Japanese antique 4 section butsudan (Buddhist shrine for household use). The exterior is lacquered all black with double cabinet doors to the shrine area. The interior of the butsudan is lacquered gold and black and has ornate carved details of phoenixes and a dragon just below the shrine roof area. Details of birds and waves are carved in the area below. The interior shrine compartment has a slide out tray as well as a small compartment with gold lacquer sliding panels...

This is a hydrangea pattern and a high technique of yuzen dye, and shadow and the color of the leaf are expressed boldly. It is the gem which does not exist in other tsutsugaki. It is a painting of wonderful yuzen dye. Tsutsugaki is done by a considerably exact technology. It is a wonderful masterpiece of Edo at latter term. There is slightly a repair mark.It has several small holes.The material is hemp (superior grass cloth)and cotton. size:162cm x 140cm (63.7" x 55.1")

A unique gold gild chawan with stunning painting, made of Kasama-yaki.

It dates from the late Meiji Period and comes with the original box.

Perfect condition.

Size: 7,5 cm h. - 11 cm d.

Shipping included

Charred glaze runs in rivulets, blasted around the sides of this Kamahen Bizen vase by Yamamoto Izuru enclosed in the original signed wooden box. The vessel is 10 inches (25.5 cm) tall, roughly 5 inches (13 cm) diameter and in excellent condition.
Yamamoto Izuru was born into the family of famous potter Yamamoto Toshu in 1944...

This is an absolutely rare black Seto chawan ( setoguro chawan ) from the late Momoyama Period, which means the late 16th century or the changeover from Azuchi Momoyama to early Edo.

Blackish-brown glaze amalgamates with a wild and roughly thrown body. It is very heavy for a tea bowl, almost 500g. Please note that there is also an interesting kiln mark ( watch image number 3 )

Setoguro yaki is high-fired ware that originated in the late 16th century...

A very rare painting of a skull and scattered bones lost to autumns dead grasses by important 20th century Zen priest Takeda Mokurai. Ink on paper bordered in brown cloth with gray extensions; dark wood rollers. The scroll is 16 by 68 cm (40.5 x 172.5 cm) in fine condition.
Mokurai began his journey down the Buddhist path at the age of 7 under the priest Ryodo...

Douchuugi is Kimono which a person wore at the time of going out. This Douchuugi is the kimono which a samurai wore in a trip. List cloth is cotton. And lacquer is painted the surface with. Because it was able to rub against the surface which created beautiful changes. However, it is beautiful like "unintentional art". The lining is very good hemp of the Katazome- dye.It has three places of repair. There is one place of thin stain. Size: 83cm x 128cm (32.6 "x 50.3") It has three places of repair...

A superb Sajigawa stone of deep olive patina, completely natural, on a carved rosewood base and enclosed in a fine old straight grain wood box. Notice the entirely natural arch growing between the two spires. This is incredibly rare and a fine prize. This would be considered a house shaped stone, reminiscent of a farm-house and its adjoining out-building, a covered passage between. Saji stones come from the Saji river in Tottori prefecture...

An Exhibited pottery box by Watanabe kunio enclosed in the original wooden box titled Iro-e Kin/Gin-Sai KiKaMon ToBako. This piece was featured on the exhibition invitation at the Marue Gallery (included). It measures 9 inches (23 cm) across, 2 inches (5 cm) tall and is in excellent condition.
The first time I saw this artists work I was blown away by the precision, skill and beauty inherent...

Our Kutsu / gutsu gata ( shoe shaped ) tea bowl is made of iron bearing Karatsu clay.

Its fastly but expertly thrown body is glazed inside and outside, with the exception of the bottom including the roughly cut foot ring with an ash glaze which has some Feldspat mixed in glaze...

This is a 17th century Karatsu ware tokkuri made of oldest Karatsu clay.

It gives a perfect impression of wabi-sabi..

It has no water leak, no repairs and no damage.

Size: 14 cm x 8,5 cm height / width

Shipping is included

Japanese silk kimono decorated with a beautiful scene of flowers including irises, peonies, and chrysanthemums with a little stream in color with gold details all on a very light cream color ground, Taisho Period. Size: 58" high x 51" wide.

Pale Sunset colors show mottled through the grays of this fine vase by important Hagi artist Kaneta Masanao enclosed in the original signed wooden box. It is 10 x 7 x 8 inches (25 x 18 x 21 cm) and is in fine condition.
Masano likely needs no introduction, certainly one of Hagi is most well known names, he has been displayed both nationally and internationally innumerable times...

Lacquer covers the natural curves of this wood tray for use in the service of Sencha leaf Green Tea. It is 10 x 14-1/2 x 1 inches (25.5 x 37 x 2.5 cm). The bottom shows wear typical of use.
The importance of Sencha in the late Edo and Meiji periods cannot be overlooked, and has been studied in depth in the book Tea of the Sages, the Art of Sencha by Patricia Jane Graham.

Large storage jug of typical Shigaraki stoneware with small white inclusions, made in three sections, decorated in multicolor enamel and gold with a cat making a mouse train come to an abrupt halt...

This is a very special Japanese cloisonne bowl. It was made by Ogasawara Shuzo. Shuzo's ability to capture a life-like quality make his pieces with fish some of the finest ever created in the Meiji Era. The bowls is in excellent condition. It measures 7 inches across and is 3 1/2 inches tall.

We offer a really rare kiseto ( yellow seto ware ) chawan from the Momoyama Period with tanpan marks ( copper green marks ).

It is a high fired ware from the end of the 16th. century in the Aburage-Hada style.

The early Kiseto glazes ( yellow Seto ) from the Muromachi period are considered to be attempts to emulate Chinese celadons from the Song dynasty. The composition of the wood ash feldspar glazes largely resembled that of the celadons; however, in oxidation instead of...

Form and Texture, a beautiful white vase by Taniguchi Ryozo enclosed in the original signed wooden box. It is 8-1/2 inches (22 cm) tall and in fine condition, dating circa 1973.
Ryozo (1926-1996) studied initially under Kiyomizu Rokubei VI. He was first accepted into the Japan Academy of Arts exhibition in 1948, and subsequently into the Nitten National exhibition in 1951 and exhibited there often after, receiving many prizes including the Hokuto-sho, Prime Ministers Prize and Kiku-ka-s...