Antique Japanese pipe holder carved out of an antler, with a detailed front carving of one man in a fighting stance with a second man thrown to the ground. The holder hangs by a carved tree branch. Late Edo Early Meiji Period (circa 19th Century) Size: 8" length, 1.75" width

This is Rikushaku-kanban where cotton cloth spun by hand for Edo period was used for. This cotton has the good feel. As for this, a crest is a letter of Kotobuki. The letter of Kotobuki expresses words and a ceremony of the celebration. A letter and the pattern of the cross filler are dyed in Tsutsugaki. This has a stain in several places. Size 150cm x 129cm (59 "x 50.7")

A whimsical boxwood carving of a fisherman with look of shock on his face as an octopus crawls out of his basket and onto his head and shoulders. The extreme care and detail of this piece along with the amusing expressions make it especially wonderful. Signed by "Kogetsu". Meiji age (1868-1912) Provenance: From the Jordan Schnitzer Museum of Art, University of Oregon. Size: 6" height, 3.5" width

This is costume of Kabukino of the Taisho era. Sasani-tuyu of the pattern is bamboo grass and the dew. There are some a few stains of the aging, but does not stand out. There is not the damage, and the state is complete. Size 127cm x 119cm (50 "x 46, 8")

We like to present you from our family collection our only tsutsu winter chawan. Aesthetic old winter chawans are hard to find - so take your chance. Its a Shino Chawan with fantastic glaze and a perfect kintsugi gold repair. Once you hold it in your hands you will refuse to give it back. It dates back to the middle Edo Period and comes with an old wood box.

Size: 4,6'' height x 3,6'' in diameter.

Shipping included

This is cotton Haori used in Kyoto for Edo period. As for this, the surface side is a stripe pattern, and the inside is Katazome- dyeing. The inside Katazome dyeing is a design of the grain of wood. As for this, cotton is spun by hand and is thick. In the upper part of the sleeve right as for this 4cm (there is a tear of 1.5 “).) And there is a tear of 10cm (3.9 ") in the upper part of the left sleeve. There is not the stain damage elsewhere...

Antique Japanese Yonezawa two-section lacquered tansu. Made from Kiri wood (paulownia) front with Sugi (cedar) wood frame Its drawers open with iron mokko/melon style handles, and with large, round lock plates incised with kiri leaf mon as well as fan-shaped corner hardware. Side lockbox has two small drawers within. Original Charming lacquer finish. Late Edo early Meiji Period (circa 1850's - 1900) Size: 45.25" height, 44" width, 16.75" depth

This soulful image of a Japanese hamlet in the depths of winter was done by one of the most renowned and loved waka poets of the 19th century, Ōtagaki Rengetsu (1791-1875).

Born into a Samurai family but soon after adopted by the Ōtagaki family, from the age of seven to sixteen Rengetsu was a lady in waiting at Kameoka castle where she was trained in the arts and courtly graces...

This poetry and artwork, done by one of the most renowned and loved waka poets of the 19th century—Ōtagaki Rengetsu (1791-1875), tells the story of a personal moment of joy and contemplation upon returning home one autumn evening accompanied by the brilliant moon above...

A symbol of health and prosperity, these ripe eggplants were painted by Hasegawa Gyokuhou (1822 - 1879), a disciple of one of Kyoto’s leading Shijo school artists, Matsumara Keibun (1779 - 1843). The attached stylized calligraphic poem, which speaks of accomplishment and being productive in one’s endeavors, was done by one of Japan’s most renowned and loved waka poets of the 19th century—Ōtagaki Rengetsu (1791-1875)...

A Japanese woodblock print titled "Nikko Sacred Bridge"by renowned artist Tsuchiya Koitsu (1870-1949). Inscription and red seal in bottom corner. Born in 1870 near Hamamatsu City (Shizuoka Prefecture) with the name"Sahei." Koitsu moved to Tokyo at the age of fifteen. He had planned to apprentice with Matsuzaki, a carver for the artist Kobayashi Kiyochika, but instead, he became Kiyochika's apprentice and moved into his home to study art and print design...

This is Noshime used in a district for the Meiji period. This is woven with silk and cotton. The line of the part of the waist is drawn on this freely by hand. This has several places of changes of color of the aging, but does not stand out. This does not have damage. This is Kyougen clothes used in a local side. In the present age, this is not seen very much. Size 130cm x 131cm (51.1 "x 51.5")

Antique Japanese large bronze suiban, or shallow dish for the display of viewing stones and small plants. The legs have been wonderfully casted to resemble gnarled vines, or perhaps a Buddha's hand citron fruit. One side of the suiban displays a raised dragon flying through incised winds. The other side shows two lounging tigers...

Antique Japanese chop case made of boxwood and carved with a beautiful lady. The Inside of the box is still coated with powdered orange-red seal ink, at the base of the box is a semi circular bead made of amber, the top of the box is closed with a bead of bone and a smaller one of coral, the toggle is the shell of a cone snail, the sea creature hunts with a venomous barb. Meiji Period (1868 - 1912) Size of the box: 3" High

Antique Japanese iron medallion with the image of a shrine to Buddha within a forested area. The figures have been nicely sculpted and are accented by natural patina. 19th Century Size: 4" diameter

Antique Japanese bronze mirror with a recessed interior scene in which two cranes and a large turtle kiss in a marshy environment. The turtle's shell has been pierced through so that a cord may be slipped through for holding the mirror. 18th Century Size: 4.75" diameter, .75" depth

This is really an exquisite piece of Japanese Satsuma. It is signed by Seikozan who was one of the finest satsuma artists. The pot is not overly large being 6 inches tall and 6 1/2 across including the spout/handle. The Condition is fabulous. This is a great piece of Satsuma especially at this price.

Antique Japanese bronze yatate, a pipe shaped container for the carrying of cotton saturated with calligraphy ink with a long shaft for a brush. The main component is cylindrical in shape with an inner compartment and an outer decorative area with scrolling vines and flowers. The lid has a kiri leaf design. The brush shaft has a fu dog towards the top and scrolling vines with kiri leaves running down towards the end, where it stands on an elephant's head...