Antique Japanese large wooden single panel screen painted with a scene of flying cranes and pine trees. Painted in mineral colors on kiri (paulownia) wood and framed in hardwood with bamboo details on the lower portion.

Age: Meiji Period (1868-1912)

Dimensions: 62 1/2" high x 74" wide x 17 3/4" deep

Antique Japanese fusuma (sliding door panel). Painting with a crane and pine tree on a background of gold mist. Painted in mineral colors on a sugi (cryptomeria) wood panel and framed with black lacquered hinoki (Japanese cypress) wood.

Age: Meiji Period (1868-1912)

Dimensions: 68 1/4" high x 36 1/4" wide x 1 1/4" deep

Antique Japanese Screen Painting in 3 panels of a group of cranes. 8 adult cranes stand with two chicks. They are painted large scale and stand out dramatically against an all gold ground. Painted in mineral colors and gold leaf on paper and mounted in 3 frames. The signature & seal both show the painter's name as 松究 Shо̄kyū.

Age: Taisho Period (early 20th century)

Dimensions: 66 3/4" high x 109" long (total all three panels together. Size of each panel: left and r...

It is an astonishing vase which does not resemble anything known.The shape is very elegant and the decor simple but powerful. But I have absolutely no idea what it is. It is probably buffed sandstone rather than terracotta. The decoration presents a dragon in slight relief pursuing the sacred pearl. The decoration seems to me molded rather than sculpted. A cream glaze covers the whole, stained with brown iron oxide. On the shoulder there are 4 heads of bearded old men which can be used as rings ...

Antique Japanese idoguruma (well pulley) made of Oribe ware ceramic. Glazed with traditional Oribe brown floral motifs and green drips on a buff color ground. The pulley wheel is attached to it's original keyaki (elm) wood frame. Wonderful age and patina.

Age: Edo Period (early 1800's)

Dimensions: 11 3/4" wide diameter x 30 1/4" total length

Antique Japanese mixed metal kabuto (samurai helmet) and iron mempo (samurai face guard) mounted on metal stands.
The kabuto is also listed separately as item #1464528. A rare example Japanese zunari kabuto (samurai helmet) made all of iron with a mixed metal (gold & silver) design of a dragon in swirling clouds. The eyes and whiskers of the dragon are inlaid gold and it's body coils all the way around the hachi (dome). The mabizashi (visor) is edged in bronze and decorated with more wis...

An abstract sculpture made of fused, oblong and un-glazed porcelain tubes. The piece has been modified by willful hammering to provide it with the desired shape. Signed and dated: Takeuchi Kouzo 2009, a unique piece in the ‘Modern Remains’ series. Takeuchi Kouzo was born in 1977 in Hyogo Prefecture. In 2001 he graduated from Osaka University of Arts ; went on to study at Tajimi Municipal Ceramic Design Institute, Gifu graduating in 2003. Takeuchi has quickly become one of the leading expo...

A small four-fold iron tsuitate, damascened in gold and silver, showing a scene with a minogame turtle and two figures in a landscape. The reverse engraved with a crane among the "three friends of winter". Condition: fine, only minimal wear to gilding, base with little glue residue. Dimension opened: c. 15 x 27.3 cm.

Japanese bronze sheep.

Age: Japan, Showa Period, 20th Century
Size: Height 10.4 C.M. / Width 8.5 C.M. / Length 11.2 C.M. (size excluding stand)
Condition: Nice condition overall. Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

Japanese bronze vase with nice form, used to decorate single flower arrangement in Japanese traditional tea ceremony.

Age: Japan, Showa Period, Early 20th Century
Size: Height 29 C.M. / Width 15 C.M. (size excluding stand)
Condition: Nice condition overall. Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

An earing clings to the “mimi” on this fabulous ash glazed vessel by one of our favorite hidden treasures, Tamura Roppo, enclosed in the original signed wooden box titled Koshu Iga Mimitsuki Hanaire. The traditional form is affixed with two “ears”, from one of which clings one tremulous drip of ash, seeming to slightly weigh down that side. Happenstance occurring at just the right place at just the right time during the firing process that it survived without falling or breaking off. I...

Beautiful golden Kyo-yaki tea bowl by Murata Toshimitsu in perfect condition with the design of hand painted iris flowers. It was made 50 years ago and comes with originally signed and sealed wooden box.

Murata Toshimitsu 村田俊光 was born 1941. After graduating from Kyoto Ceramic Training School, he started training in ceramics under the guidance of his father Murata Toen and succeeded the family business.

Selected for the Japan Traditional Craft Exhibition for the f...

FISHMONGER'S SHOP SIGN

Wood carving codfish displayed in a fish shop in Korea, early 20th century. approx. 50 x 8 x 2.7cm (19.68 x 3.14 x 1.06in). Uniquely realistic expression. Some expected flaws due to use and aging, but in generally good condition as is. (*Other objects are not attached.)


selected by kikue




* Please understand that EMS shipping fee is additionally charged, and also confirm our Sales Poli...

An exquisite vessel in white with elegant stripes of soft color by hard to find Niwa Ryochi enclosed in the original signed wooden box titled Senmon Tsubo. There is a palpable grace to the piece which seems to reflect the Japanese appreciation of silence and shadows. It is 27.5 cm (11 inches) diameter, 33 cm (13 inches) tall and in excellent condition. Hirashimizu-yaki started when the Lord Niwa Jizaemon, invited Tojihei Ono, a potter from Ibaraki, to make pottery using clay from Chitoseyam...

The pottery style know as “nerikomi” or sometimes “neriage” in Japan is a technique where various colors and consistencies of clay are stacked together and then cut through to reveal a unique pattern. Here we see a beautiful execution of this approach by potter Wakasugi Naomi (b. 1974) who spent many years perfecting the technique. Wakasugi typically uses Shigaraki clay and porcelain clay from Kyoto in her works and says that when she first started out very few people were ma...

A key figure in the Japanese folk craft movement of the 20th century, Fujita Kyohei is credited with helping to develop a thriving glass-working community within Japan. Best known for his “dream” or “Liuli” boxes—very colorful and skillfully crafted boxes that often incorporated gold and silver leaf into their designs. Here we see a piece that would likely have been crafted earlier in his career but that demonstrates his masterful technique even then. In 1972 Fujita, along ...

Here we see a Chinese style celadon floral bowl by one of the 5 Imperial Court Artists of Meiji. The potter, Sozan, spent his life perfecting techniques for celadon production first used in the Southern Song Dynasty as evidenced here with his powdery blue “kinuta” glaze. The low-relief floral design really brings an elegance to this work and the celadon glaze seems to have an inner radiance all its own.

Sozan (the first) was born in an area of what is known today as ...

The craftsman who fashioned this piece, the 9th Ohi Chozaimon (1901-1986), is the most widely recognized and most accomplished of the now 11 generations of Ohi potters. Born in Ishikawa Prefecture at the start of the 20th century, he took up the family craft and, at the age of 26, became the head potter. Raku tea bowls made by Ohi 9 are some of the finest you will encounter, comparing favorably to even tea bowls made by the main Raku lineage in Kyoto. The lightness of the clay, the s...