The end of the Edo period omijyofu indido dye hemp kasuri child kimono of charming pattern of treasure.There is no stain. There are two small holes in the sleeve. , but they don't stand out. It is a very delicate jyoufu hemp and is the best children's kimono. A hand-embroidered amulet is attached to the back. The silk waist straps on a white background are all original. It was carefully communicated and stored. I recommend it to your collection...

A medium sized Imari bowl from the 19th Century. The bowl is of fine quality and has a rare, hand applied, overall brocade decoration. In the inside there is a garden scene and a golden hawk that are made to look like they are from a rolled out scroll. The bowl measures about 2 1/2" high x 8 1/2" in diameter, and it is in excellent condition. There is a little wear on the gold highlights. The asking price includes shipping within the USA.

According to Kei Wakao, the artist who crafted this extraordinary work, it took him years of trial-and-error to perfect the unique rice-porcelain glaze covering this finely shaped vase. Not only was it a challenge to achieve the demure milky translucence of the glaze—similar to the appearance of a grain of rice when held to the light—but also to get the right flowing consistency and pooling effect in desired areas...

The trademark glaze on this delightful sake flask (tokkuri) is by none other than 8th generation Hagi potter Masanao Kaneta. Close inspection reveals flecks of reflective powdered shell on a backdrop of thick, translucent glaze with hues of orchid, salmon, and ivory. One of our favorite Hagi potters, if you have not previously experienced works by this artist we cannot recommend him enough.

Like the seven generations who proceeded him, Masanao Kaneta (b...

A Japanese thinly potted porcelain bowl that is decorated both inside and out with scenes of a Japanese village. The artist has detailed the houses, lake, boat, fisherman, people and a temple, and applied a beautiful gold border. The bowl measures about 2 1/2" high x 6" in diameter, and dates to the end of the Meiji Period. The bowl has been signed "eight days made", which is similar to the names of other Kutani studios from this period. The condition is excellent/perfect...

The potter who made this exquisite Oribe tea bowl came to be master of his craft in a rather unusual way. Born into a potting family and eventually taking over as the 6th generations head of the kiln. He carried on the family tradition while incorporating ancient potting techniques and methods from foreign lands...

Hiroshi Yoshida
A Little Temple Gate
Date: 1933.
Size: Oban. Approximately 15.75 x 10.75 inches.
Signed and sealed in the image. Titled and signed in pencil.
Jizuri seal at upper left margin indicating self-printing by the artist.
Medium: Japanese woodblock print.
Reference: Abe #181.
Condition: Excellent color. Light foxing on back very faintly visible in sky in places...

Old (1880's) Japanese Izushi Yaki Eishinsha Studio Vase with Pink Grapes Leaves Signed 出石盈進舎

It is 7.5 inches (19 cm) tall by 3.5 inches (9 cm) wide.

It has surface wears and scratches (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it for a 100% refund of the amount you originally paid...

A large Japanese porcelain plate with blue and white decoration showing a bird sitting in a peach tree. The chargers' decoration has been done in a manner that should appeal to Chinese style and taste. In Chinese mythology the peach is symbolic of long life and immortality, and the hoho bird also carries the wish for long life. The charger measures about 2 1/2" high x 14" in diameter, and it dates to the Edo Period, early 19th Century. The condition is excellent/perfect...

Mother of pearl flowers rise among the large leaves of a paulownia tree on this small lacquer box and tray dating from the early 20th century enclosed in the original signed wooden box by Yoshida Rissai. The workmanship is flawless, with a fine sense of depth brought on by the mother of pearl lined with gold powder and set against a ground of golden mist on black. Inside is a rich, red tinged nashiji ground...

Six matching pairs of sterling silver salts and pepper shakers, artistically done in the form of the koi (carp or goldfish). The container for the salt is also silver, and the finely ground pepper loads into a threaded hole at the base and comes out of the holes in the mouth and eyes. Each fish measures about 3 1/2" long, and is marked "sterling". The 12 pieces weigh a total of about 11 ounces...

A black Raku ceremonial tea bowl displaying an excellent patina bestowed by time...

HONEYCOMB ROOSTER

Rooster of Japanese honeycomb paper craft called 'Denguri' (lit. Somersault) in Japanese for its acting as "fliping it over", Showa period, pre-1960s, approx. 24 x 20cm (9.44 x 7.87in) when folded.


selected by Jinta




* Please understand that EMS shipping fee is additionally charged, and also confirm our Sales Policy before purchase, since your order will be assumed to have fully acknow...

Hiroshi Yoshida
In a Temple Yard
Date: 1935.
Size: Oban. Approximately 16.00 x 10.625 inches.
Signed and sealed in the image. Titled and signed in pencil.
Jizuri seal at upper left margin indicating self-printing by the artist.
Reference: Abe #197.
Medium: Japanese woodblock print.
Condition: Excellent color. A few surface marks at upper right. On the back, a conservator has removed adhered paper at the top and bottom right.

Yuki-boshi (snow hat) made of weed and from Shonai region in Yamagata prefecture in Tohoku district. It is said it was worn by "matagi", a hunter. It has fragments of washi dyed with kakishibu (persimmon tannin) for waterproof. The second half of the 19th to early 20th century. In good condition. 45cm x 50cm

Noragi (work wear) made of asa (hemp) whose both wets and warps are hand-plied. The sleeves are vegetable indigo dyed cotton. A few holes with mending patches. Late 19th to mid 20th century. 109cm x 71cm

Gold willows drape over the highly unusual silver-tinged blue lacquer surface of this water container by Tonami Sosai II enclosed in the original signed wooden box titled Uwajima Nuri Seigin Yanagi Te-oke Mizusashi (Silver Blue Uwajima Lacquer, Willow, Bucket Shaped Mizusashi). The outside is a shimmering blue tinged with silver, while inside is black covered in powdered silver flake. A striking combination. The willow is delicately depicted in tendrils of gold about the circumference, on the...

Arai Yoshimune
Pine Beach By Moonlight
From the Hasegawa Night Scenes series.
Date: 1910s.
An early edition removed from its original matted presentation folder. Size: Chuban. Approximately 9.875 x 7.0 inches.
Publisher: Hasegawa
Condition: Faint matte line from original folder.
- A rarely encountered night scene design.