KUGUTSU

Mask part of primitive wooden puppet as the original form transitioning to Ningyo Joruri (Japanese puppet drama) called Kugutsu. Edo period (1603-1868). approx. 14.3 x 19.5 x 6 cm (5.62 x 7.67 x 2.36in)...

ABSTRACT

Oil painting on canvas by a Japanese painter, Toyoko Okumura (1939-), 24 x 33.3 x 1.5 cm (9.44 x 13.11 x 0.59in)

More her works, https://hotoke-antiques.com/toyoko-okumura/


selected by hotoke




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SOTOMIYA

Miniature version of Japanese outdoor wooden shrine called 'sotomiya' (as the opposite type of interior household shrine called 'kamidana'), Showa period, 20th century, approx. H 26.2 x W 18.5 x D 18.8 cm (10.31 x 7.28 x 7.40in). Some damage as is as seen. No object enshrined (since this little snake is not attached), so that please arrange something worshiped into by yourself...

CEMETERY DRAWING

Old paper scroll of hand-drawn cemetery layout of a Buddhist temple called Kokyu-ji in Indian ink, with detailed information including the dead person's name and date, and the location of Jizo, tree, and path, ordered by a village officer named Kakigi Sanjuro in May 8th, Tempo 11 (1840) during the Edo period. All extended: approx. 130 x 51.5 cm (51.18 x 20.27in). Some stains and rips due to aging as is...

Introducing a Commemorative Takatori Tea Bowl, skillfully crafted by Takatori Hassen 13th (b. 1934) and used in the esteemed Tokugawa Art Museum Tea Ceremony of 1975...

Contemporary Tea Cup by Master Takeuchi Shingo A fine tea cup of sculptural shape with inlaid polychrome geometric patterns. H 9 x 8,5 cm ca. Signed at the bottom; artist’s information paper follow. Condition: Perfect.  Takeuchi Shingo was born in 1955 in Seto. Until 1979 studied at the Aichi Prefectural Ceramics Research Facility and than with one of the great master potter, Kato Shuntei II. In 1982 establishing his own kiln in Seto...

TEA CEREMONIAL POT WITH DRIPPING GLAZE

Unique and rare find of an old Japanese double-eared pottery tea utensil ware for the use of flowering or incense made of the well-burnt blackish clay containing rich in iron in the traditional but more like organic forming by refined tebineri (hand-forming) finished with such wildly dripping glaze, 19th - early 20th century, approx...

LARGE SQUID MOLD

Vintage wooden mold for making traditional Japanese confectionery specially for auspicious occasion called ‘Kashigata’ with such unique detailed carvings of squid, Showa period, 1950s, 34 x 16 x 4 cm (13.38 x 6.29 x 1.57in)...

MASK

Aged wood carving mask with such mysterious fascination that would be actually once used for Kyogen play or some kind of folk theatrical performances, Edo period, Japan, 14.8 x 10.3 x 3.5 cm (5.82 x 4.05 x 1.37in).


selected by titcoRet




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Murakoshi Takuma is a cherubic fellow who loves to share a cup. Therefore, he is quite good at making a guinomi you would not like to put down. This is a perfect example of that, a wide, shallow guinomi on a tall foot, undulating inside and out and covered in his tell-tale combination of Ash, Feldspar and Iron with occasional visions of untouched raw Shigaraki clay which he has poetically named Shunju or colors of the seasons...

DRIFTING MELON

Japanese rubber ‘Food sample’ (Food model or Fake food) that has been washed ashore...

SAMPLE BOOK WITH KNITTINGS

Japanese school girl's handmade sample book with the actual 20 knitting works and each written description by the right page. Showa period, 20th century. Book: 28 x 19 x 8 cm (11.02 x 7.48 x 3.14in). Once untied its binding string for the photo shooting...

TOOL OF INDIGO DYEING CRAFTSMAN

Unique handmade tool made of newspaper used as a rubbing pad for pressing (like a "Baren" for printing from wooden block), 1970s, Japan, D 11 x H 10 cm (4.33 x 3.93in).


selected by Jinta




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FOOT TALISMANS

Pair of tin sandals made and didicated to temple/shrine to pray for the safety of practitioners (shugenja) or itinerant Buddhist monks (yamabushi) who do the Shugen-do mountaineering ascetic, with the Indian-ink sign of a Japanese four-character idiom as "Realisation of Great ambition". Showa period, 20th century, Japan. approx. 25 x 9 x 6 cm (9.84 x 3.54 x 2.36in)...

STONE BECKONING CAT

Japanese stone carving 'Maneki-neko' (https://en.wikipedia.org/wiki/Maneki-neko) with such a lovely easygoing face, 20th century, H 19 x W 9.5 x D 9 cm (7.48 x 3.74 x 3.54in), in aesthetically weathered condition as is with no major damage as seen...

Yoshimoto Gesso
Cherry Blossoms
Date: 1930s.
Print size: Approximately 10 x 5 inches.
Publisher: Nishinomiya Yosaku (Stamp on verso)
Artist's signature lower right.
Medium: Japanese woodblock print.
Condition: Back top edge has paper residue.

FLASK OF OCTOPUS-ARABESQUE DESIGN

Still life painting of traditional blue and white porcelain flask with Tako-Karakusa (Octopus-Arabesque) pattern, by a Japanese painter, Shibayama Toshihiko. Oil, canvas. Showa-Heisei period, late 20th - early 21st century...

A flat and circular kogo – incense box – made out of skillfully turned pine wood, stained or thinly lacquered dark brown. On the inside of the cover are two red lacquer kao (seals) by a tea master for whom the piece was made.

Unsigned, Japan, early to mid-19th century

H 0.75 x diam 2.55 in.

Excellent condition

Comes with an inscribed wooden storage box: Cha, marugata, kogo (tea, circular shape, incense box).

Although neither the kogo, nor the storage box is sign...