A Japanese tooled leather tobacco pouch decorated in low relief in gold and colors with shaped panels of boys at play, roosters, peonies, ducks, etc, silver peony shaped clasp; the pipe case in pressed fiber in imitation of rattan; agate ojime. Meiji period.

A variety of saya lacquer-style samples enclosed in a set of stacking boxes titled Nuri-Hon. Thirty samples covering inlays, various techniques such as nejiri, powdered shell, byakudan, wakasa, and tsugaru techniques. Each sample is roughly 3-1/2 inches (9 cm) lng, the boxes 7-1/2 x 4 x 1 inches (19 x 10 x 2 cm). Very rare and overall in fine condition, dating from the later Edo...

Japanese 20th century art glass vase by master glass artist, HISATOSHI IWATA. The beautiful handblown vase is done in a spotted purple and white with gold is entitled KAYOU, or "Brilliant Light". Hisatoshi Iwata was born in Tokyo in 1925 and he died in 1994. He graduated from the prestigious Tokyo School of Fine Arts in 1950. He has participated in all the major exhibitions in Japan. His works of art on part of the collections at the Corning Glass Museum and the Metropolitan...

Japanese carved wooden NETSUKE. Beautifully carved wood figure of FUKUROKUJU resting against his money bag. Unsigned. 1 1/4" length, 1 3/8" width by 1 1/16" tall.

From our Japanese Collection, a very fine and early Gosu Blue satsuma vase, late Edo Period circa 1840-1860, signed Gyozan. There are four separate gilt-framed panels: Two depict shi-shi, one depicts scholar's table objects, and one depicts a flowering plant. Each panel is surmounted by birds in flight on the upper shoulder, probably phoenix...

Japanese late 19th century sleeve from a stage costume. The sleeve has design hand embroidered on front and back. The front has a large pearl with 3 dragon claws showing around the edge. There are also plum blossoms, bamboo leaves and stylized clouds. The reverse has the 3 friends, bamboo, plum and pine with cloud designs. There is also a fabric handle for the piece. This type of sleeve was not actually worn, but held against the body during a performance...

Beautiful Kutani ware porcelain standing figure of Kannon Bodhisatva (Quanyin), she stands in a relaxed pose with flowing black robes decorated with feathers, she has elaborate gold jewelry and crown with a small buddha in headdress, carefully sculpted and painted from her lovely face to her toes which rest on lotus leaves, late Meiji/early Taisho Period. Minor repairs. Size: 17 1/2" high x 5 1/2" wide

An excellent pictorial reference book especially for novice collectors looking to train their eyes regarding how genuine pieces are supposed to look. Highly recommended with wonderful color photos throughout the entire volume. Four main sections addressing Satsuma, Imari, Hirado and Kutani...

Japanese Satsuma cup and saucer finely decorated in overglaze enamels and heavy gilt highlights with alternating reserves featuring various activities of the noble classes and Buddhist arhats. The inner rim is decorated with a hanging lantern motif and the interior bottom with Buddhist arhats. The base of each piece bears a gold rectangular Satsuma mark and circular Satsuma family crest. Saucer: 4 7/8” diameter; cup: 2 1/2” diameter x 2 3/8” high. Meiji period (late 19th 20th century)...

Striking large Japanese ceramic Tokoname jar, wonderful irregular shape, large kiln fragments, thick ash glaze with unusual subtle blue and yellow striations, Momoyama Period (1573-1615). (The Tokoname Kiln is considered one of the "6 Ancient Kilns" and was located at Tokoname on the Chita Peninsula, bordering Ise Bay.)

Size: 181/2" high x 17 1/2" wide x 17" deep.

Momoyama Period (1573-1615)

A lovely and cute Japanese pickle relish dish dated to the late Meiji period (1868-1912). The type is known as geisha ware due the subject matter so wonderfully represented. It is further without chips, cracks, or any damage whatsoever. It measures 9" long x 3.25" wide.

From our Japanese Collection, a superb Kinkozan satsuma vase of tapered ovoid form, Meiji Period 1868-1912, most likely 1880-1890, depicting a finely painted bijin on one panel along with finely painted roosters and flying birds in a garden setting on the other panel. Both main panels are separated by reserves of elaborate gilt work set against a rich cobalt blue ground. Kinkozan signature and impressed mark on the bottom...

In pristine condition, is this Japanese woodblock album displaying 6 famed prints, although these are not originals, yet they are actual wood block prints done for the 1964 Olympics in Japan. Please read the label description on book cover; the woodblocks are 44 years old with no soiling, smudge, or any imperfection whatsoever. They were adapted for stamps, but each are sized image area about 5" by 7" and each come with the original acid free protective tissue paper.

Japanese uchikake (wedding gown) with a colorful design of flowers and birds done in the Tsujigahana-zome (dye) style. The old Tsujigahana dye technique was used on the clothing of the Muromachi to Momoyama period elites. Inside the tie dyed area, flowers and birds were painted with blue, purple and black ink. Tsujigahana-dye was short lived and completely vanished by the early 17th century because of its extreme complexity...

An unusual chato (tea room sword) in the shape of an octopus, its 8 legs stretched out in uniform with one curled back exposing the suckers. Eyes are intimated on one side, with an old chip where the breathing hole is opposite. About the neck is wrapped a faded silk chord. It is 22 inches (56 cm) long. It is said that these wooden swords were produced from the mid to late Edo period, in lieu of swords for those not allowed to carry weapons (all but samurai)...

Beautiful Japanese maru obi! Obis can be used as a belt to hold a kimono together. The classic design from the Heian Period (794-1192AD) of ox carts, fans and court music instruments run throughout the front and back. The gold is woven into the fabric almost entirely and sparkles when it is hit by light – it has much gentler tones in the dark. The earth tone green and rusty brown are particularly pretty on this obi. With a thick padding inside, this obi will make a great decoration pi...

This is an uchikake robe (outer kimono gown) probably used as Kabuki stage costume. The bottom and the openings of sleeves are thickly padded with cotton stuffing. The design is large paulownia leaves and flowers. The exterior and liner are both thick cotton. This robe is old, and a little soiled but the fabrics still have not lost it’s strength. It is an attractive display piece. One small tear (hole) in red liner in the back, some broken couching stitches.

48” (1.22m) wide...

Japanese Satsuma foliate form bowl decorated in overglaze pigments and gilt highlights with a large bird in a cherry tree at the foreground set against a landscape scene with beauties in a pavilion at the right and a waterfall at the left. The exterior features three flying female mythological figures. The base bears a gold on black square “Satsuma Hotoda” mark and circular Satsuma family crest. 4 1/4” diameter x 1 3/4” high. Meiji period (late 19th century). Very good overall condi...