Matcha bowl in clay decorated with two hare, partly glazed.
A fine contrast between the unglazed foot, which retains the raw color and rough, matt appearance of the clay, and the rest of the bowl, which is partly glazed with a brown layer with a smooth and shiny appearance. The body is underglazed with two running hares and a sayagata motif (derived frow swastika, a symbol of good fortune).
Unidentified mark on the foot.

In Japanese, the hare and the rabbit are referred ...

PAIR OF RIRUAL TRAYS

Korean traditional wooden offering stands, early-mid 20th century, approx. 21 x 18.2 x H 5.7cm (8.26 x 7.16 x 2.24in) each. Profoundly aesthetically applyable to flower stand or so. Some expected deterioration due to aging as is.


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WOODEN CANDY MOLD AND HOW-TO BOOK ON SWEETS

Set of wooden mold for making rakugan (hard candy) from Showa period, mid 20th century, and illustrated book for how to make various types of sweets from Taisho 2 as 1913. The mold had been actually used at that time. The book is written well-detailed contents including the guide for use of materials or retail price, etc. 30 pages with illustrations, 54 pages with only texts, and rest of many blank pages (and one removed ...

A large powerful and deep repousse Tibetan piece with features raised almost 5/8", measuring 4-1/4" in height by X 3-3/4" in width. In excellent condition with complete original gilding intact. Minor loss to the flaming aureole. Excellent detail. A substantial early depiction of a great subject.

Fine Rare Chinese Yuan Dynasty Burnished Black Pottery Bottle / Vase

This very rare and attractive pottery vase, or bottle, of "yuhuchun" (pear-shaped) form is finely-potted and has a highly polished surface, very smooth to the touch. It has a flared mouth and stands on a fairly sturdy flared foot. In places on the surface there is a silvery-blueish "metallic" sheen, a result of long burial. Simply exquisite !

Height 23 cm (9 inches). It is in exceptional condition and has no restoration...

Carved bamboo statuette representing Shou Lao, Chinese god of longevity. The god is represented standing, holding a peach in one hand and a stick ending in a mushroom Ling-zhi in the other, all the attributes of long life. The carving is precise, as can be judged by the regular parallelism of the hairs of the beard. The sculpture is elegant, the movements of the dress are harmonious and the finishes are of good quality. The bamboo has a nice old patina. Chinese work from the 19th century or bef...

A playful sculpture which challenges the viewers perception by Hayashi Yasuo enclosed in the original signed wooden box titled simply Sakuhin (work). It is 12.5 x 9 x 12.5 cm and in perfect condition. According to a description of a similar work in the collection of the Met: Hayashi’s series of black and gray coil-built trompe l’oeil “boxes,” a group that was inspired by his experience flying without lights at night as a kamikaze pilot... this work presents new ways of looking at three-...

Medallion in red silk embroidered with stylized flowers in colored silk and scrolls embroidered with gold metallic ribbons. The reverse lined with old rose colored silk. Precise and careful details, of the best quality. No catering. Complete medallion. Full gold ribbons, some slightly worn as seen in photos. Diameter: 295 to 300mm. 19th century Chinese work. It is rare to find antique silk from this period in good condition. On the reverse a label bearing the numbers of a collection.Some Beijin ...

Chinese Eastern Wei - Northern Qi Dynasty Painted Pottery Horse & Rider with Oxford TL Test

This attractive pottery model of a cloaked and hooded rider was made in the 6th Century during either the Eastern Wei Dynasty (AD 534 - 550) or the following Northern Qi Dynasty (AD 550 - 577). Pottery horses from this period have a distinct style different to the more common and later Tang Dynasty equivalents.

It has been made from a fine-grained grey pottery that has been "cold painted" in a cr...

Chinese Tang Dynasty Painted Pottery Saddled Horse with Oxford TL Test

This pottery model of a saddled horse was made during the Tang Dynasty (AD 618 - 906). It is "heavily-potted" and made from a reddish pottery. The horse stands alert with its head head up and turned slightly to its left. The surface has been "cold painted" in a reddish-brown pigment with details picked out in red, black and white pigments.

Height 28 cm. It is in good condition with any possible repairs having been per...

Rare Chinese Neolithic Banpo Cord-Impressed Pottery Amphora (Published)

This rather archaic looking pottery amphora was made over 6,000 years ago during the Banpo phase (c. 4800 - 4300 BC) of the Yangshao culture in present-day Shaanxi province. It is particularly heavily-potted and that has, no doubt, contributed greatly to its survival in almost perfect condition. It has two sturdy loop handles on opposing sides at the waist with the middle section of the body having been decorated with re...

Fine Large Chinese Western Han Dynasty Painted Pottery Kneeling Figure (206 BC - AD 8).

This rare pottery figure of a kneeling servant or attendant was made during the Western Han Dynasty (206 BC - AD 8). It is made from a grey pottery that is unusually highly-fired, having an almost "metallic" ring to it when tapped. It has been "cold painted" in a base coat of white pigment on top of which have been painted pink, red and black pigments with, remarkably, almost all of the original pigment s...

This is a japanese antique Edo period (1800-1867)hemp Buddhist Shugensha hanten coat worn by Shugen practitioners and Yamabushi who practiced Shugendo. Shugendo is a unique Japanese religion that combines Buddhism, Shinto and the worship of nature (mountains). It has some light stains and one very small hole, but is in very good condition. Size::Length :90 cm (35.3 inch) / Sleeve to sleeve :128 cm (50.3 inch)

PAIR OF MALE AND FEMALE PHOENIX RICE CAKE MOLDS

Traditional Korean wood carving rice cake molds with geometrical patterns, late 20th century, 10 x 8 x H 11cm (3.93 x 3.14 x 4.33in), 8 x 7 x H 10.7cm (3.14 x 2.75 x 4.21in). Massive weight. Some expected stains, scratches, and cracks due to aging as is.


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Flower vase with angular shoulder and angular hip, slightly curving in on the sides and standing on a bamboo node foot. Heavy but fine gray stoneware that turned reddish brown upon firing, covered with a celadon green glaze with curved striations made by tracing with his finger. The places where the glaze is scraped back to the stoneware, the clay turned red-brown during firing. Neck covered in cream-colored glaze, inside brown speckled glaze, all typical for Mashiko.

Mingei

Mashiko ...

Rare Chinese Neolithic Three-Handled Jar - Qijia Culture

This very rare pottery jar was made around 4,000 years ago by peoples of the Neolithic Qijia Culture (c. 2050 - 1700 BC), from what is now eastern Gansu province, China. They produced a variety of pottery vessels including cord-impressed pottery of many shapes and sizes as well as a variety of finer vessels such as this, with none, one, two or three handles, although those with three handles are extremely rare. It is relatively highly-...

A set of Chinese pottery musical instrument in animal bird shape with brown glaze.

Age: China, Tang Dynasty, A.D. 618 - 907
Size: Height 3.8 - 4.1 C.M. / Width 5.2 - 6.3 C.M.
Condition: Nice glaze and condition overall. Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

A striking soft-glazed six-sided incense burner by Maki Hokusai decorated with white flower blossoms on soft flesh colored glaze surmounted by a silver lid pierced with the character Kotobuki (Fortune) by Hata Zoroku. The pot itself is 10 cm tall, plus the sliver lid. It comes in an ancient wooden box signed by Zoroku.
Hata Zoroku I (1823-1890) learned metalwork techniques in the studio of Ryubundo in Kyoto. Hata produced works for the Imperial Household and it is known that he made the...