A fine so-called “Deshima”, or more likely a scene of Scheveningen in the Netherlands or an imaginary composition based upon it, after an unknown original by Frederik van Frytom. The bowl is decorated with four elements of the pattern, two figures in a field, a female figure with cow held upon a leash, a rider in a landscape, and a “light-house”, beacon upon a hill...

A fine so-called “Deshima”, or more likely a scene of Scheveningen in the Netherlands or an imaginary composition based upon it, after an unknown original by Frederik van Frytom. Although this is the most reproduced version in the literature the design is actually a sinofication of the original Dutch landscape...

A saucer form dish decorated in a full five colour Ko Imari “wucai”, gosai palette. The design arranged in fuyo-de Kraak style with a border of six sectional compartments each containing a panels of “Persian flowers”, precious objects, and Chinese figures standing upon a bridge in a stylised landscape. The central mikomi painted with rocks, viewing stones, and foliage and Banana plantain, basho, flanking a pair of small “Deshima style” figures, standing on a podium...

A saucer form dish decorated in a full five colour Ko Imari “wucai”, gosai palette. The design arranged in fuyo-de Kraak style with a border of six sectional compartments each containing a panels of “Persian flowers”, precious objects, and Chinese figures standing upon a bridge in a stylised landscape. The central mikomi painted with rocks, viewing stones, and foliage and Banana plantain, basho, flanking a pair of small “Deshima style” figures, standing on a podium...

Occupation era original Japanese shin hanga woodblock print titled "Kanetsuki Hall Bell Tower, Okayama" by Kawase Hasui (1883-1957) dated in the lower left margin Showa 22 (1947). The artist's black ink signature and red seal are at the lower left corner of the image. The 6mm circular seal of the publisher Watanabe (used 1946-1957) is at the lower right corner. Paper size: 15 1/2" x 10 1/4" (image size: 14 1/4" x just over 9 1/2"). Excellent condition. Never framed...

A Japanese Arita deep dish, early 19th century. The dish is decorated with Ho-o birds and branches of flowering paulownia. The back with clouds and bats and a single spur mark. The Dutch refer to this palette of red and gold on white porcelain as ‘Milk & Blood’.

There is the remains of a collectors mark on the back

Approximately 20 cm diameter...

A Japanese Arita deep dish, early 19th century. The dish is decorated with Ho-o birds and branches of flowering paulownia. The back with clouds and bats and a single spur mark. The Dutch refer to this palette of red and gold on white porcelain as ‘Milk & Blood’.

There is the remains of a collectors mark on the back

Approximately 20 cm diameter...

Man's han-gappa which was worn over kimono when he went out and made of hand-spun cotton, both outside and the lining. It is in very dark green, dyed with natural indigo and vegetable yellow. It has beautiful two kinds of katazome (stencil-resist dye) for lining which is natural indigo dyed. The collar is made of imported wool...

A splendid stoneware dish by Sakuma Totaro (1900-1976) with the original signed and inscribed storage box, tomobako. Showa period, mid 20th century.

A substantial dish with deep brown iron glaze leaves on a jade green copper glaze. The back of the dish is undecorated and covered in a transparent ash glaze...

A fine and large stoneware dish by Sakuma Totaro (1900~1979). Decorated with a flowering plum tree against an oatmeal coloured ground. The back is plain and glazed with a clear transparent ash glaze.

The original wood storage box (tomobako) lid is inscribed in ink "Mashiko decorative dish with plum in iron oxide", the signature of the potter with his red seal.

First son of Sakuma Fukujiro, a mingei potter in Mashiko, Totaro studied ceramics with his father...

A fine and large stoneware dish by Sakuma Totaro (1900~1979). Decorated with a flowering plum tree against a transparent ash glazed ground. The back is plain and glazed with a clear ash glaze...

Nishimura Hodo
Summer Rain
Date: 1930s.
Size: Mitsugiriban. Approximately 15.5 x 7.25 inches.
Publisher: Takemura Shokai (stamp in left margin). Takemura Hideo label on back.
Signed by the artist. Takemura seal below signature.
Edition: First and only.
Medium: Japanese woodblock print.
Condition: Excellent. Top back corners have paper residue.

Antique Japanese Scroll Triptych, signed Sumiyoshi Hirosada (1793-1862) , 7th head of the Sumiyoshi line of painters. Three paintings: One painting is of two men meeting on a mountain path, pines and blossoming plum trees dot the hillside and the rooftops of a fishing village can be seen emerging through the mist. Another scroll depicts a lady seated at her writing table by her pavilion window. Outside, the moon shines above pine covered hills. The third scroll shows a Tori gate and s...

Antique Japanese small tansu chest made all of kiri (paulownia) wood. The chest is configured with seven drawers of various sizes: 3 small drawers above 2 medium drawers above 2 large drawers. Black iron hardware includes 7 round lock plates, circular corner bracing and square drawer pulls.

Meiji Period (1868-1912)

Dimensions: 23 1/4" high x 27" wide x 13" deep.

Pair of Japanese damascene candlesticks, the body of each with dramatic imagery of serpentine dragons and fireballs. The foliate petal rims decorated with chrysanthemums and coiling vines, and the tripod feet with auspicious objects and flowers. Both candlesticks are signed "Kuma" in gilt pigment on the base.

19th Century Meiji Period (1868-1912)

Dimensions: 4 1/4" x 9" H

An Arita porcelain deep dish painted in shades of underglaze blue with fishermen in a boat in a river landscape. This item was made in Japan, during the Edo period, in the second half of the 18th Century. Condition: there is a glaze imperfection (bottom left) below the boat; no damages and no repairs or restoration. 22 cm / 8.7 inches diameter

A pair of powerful Shishi guardian carvings dating from the later Edo period, 18th-19th century, in the Ah-Un expression (Exhaling and inhaling). Ah-Un has many allusions, it is the beginning and end of the alphabet, summarizing all in between, and is said to be inhaling good fortune, and exhaling bad. Glass eyes inset into very human faces. They are 10-1/2 inches (26.5 cm) tall, 9-1/2 x 5-1/2 inches (24 x 14 cm). Ah has a chip in the foot and tip of the tail whereas the end of the tail has ...

Ohara Koson
Crow on Snowy Bough
Size: Approximately 6.25 x 4.25 inches.
Date: ca. 1930s.
Unsigned as originally issued.
Publisher: Daikokuya (Matsuki Heikichi).
Reference: #48b on page 72 of Crows, Cranes and Camellias: The Natural World of Ohara Koson (Reigle Newland).
Provenance: The Robert O. Muller estate.
"Made in Japan" stamped on back.
Condition: Excellent. Never displayed.