An antique Japanese Ikebana bamboo basket in a baluster form. A pair of twisting branches form the handle and extend in a swirl pattern around the body. The knots connecting the branches to the body take the shape of stylized cranes and turtles. The body has a criss cross spiral weave.

Age: Circa 1900-1920

Dimensions: 11" Wide by 22" High by 9 3/8" Deep

Hemp furoshiki (wrapping cloth) made of hemp whose warps and wefts are hand-plied. It is dyed with vegetable indigo. It has many original mending patches, holes and worn out. The second half of the 19th century. W:105cm, L:112cm

Asa (hemp or ramie) baby boy's ceremonial kimono, whose wefts and warps are hand plied. It is worn by a newborn baby about one month later of the birth, on the occasion of "Omiya-mairi" that is the first visit to the local shrine wishing for the healthy growth. It is not actually worn but put over a baby. It is hitoe (no lining) kimono, so that it is used in summer. It has beautiful wave and crane motif which is hand painting. In excellent condition. Late 19th to early 20th century...

Yuki-boshi (snow hat) or yuki-kabuto (snow helmet) made of palm tree fiber and vegetable indigo dye cotton inside. It has washi painted with Paulownia oil for waterproof, between outside and cotton indigo lining. It is from Shonai region in Yamagata prefecture in Tohoku district. It is said it was worn by "matagi", a hunter. The first half of the 20th century. In good condition with belts inside are left, which is rather rare. 40cm x 50cm

Enryakuji Temple, Hiyeizan (Hieizan), Kyoto.
Artist not identified.
Dated November 12th, 1935.
Medium: Japanese woodblock print as the cover of a dinner menu of the Nippon Yusen Line passenger ship, Chichibu Maru.
Condition: Image is dented and scratched in places, particularly the upper left.
Note: These menus were printed using woodblocks carved by an artist. Mechanization was added to the process.

Tsuchiya Koitsu
Lake Chuzenji in Nikko
Size: 5.625 x 3.625 inches.
Publisher: Takemura Hideo.
Date: 1930s.
Koitsu's Shinsei seal at lower left.
Koitsu catalog no.: TK-TM-121.
Medium: Japanese woodblock print.
Condition: Faint mark in snow near title.

Uehara Konen (1878-1940)
Pagoda and Moon
Size: 5.0 x 3.25 inches. 12.8 x 8.4 cm.
ca. 1910.
Published by Kobayashi Bunshichi. The publisher's shop and many works did not survive the 1923 earthquake.
Artist's seal lower right.
Publisher's seal right.
Cartouche with number 262 in Japanese at right.
Medium: Japanese woodblock print.
Condition. Ink dot in tree.

This ia a Japanese antique Thick handspun & natural indigo dye katazome long fabric of meiji era . It's a tsunagi-sankaibishi pattern. There are two small holes near the end. There is a light stain. They are not disturbing, and as a whole it is in very good condition. Size::Length::176cm( 69.2inch) Width:: 34cm( 13.3inch)

Oribe glaze has been liked as traditional glaze since 16th century in Japan. It's made of copper, makes green in reducing atmosphere and red in oxidized air. This piece also has traditional pattern by iron glaze. It is also possibly used as a small vase, not only as a sake sever. Size: 8.7cm(D) 19.0cm(H) Accessary: none

Oribe glaze has been liked as traditional glaze since 16th century in Japan. It's made of copper, makes green in reducing atmosphere and red in oxidized air. It makes interesting pattern mixed green and red. It is also possibly used as a small vase, not only as a sake sever. Size: 8.0cm(D) 15.8cm(H) Accessary: none

This is a precious indigo-dyed striped hemp child kimono Edo period (1800-1867). It is a natural material. It's very charming. No stains or damage. I recommend it for your collection. Size::Length 50cm(19.7inch) / Cuff to cuff, across the back: (26inch)

A beautiful pair of chosen-karatsu glaze plate with stem. They were fired with pine fire wood. They would be suitable for western style. Size: 15.6cm(D) 5.3cm(H)

TWO JAPANESE WOODBLOCK PRINTS COMMEMORATING FREDERICK STARR & NOSATSU.

Frederick Starr was a professor of anthropology at Chicago University who first visited Japan in 1904 and made many subsequent visits. He wrote many papers on Japanese subjects but is probably best known in Japan for his interest in pilgrimage, he dressed in traditional pilgrim’s clothing and performed the Shikoku pilgrimage in 1917 and 1921...

A thickly potted Arita porcelain vase finely decorated with polychrome enamels depicting three Cranes amongst flowering Peony shrubs. This item was made in Japan in the 19th Century. Condition: excellent - no damages and no restoration. 24.5cm (9.5inches) high.

Japanese antique black formal winter silk kimono hand dyed and finely painted along the bottom with a powerful predator hawk or falcon on rockery preparing to attack a much smaller chidori (plover) flying above churning water. The scene is set against a landscape of pine branches on a pale celadon background. Symbols of military strength, Japanese artists historically painted raptors for the wealthy nobility and samurai warriors who ruled Japan...

The size of Scroll: 56" Long x 25 3/4" Wide without scroll end. Painting size 17 1/4"Long x 20"Wide. The scroll was painted on paper. The beautiful Sansui, Landscape by Artist name. Gendo. The subject of painting with Country house with man working in his yard. Very nice brush strokes. The scroll has beautiful brocade works around. The dating of scroll from 1960-70's. The condition of scroll excellent. No stains. The scroll was painted by Gendo which is signed and chop sealed lower left...

An Arita porcelain small bowl with barbed lotus style lobed rim, a namasu, typically used in Japanese cuisine to serve various pickles. Potted in mid 17C transitional Chinese style without a foot-rim as such, but an unglazed ring, kodai. The interior of the bowl painted in ko-sometsuke style. One half painted with Su Shi’s “First Ode to the Red Cliffe”, divided into twelve columns reading from right to left...

An Arita foliate form dish decorated in underglaze blue with a band of auspicious shippo, cash, connoting a wish for wealth combined with mounds of evergreen Japanese Forrest grass, a symbol of longevity. Similar designs are to be found on Kakiemon porcelain of the Empo period where the same stylised motifs are used. The reverse painted with a sketchy small leaf arabesque combined with a spiral fuku in a double square...