko (1925-1996). The charger has the design of fern leaves and blossoms done in Ono Hakuko's signature style with gold leaf underglaze. The charger is signed "Haku" on the bottom. The charger comes with TOMOBAKO, or original wooden artist signed storage box. The box is also signed by Ono Hakuko's son, Ono Jiro. It also comes with TOMOGIRE, or original artist stamped wrapping cloth...

The image of the brush-drawn circle, known most commonly as the “enso” of Japanese Buddhism, has long been a symbol of strength, elegance, and the simultaneous being and nonbeing (mu) of the universe. A closed enso is associated with the idea of perfection while an open enso represents movement, fluidity, and attainment in the corporeal world...