Oni mask in dark brown patina lacquered wood with finely sculpted details. The expression of the mask, although funny, is imbued with a slight fear, creating a balance between the comical and the disturbing. The painted glass eyes add a magnetic depth. Origin: Japan Period: Edo 19th century Dimensions: 12 x 10 x 7 cm. State of conservation: Very good

Large and spectacular Art Deco baluster bronze vase by Shizan ( Takano Ryoichi) with geometrical pattern carved and inlaid with silver. ******By Takano Ryoichi (born in Takaoka, Toyama prefecture, in 1907), signed Shizan
. Shizan was the art name for Takano Ryoichi, from Takaoka City, Toyama Prefecture. He had a long artistic career since the beginning of Showa (1926-1989), was awarded several prizes at exhibitions; member of Japan Kogei Association...

A fantastic maki-e vase by greatest Heian Zohiko Nishimura Hikobei VIII in great condition. It was made around 1950. An alloyed copper inner tray is also included.

Hikobei VIII(1886~1965) delved heavily into laquerware technology, creating a vast array of well-known works from the end of the Meiji period through the early Showa period.

His works were featured in world expositions as well as in national industrial fairs, winning prizes along the way...

A large, rustic and beautiful flower basket, Hanakago for flower arrangement. Signed Gyokukosai . Madake, smoked bamboo. Technique used: strips of bamboo braided and interwoven together. H 35 x 33 x 30 cm. It comes with a new Otoshi. Japan, around 1950-60. Very good condition.

Antique Japanese ikebana (flower arranging) basket made of split bamboo. Bold pattern with root wood handle wrapped in strips of bamboo. Subtle variegated coloring and patina.

Age: Taisho Period (early 20th century)

Dimensions: 17" high x 11" wide

Antique Japanese finely woven ikebana basket with tall handle. Tightly woven with very thin strips of split bamboo and intricate knot work. Formal, even shape. Signed by the artist.

Age: Meiji Period (1868-1912)

Dimensions: 19 3/4" high x 10" wide x 9" deep

This is beautiful Japanese master work by Makuzu Kozan stand 3 1/2 in high 5 in diameter is in very good condition with no damage This Koro incenser has nice Eenamel hand painted work If you have any question please let me know

Plum Tree. Painted with ink on paper. Signed and sealed.

The piece has been restored and remounted, so some traces of restoration are present, otherwise it is in excellent condition. It is accompanied by a paulownia wood storage box, which is slightly damaged.

Painting: W8 5/8” x H37 3/8” (W22cm x H95cm)
Scroll: W13 5/8”x H67 3/4” (W34.5cm x H172cm)

Bird and Flower. Painted with ink and pigments on silk. Signed Ohshin and sealed. It is attributed to Maruyama Oshin (1790-1838).

Maruyama Oshin (1790-1838) was a son of Oju, the grand son of Okyo, who was adopted into the main branch of the family in order to devote himself to painting and eventually become the family's next head. He was excelled at various subject of paintings such as bird and flower, figure and landscape...

Tosa school painting depicted a pair of crane with turtle. Painted with ink and pigments on silk. Signed and sealed.

Tosa Mitsuzane was a Japanese artist active during late Edo period(1603-1868) in Japan. He was the eldest son of Tosa Mitsusada (1738-1806). After his father’s death, Mitsuzane succeeded his father’s position retained artist by the Tokugawa shogunate. He worked on wall paintings at Edo castle...

Wow! A wide slab banded with galactic color which stands at a striking angle, challenging our sense of spatial cognizance by Hashimoto Tomonari. Created in 2023, it is 48 x 15 x 37 cm (18 x 6 x 14-1/2 inches) and is in prefect condition, directly from the artist. It comes with a signed wooden placard titled, as are all his sculptures, untitled.
Hashimoto Tomonari was born the son of a sculptor and has felt comfortable with the processes of creation since childhood...

Kajibanten (fireman's jacket) with sashiko, made of cotton. It has hand-drawn "shachi" motif, which is a mythical carp with the head of a lion and the body of a fish and it is an auspicious protecter. Generally, in good condition but some wear in the neck and brownish stain near hem. 19th century. W:122cm, L:87cm

Two pairs of fireman's gloves made of cotton and hand-stitched sashiko. Long ones are used but in good condition. Short one look almost new. The second half of the 19th century. Long gloves L:40cm, W:17cm. Short gloves L:24cm, W:14cm

Girl's hanten worn at the festival or ceremony with the girl's name "Kimiko" in front. Itis made of hand-spun cotton and cotton lining with katazome (stencil-resist-dye) crane motif. In excellent condition except for two tiny holes in front. Late 19th to early 20th century. W:73cm, L:53cm

Contemporary netsuke of a bee sitting on a honeycomb with grubs and honey cells. Walrus tusk, honey cells are inlaid with Baltic amber. Excellent carving, great realistic depiction of the insect, wonderful patina. Signed on the bottom by the artist Sergey Chernyavskiy. Length 1.87 inches.

Bashofu kimono hand-woven of ito-basho, which is a family of banana tree, for both wefts and warps. The brown weft kasur and stripe yarns are dyed with extract liquid from tree or root of "sharinbai", which is a family of rose. Bashofu has been woven in many Islands in Okinawa for everyday kimono or work wear. The first half of the 20th century. In good condition except for a bit of wear in front. W:110cm, L:98cm

Bashofu kimono hand-woven of ito-basho, which is a family of banana tree, for both wefts and warps. The blue stripe yarn is dyed with Ryukyu-ai, vegetable indigo in Okinawa. Bashofu has been woven in many Islands in Okinawa from old days, for everyday kimono or work wear. The first half of the 20th century. In good condition except for a few brownish stains. W:120cm, L:117cm

Written on the box in Japanese script are the words “Awai Sakura Yu” translating to English as “Pale Cherry Blossom Glaze”—amply describing the appearance of this unique and frankly stunning work of Kutani pottery by artist Nakata Kazuo. Reminiscent of pieces by well-known artist Ōno Hakuko, there are striated lines of silver leaf running vertical below the surface of the glaze, interrupted in places, allowing the eye to wander across the entire surface...